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#1 NEW YORK TIMES BESTSELLER • The thrilling history of the Targaryens comes to life in this masterly work, the inspiration for HBO’s Game of Thrones prequel series House of the Dragon “The thrill of Fire & Blood is the thrill of all Martin’s fantasy work: familiar myths debunked, the whole trope table flipped.”—Entertainment Weekly Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire & Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart. What really happened during the Dance of the Dragons? Why was it so deadly to visit Valyria after the Doom? What were Maegor the Cruel’s worst crimes? What was it like in Westeros when dragons ruled the skies? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty-five black-and-white illustrations by artist Doug Wheatley—including five illustrations exclusive to the trade paperback edition. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed. With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire & Blood is the first volume of the definitive two-part history of the Targaryens, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros. Praise for Fire & Blood “A masterpiece of popular historical fiction.”—The Sunday Times “The saga is a rich and dark one, full of both the title’s promised elements. . . . It’s hard not to thrill to the descriptions of dragons engaging in airborne combat, or the dilemma of whether defeated rulers should ‘bend the knee,’ ‘take the black’ and join the Night’s Watch, or simply meet an inventive and horrible end.”—The Guardian
“A tremendously compelling debut of rare skill” (Phil Klay, author of Redeployment) about a soldier who goes AWOL from Afghanistan and returns home to unravel the mystery of his wife’s death. When Coop—a U.S. Army paratrooper serving in Afghanistan—is called urgently to his Captain’s office, he fears he’s headed for a court martial. Coop has been keeping a terrible secret from his fellow soldiers, and worries he’s been discovered. Instead, his life is devastated in a different way: his wife, Kay, has been killed in a hit-and-run. Given a brief leave to fly back to New York and attend to Kay’s affairs, Coop is increasingly disturbed by the suspicious circumstances of his wife’s death. He decides to go AWOL, using his military training to uncover the real story behind Kay’s fatal accident. As he circles in on the truth, Coop must distinguish ally from enemy among a cast of players in the Bronx underworld: Albanian heroin smugglers, shady cops, corrupt rehab doctors, and his wife’s family, a powerful clan of financial elites. Navigating this new battlefield, he’ll have to find justice for Kay while also seeking his own redemption. Humming with mystery and grief, Fire in the Blood is a compulsively readable thriller about the wars we fight, whether overseas, in our city streets, or in the depths of our own hearts.
From the celebrated author of the international bestseller Suite Française, a newly discovered novel, a story of passion and long-kept secrets, set against the background of a rural French village in the years before World War II.Written in 1941, Fire in the Blood – only now assembled in its entirety – teems with the intertwined lives of an insular French village in the years before the war, when "peace" was less important as a political state than as a coveted personal condition: the untroubled pinnacle of happiness. At the center of the novel is Silvio, who has returned to this small town after years away. As his narration unfolds, we are given an intimate picture of the loves and infidelities, the scandals, the youthful ardor and regrets of age that tie Silvio to the long-guarded secrets of the past.
Tiefling heroine Farideh returns to the Forgotten Realms' game of thrones in this riveting fourth installment in the Brimstone Angels series Young warlock Farideh and her twin, Havilar, have ventured to the capital of the Corymr empire, where their friend Aubrin Crownsilver is set to marry a Princess of the Royal Blood. No sooner do they arrive than they are thrust into a ruthless battle for the throne . . . Meanwhile, Farideh must also grapple with her newfound connection to Asmodeus, the archdevil God of Sin who has marked her as one of his Chosen. As the war brought on by the Sundering rages across Faerûn, princes and princesses, wizards and rogues scheme to capture the seat of power of the Land of the Purple Dragon—with Farideh and her allies caught squarely in the middle. Fire in the Blood is the fourth book in the Brimstone Angels series.
There are great differences between the oral use of figurative language and its written use. Nevertheless, the only separately published textbook for figurative language is almost entirely concerned with oral figurative language, offering such examples as "you have a heart of stone" or "you make my blood boil." Much, if not most, oral language consists of long, repetitious portions of cliche and platitude, and not surprisingly, the figurative language used follows the same pattern. Writing teachers generally ask their students not to use cliches and platitudes, even though they may (mistakenly, I think) advise students to "write like you speak."
Of Blood and Fire is a classic Epic Fantasy adventure. It takes all the familiar fantasy tropes - elves, dwarves, giants, and dragons - and adds a fresh, contemporary twist.
On March 25, 1911, the Triangle Shirtwaist Factory in New York City burst into flames. The factory was crowded. The doors were locked to ensure workers stay inside. One hundred forty-six people—mostly women—perished; it was one of the most lethal workplace fires in American history until September 11, 2001. But the story of the fire is not the story of one accidental moment in time. It is a story of immigration and hard work to make it in a new country, as Italians and Jews and others traveled to America to find a better life. It is the story of poor working conditions and greedy bosses, as garment workers discovered the endless sacrifices required to make ends meet. It is the story of unimaginable, but avoidable, disaster. And it the story of the unquenchable pride and activism of fearless immigrants and women who stood up to business, got America on their side, and finally changed working conditions for our entire nation, initiating radical new laws we take for granted today. With Flesh and Blood So Cheap, Albert Marrin has crafted a gripping, nuanced, and poignant account of one of America's defining tragedies.
In this transnational account of black protest, Nicholas Grant examines how African Americans engaged with, supported, and were inspired by the South African anti-apartheid movement. Bringing black activism into conversation with the foreign policy of both the U.S. and South African governments, this study questions the dominant perception that U.S.-centered anticommunism decimated black international activism. Instead, by tracing the considerable amount of time, money, and effort the state invested into responding to black international criticism, Grant outlines the extent to which the U.S. and South African governments were forced to reshape and occasionally reconsider their racial policies in the Cold War world. This study shows how African Americans and black South Africans navigated transnationally organized state repression in ways that challenged white supremacy on both sides of the Atlantic. The political and cultural ties that they forged during the 1940s and 1950s are testament to the insistence of black activists in both countries that the struggle against apartheid and Jim Crow were intimately interconnected.
Years ago, the skies ripped open and the world was destroyed in fire and ash. Dragons - once creatures of legend - are the enemy. Vicious and unpredictable, they rule the skies of the ruined cities, forcing humanity to huddle behind barricades for safety.Claudia's a survivor. She scrapes by as best as she can in a hard, dangerous world. When she runs afoul of the law, she's left as bait in dragon territory. She only has one chance to survive - to somehow 'tame' a dragon and get it to obey her.Except the dragon that finds her is as wild and brutal as any other...and he's not interested in obeying.What he is interested in is a mate.
In the early 1990s, Swedish death metal revolutionized the international music scene. Suddenly, the mild-mannered Scandinavian country found itself at the forefront of a new movement with worldwide impact thanks to bands such as Entombed, Dismember, and At the Gates. The birth of black metal drove the culture to even greater extremes, featuring a rawer, darker sound and non-ironic death-worship. Soon churches in both Norway and Sweden were aflame, and be- fore long Satanism emerged as more than just an image. But how did it all start? Why did Sweden become a hotbed for such aggressive, nihilistic music? And who are the people and bands that brought it all about? Blood, Fire, Death: A Swedish Metal Story recounts the evolution of the genre from the massive amplifier walls of 1970s rock, through the church-burning Satanic 1990s, to the diverse and paradoxical manifestations of the scene today. This book focuses on the phenomena that have propelled the scene forward in an evolution that has not only been musical, but aesthetic and ideological as well. This is a story about grotesque logos and icons that invoke death and darkness, but also a story of dedication, friendship, community, and a profound love for music.