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Under the British occupation, India is trying to find its way. The Jeevanias of Bhaddowal are a law on to themselves. However, their interactions with the British have a far reaching impact that is felt across multiple generations in the family. Follow the Jeevania family through the minutiae of daily life as they forge through a world that changes around them at every step, living out the age-old struggle between the search for self and the need to fit in.
Magnificent in scope and intensely moving, Mansion spans the long years between the fall of the Khalsa regime and the turbulence of the British Raj. Innumerable characters populate these pages: from the wily Diwan Dhanpat Rai to the idealistic Lekhraj; from innocent Rukmo to outspoken Bhagsuddhi. Men and women shape their worlds, lose their grip and footholds, and become adrift in the fierce vortices of unforeseen events. But for the Diwan’s mansion itself, each event is only a passing moment in the town’s colourful history. Ambitious and elegant, Mansion is a gripping tale about power: its arrogance and spectacle, and the many claimants and renouncers who desire or fear it.
This book is an interesting study of the Khilafat (Caliphate) movement in early twentieth century India. The abolition of the caliphate institution in Turkey provided food for thought to the Muslim elite in India. They saw it was possible to theologically explore and evolve the caliphate institution from a one man caliph-emperor to a socially elected caliphate state, from an individual caliph to the concept of an Islamic state. After tracing the earlier view of the Caliphate, this study looks at the Karbalas `Ashura tragedy, an event religious scholars and Indian politicians effectively used to galvanize Muslims into demanding from the British government and the Indian National Congress a separate Islamic country they would call it Pakistan. This book is an invaluable source not only for university students of history but also for theologians, politicians, sociologists, general readers and also those interested in the last days of the British empire in India.
The Khilafat Movement Religious Symbolism and Political Mobilization in India
The emergence of radical Islamist movements in various parts of the world, the rise and fall of the Taliban in Afghanistan, the 9/11 attacks, widespread vilification spearheaded by Hindutva groups--all these and more have made madrasas a much talked about institution. Focussing on the madrasas of India, Bastions of the Believers seeks to critically interrogate sensationalist and stereotypical images of the madrasas by highlighting their diversity and the complex social roles that they play in the lives of many Muslims. Madrasas, as a rule, represent a conservative form of theology and jurisprudence that is, in many ways, ill-suited to a modern, pluralistic society. Much of what is taught in madrasas is outdated and unscientific (the Deoband madrasa, for instance, still insists that the sun revolves around the earth, and it has special seating arrangements for invisible jinns). Yet, obscurantism need not necessarily lead to militancy and hostility against others. For instance, in the decades leading to India's independence, the Deobandis, representing an extreme form of religious conservatism, insisted on Hindu-Muslim amity and a joint struggle for a free and united India. It is this integrated view of madrasas and a more liberal and open understanding of Islam, and indeed of all faiths, which Yoginder Sikand seeks to promote--for he believes this is one of the principal duties confronting committed believers if we have to learn to live together despite our differences. Bastions of the Believers covers a wide range of thought-provoking issues--from the origins and development of the institution to critiques of madrasa curricula and the alleged links between madrasas and Islamist militancy--making this a must-read for all those interested in creating and preserving a just social order.
A young Rajput, orphaned by the revolt of 1857, travels many years later from Cawnpore to Delhi on a mission to meet the great poet Mirza Asadullah Khan Ghalib himself. Young Mir Taqi Mir, a rising star in the world of poetry, meets the first great love of his life, Nurus Saadat, an exquisite beauty from Isfahan. An aspiring poet learns of the life and work of Shaikh Mushafi through the stories told by his widow. Poets and poetry occupy centre stage in these magnificent tales by Shamsur Rahman Faruqi, the celebrated master of Urdu prose. Set in the great cities of north India and spanning the glittering age of the Mughals, The Sun That Rose from the Earth brilliantly recreates the lives of several poets who exemplify the land and culture of Hindustan—from Ghalib and Mir to Kishan Chand Ikhlas and Mushafi. With elegance and skill, Faruqi transforms these figures into vital, breathing beings alive in all their flawed magnificence.
Travelling through time, space and history to 'discover' his beloved city, the narrator of this novel meets a myriad of people - poets and princes, saints and sultans, temptresses and traitors, emperors and eunuchs - who have shaped and endowed Delhi with its very mystique.
Time has forgotten Bahadur Khan. History has condemned him as a drunken wastrel and overlooked his military genius. Part man, part horse; part Hindu, part Muslim; part Rajput, part Gujarati; what was he like, really, this rebellious young man? A warrior born, why did he refuse the most vital battle in history? Why did he surrender the islands of Bombay to two centuries of Portuguese rule? This is the story of that renegade prince, Bahadur, Shah of Gujarat. When Vasco da Gama lands near Kozhikode on 20 May 1498, he seems scant more than a visiting trader, just another discourteous barbarian, hardly a threat. But the aughts of the new century bring seismic change. Portuguese violence on the coast escalates and piracy menaces the Spice Route. Gujarat, richest among Indian kingdoms, nourished by her eighty-seven ports, feels the tremors. It is a time of shifting loyalties. Sultans wage war on land and forge uneasy entente at sea. Borders are redrawn, new kingdoms and principalities take shape. In Dilli, the throne of Hindustan is up for auction, and everybody is bidding. Alliances form and dissolve between Rajput, Lodhi, and Sharqi, while from across the mountains glares the Chagtai, Zahiruddin Babar. Into this tense arena strolls a teenager, Bahadur, Prince of Gujarat, exiled for his wildness; at nineteen, famous already for his prowess in battle. As battle lines are drawn at Panipat, veterans hold their breath. They know the fortunes of Hindustan depend on this untried youngster. In this powerfully imagined narrative, Kalpish Ratna recreates the obscure signposts of Bahadur's life drawing facts from Indian histories. The language sparkles, filigreed with lapidary skill. In various narrative styles, myth and legend blend metamagically with the tragic events of medieval history. Bahadur, masterfully delineated in chiaroscuro, reflects the confused loyalties of young Indians today. The story of this medieval prince belongs in our own times.