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"Fire Under the Ashes" is a thought-provoking exploration of themes such as peace, harmony, education, and social progress while underscoring the vital roles of democracy, freedom, and law in developing a prosperous nation. The book delves into the significance of leadership and the imperative of eradicating prejudices and superstitions to propel societal advancement. The transformative potency of education and diligence takes center stage, offering insights into how these elements can surmount challenges and setbacks. Love emerges as the guiding principle for establishing order and harmony, while movement is the foundational underpinning for societal progress. At its core, the book delves into the Iranian Islamic Revolution and its underlying catalysts. It examines the motivations behind the Iranian populace's participation in a movement they initially did not comprehend and their trust in Islamic clerics. Notably, it probes the generational divide within the Islamic Republic, particularly the educated youth's disillusionment with and hatred toward the clergy. The clerics' opposition to the monarchy is traced back. The narrative navigates through the Shah's ambitions, significant oil revenues, and sweeping modernization efforts, including women's liberation and socioeconomic reforms. While modernizing Iran, these changes ignited tension stoked by the clerics, ultimately culminating in overthrowing the Shah's regime and establishing the Islamic Republic under the leadership of Ayatollah Khomeini. The narrative extends to recent times, chronicling protests and opposition movements, and subsequent anti-government demonstrations. These movements, marked by resilience and repression, exemplify the Iranian people's yearning for change and willingness to confront oppressive regimes. In a poignant parallel, the book compares Europe's Dark Ages, attributing their protracted duration to restricted access to information and societal constraints. This analogy underscores the challenges faced by Iranians due to ignorance and misinformation perpetuated by authoritarian rulers and religious authorities. The narrative highlights the Iranian people's unwavering pursuit of a better life, freedom, and adherence to the rule of law. It envisions a future marked by a secular and democratic society driven by knowledge, space, and progress. The title "Fire Under the Ashes" encapsulates the optimism for positive transformation, with education, love, and the dissemination of information serving as catalysts for enduring change.
"My Road of Life" is his last work written during the Soviet rule. This book treasures love; love of everyone, love to motherland, history, culture. The book speaks out for the whole Azerbaijani people expressing its benevolent nature and good will. The 90s of the last century marked Azerbaijan's history with independence from the Soviet regime and greatly contributed to introduce "My Road of Life" as one of the cult books of those times, spreading thoughts and spirit of liberty, independence, nation's self-governance. Fighters for independence used to came to The Liberty Square in Baku with this book in their hands to demand the end of the authoritarian Soviet dominance. The book encouraged the young generation of those times to rise and wage the just struggle for future and signaled the complete destruction of the humiliating Soviet dictatorship. Today "My Road of Life" is a versed relic echoing the ardent freedom-loving spirit of the Azerbaijani people on their long way to hard-fought victory.
MLN pioneered the introduction of contemporary continental criticism into American scholarship. Critical studies in the modern languages--Italian, Hispanic, German, French--and recent work in comparative literature are the basis for articles and notes in MLN. Four single-language issues and one comparative literature issue are published each year.
An examination of the conventions and techniques of the Greek theatre of Menander and subsequent Roman theatre.
A new collection of key texts from a leading critic of modern art The critic Michael Peppiatt has been described by Art Newspaper as “the best art writer of his generation.” For more than 50 years, he has written trenchant and lively dispatches from the center of the international art world. In this new volume of key works, Peppiatt gives his unique insight into the making, collection, display, and interpretation of modern art. Covering the whole spectrum of modern art—from pioneers such as Gustav Klimt and Chaim Soutine, to collectors and dealers who played a pivotal role in the modern art world, to artists such as Francis Bacon, Bill Jacklin, and Frank Auerbach, with whom he had close relationships—Peppiatt interweaves personal anecdote with critical judgment. Each text is accompanied by a new short introduction, written in Peppiatt’s signature vivid and jargon-free style, in which he contextualizes his writings and reflects on significant moments in a lifetime of artistic engagement. This volume will provide readers with an exhilarating tour of 20th-century art.
Vols. 24, no. 3-v. 34, no. 3 include: International industrial digest.
Complete with headnotes, summaries of decisions, statements of cases, points and authorities of counsel, annotations, tables, and parallel references.