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NATIONAL BEST SELLER • A mind-bending new collection of short stories from the internationally acclaimed, best-selling author. • “Some novelists hold a mirror up to the world and some, like Haruki Murakami, use the mirror as a portal to a universe hidden beyond it.” —The Wall Street Journal The eight stories in this new book are all told in the first person by a classic Murakami narrator. From memories of youth, meditations on music, and an ardent love of baseball, to dreamlike scenarios and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator may or may not be Murakami himself. Is it memoir or fiction? The reader decides. Philosophical and mysterious, the stories in First Person Singular all touch beautifully on love and solitude, childhood and memory. . . all with a signature Murakami twist.
This sequel to the First Person Singular volumes published in 1980 and 1991, respectively (SiHoLS 21 and 61) presents autobiographical accounts by major North American linguists. This material provides an important primary source for the history and development of the discipline during the 20th century. The volume includes photographs of all contributors and is completed by a full index of biographical names and a detailed index of subjects and languages which turn it into a useful research tool.
Set against the black backdrop of a ruthless Minnesota winter, KJ Erickson's debut novel is bursting with masterfully plotted suspense and intricately rendered characters. Prickly but gifted Minneapolis Special Detective Marshall "Mars" Bahr is a man whose devotion to his eight-year-old son is eclipsed only by his love of the hunt. Mars hasn't won any popularity contests among his fellow officers, but his commitment to his job and his investigative talents have gotten him a plumb assignment: Special Detective in charge of the First Response Unit, reporting directly to the chief. On a winter morning, when Mars is called to the scene of a homicide near the outskirts of town, his first thought is that a homeless drunk passed out in the wrong place on a freezing cold night. What he finds turns out to be much more menacing, a nightmare case involving a teenage girl from the right side of the tracks. With few clues and increasing pressure from the mayor on down to apprehend the killer, Mars is forced to turn away from the details of the crime on the bluffs and instead focus on the victim herself. Mary Pat Fitzgerald seemed to have a storybook lifestyle, at least from the outside. With a little digging, however, it becomes clear that appearances can be deceiving. Mars and his partner, Nettie Frisch, turn up some provocative clues in the search to uncover the truth about the young woman's lonely death-- but can they trust them? Third Person Singular is a multilayered screamer of a debut that will have readers breathlessly awaiting KJ Erickson's next effort.
Conjoined twins Owen and Porter Jamison, inhabiting one body with two heads, one torso, and two very different hearts, find their tentative bond threatened when Owen discovers that he is gay, which nearly destroys Porter's marriage as a complicated romantic rectangle develops. Original.
An award-winning novel of love, betrayal, and Arab Israeli identity by the author of Dancing Arabs—“one of the most important contemporary Hebrew writers” (Haaretz). A successful Arab criminal attorney and a social worker-turned-artist find their lives intersecting under the most curious of circumstances. The lawyer has a thriving practice in Jerusalem, a large house, and a Mercedes. He speaks both Arabic and Hebrew, and lives with his wife and two young children. To maintain his image as a sophisticated Israeli Arab, he makes frequent visits to a local bookstore and picks up popular novels. But on one fateful evening, he decides to buy a used copy of Tolstoy’s The Kreutzer Sonata, a book his wife once recommended. Tucked in its pages, he finds a love letter, in Arabic . . . in his wife’s handwriting. Consumed with suspicion and jealousy, he decides to hunt down the book’s previous owner—a man named Yonatan. But Yonatan’s identity is more complex than the attorney imagined. In the process of dredging up old ghosts and secrets, the lawyer breaks the fragile threads that hold all of their lives together. Winner of the 2011 Bernstein Prize, Second Person Singular is “part comedy of manners, part psychological mystery” (The Boston Globe) that offers “sharp insights on the assumptions made about race, religion, ethnicity, and class that shape Israeli identity” (Publishers Weekly). “[Kashua’s] dry wit shines.” —Los Angeles Times “Kashua’s protagonists struggle, often comically . . . making his narratives more nuanced than some of the other Arabs writing about the conflict” —Newsweek “Sayed Kashua is a brilliant, funny, humane writer who effortlessly overturns any and all preconceptions about the Middle East. God, I love him.” —Gary Shteyngart, author of Super Sad True Love Story
Lingis's singular works of philosophy aren't so much written as performed, and in this work the performance is brilliant, a consummate act of philosophical reckoning. This book is, at the same time, an elegant cultural analysis of how subjectivity is differently and collectively understood, invested, and situated.
Do people with multiple personalities have more than one self? The first full-length philosophical study of multiple personality disorder, First Person Plural maintains that even the deeply divided multiple personality contains an underlying psychological unity. Braude updates his work in this revised edition to discuss recent empirical and conceptual developments, including the charge that clinicians induce false memories in their patients, and the professional redefinition of "multiple personality disorder" as "dissociative identity disorder."
In this innovative exploration, told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration. Focused on the 1990s, when debates over voice and representation were particularly explosive, this captivating study examines a range of told-to narratives in conjunction with key political events that have shaped the struggle for Aboriginal rights to reveal how these narratives impact larger debates about Indigenous voice and literary and political sovereignty.
This sequel to First Person Singular (1980) presents autobiographical sketches of 15 eminent scholars in the language sciences. These personal reminiscences on their careers in linguistics reflect developments in the field over the past decades and shed light on the role each of them played and the influences they underwent. This book is a valuable source for scholars of the history of ideas in general and for historiographers of linguistics in particular, while it makes interesting reading for every linguist interested in the history of the discipline. The volume includes photographs of all contributors and is completed by an index of names and an index of subjects and languages.
The island of Borneo was once the most heavily wooded in the world, and its people have always carved wood beautifully. In KILLERNOVA, grappling with his heritage, Omar Musa remixes this ancient art form with fiery poetry forged in the stars.With equal parts swagger, humour and vulnerability, Musa charts a journey through the colonial history of South-East Asia, environmental destruction, oceans, bushfires, race in Australia, the isolation and addiction of COVID lockdown, family, lost love and, ultimately, recovery.Relentlessly on beat, visually captivating and deceptively intimate, this is a collection of words and art that burns blindingly bright.