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Before the "Bronx Zoo" of George Steinbrenner and Billy Martin, there were the Oakland Athletics of the early 1970s, one of the most successful, most colorful-and most chaotic-baseball teams of all time. They were all of those things because of Charlie Finley. Not only the A's owner, he was also the general manager, personally assembling his team, deciding his players' salaries, and making player moves during the season-a level of involvement no other owner, not even Steinbrenner, engaged in. Drawing on interviews with dozens of Finley's players, family members, and colleagues, G. Michael Green and Roger D. Launius present "Baseball's Super Showman" (Time magazine's description of Finley on the cover of an August 1975 issue) in all his contradictions: generous yet vengeful, inventive yet destructive. The stories surrounding him are as colorful as the life he led, the chronicle of which fills an important gap in baseball's literature.
ASHER Hockey, studying, and school runs. That's my life now. After a tragic accident that took our parents' lives, it's up to me and my big brother to take care of our five younger siblings. In between burning their meals and keeping them from killing each other, I'm supposed to get a college degree. It's hard when I don't have time to breathe let alone study, and if I don't get my grades up, I'm in danger of losing the one thing that makes me happy: my spot on the hockey team. Which is why when the new equipment manager offers to tutor me, I really can't afford to say no. Even though I should. He's Coach's son and way too tempting. KOLE As this year's equipment manager for Dad's hockey team, I'm expected to deal with sweaty jock straps and herding hockey players to their rooms at away games. The job is easy, but babysitting Asher Dalton is not supposed to be a part of it. So why, when his brother asks me to keep an eye on him, do I agree? Why, when he's struggling in classes, do I offer to help? And why, when we're studying, do I suggest a reward system that lands us squarely in bed? Asher's trouble, I know he is. But there's something about him that makes it impossible to stay away.
This is the story of a losing baseball team that became a 1970s dynasty, thanks to the unorthodox strategies and stunts of two very colorful men. When Charlie Finley bought the A's in 1960, he was an outsider to the game—a insurance businessman with a larger-than-life personality. He brought his cousin Carl on as his right-hand man, moved the team from Kansas City to Oakland, and pioneered a new way to put together a winning team. With legendary players like Reggie Jackson, Catfish Hunter, and Vida Blue, the Finleys' Oakland A's won three straight World Series and riveted the nation. Now Carl Finley's daughter Nancy reveals the whole story behind her family's winning legacy—how her father and uncle developed their scouting strategy, why they employed odd gimmicks like orange baseballs and "mustache bonuses," and how the success of the '70s Oakland A's changed the game of baseball.
EZRAPartying, dudes, and hockey. What more could a gay NHL player want?If it weren't for Anton Hayes, my life would be perfect.Not that he affects my life in any way. At all. That would imply I care what the winger from Philly thinks of me.Which I don't.Not even a one-night stand with him can thaw his misplaced animosity toward me.He says I'm the one with the ego, but he can talk. He rivals me for most egotistical puck boy in the league.I hate him as much as he hates me. Even if I crave a repeat.ANTONWhen it comes to hockey, I'm all about the game.I've worked for years to be one of the best in the league, and I've done it without splashing my orientation all over the tabloids.My hockey image is one I've carefully cultivated, and after one night with Ezra Palaszczuk, I risk it all.He's cocky, obnoxious, and has an ego bigger than Massachusetts. And okay, maybe he's the sexiest man I've ever known.We'll never get along. Not when we sleep together. Not even when my possessive streak awakens.That doesn't stop us from falling into bed together over and over again.
Alexandra Finley adds crucial new dimensions to the boisterous debate over the relationship between slavery and capitalism by placing women's labor at the center of the antebellum slave trade, focusing particularly on slave traders' ability to profit from enslaved women's domestic, reproductive, and sexual labor. The slave market infiltrated every aspect of southern society, including the most personal spaces of the household, the body, and the self. Finley shows how women's work was necessary to the functioning of the slave trade, and thus to the spread of slavery to the Lower South, the expansion of cotton production, and the profits accompanying both of these markets. Through the personal histories of four enslaved women, Finley explores the intangible costs of the slave market, moving beyond ledgers, bills of sales, and statements of profit and loss to consider the often incalculable but nevertheless invaluable place of women's emotional, sexual, and domestic labor in the economy. The details of these women's lives reveal the complex intersections of economy, race, and family at the heart of antebellum society.
For forty years, James Finley’s Merton's Palace of Nowhere has been the standard text for exploring, reflecting on, and understanding the rich vein of Thomas Merton's thought. Spiritual identity is the quest to know who we are, to find meaning, to overcome that sense of “Is this all there is?” Merton’s message cuts to the heart of this universal quest, and Finley illuminates that message as no one else can. As a young man of eighteen, Finley left home for an unlikely destination: the Abbey of Gethsemani, where Thomas Merton lived as a contemplative. Finley stayed at the monastery for six maturing years and later wrote this Merton’s Palace of Nowhere in order to share a taste of what he had learned on his spiritual journey under the guidance of one of the great religious figures of our time. At the heart of the quest for spiritual identity are Merton's illuminating insights—leading from an awareness of the false and illusory self to a realization of the true self. Dog-eared, tattered, underlined copies of this book are found on the bookshelves of retreat centers, parish libraries, and the homes of spiritual seekers everywhere. This anniversary edition brings a classic to a new generation and includes a new preface by Finley.
Throughout his long and remarkable lifetime, David E. Finley (1890-1977) made brilliant contributions to the cultural life of this country. Yet less than thirty years after his death, his name is barely known. In David Finley: Quiet Force for America's Arts, biographer David Doheny revitalizes Finley's legacy, presenting the compelling story of his life and incorporating fascinating excerpts from recently discovered private journals, published here for the first time. As the first director of the National Gallery of Art, founding chairman of the board of the National Trust for Historic Preservation, and a key player in creating the National Portrait Gallery in Washington, D.C., Finley used his matchless contacts and legendary powers of persuasion to establish institutions that today preserve and display masterpieces of western European and American art, a rich heritage of architectural properties across the United States, and an exceptional visual record of notable figures in American history. In addition, Finley's distinguished leadership of the Roberts Commission, which protected the art and architectural monuments during World War II, stands as a landmark in America's cultural maturity. Providing compelling insights into the events and personalities that shaped our nation during the transformative years between the 1920s and 1960s, this book will appeal to scholars and students of history and art.
After a terrifying incident of child abuse, Ruth Finley, as an adult, suffers from suicidal depression and dissociative behavior.
The Civil War leaves Willow Armstrong and women across the nation to manage the home fronts in their menfolk's absence. With courage and spirit, these heroines go to extraordinary lengths to defend what they believe in. Some work to preserve slavery while others seek the end of a flawed system to create a new America. Finley returns with an action-packed, heart-wrenching story in The Livingston Legacy series. For Home and Country is a tale of hardship and sufferance in a time when some sought change and others clutched at old beliefs.