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Graded exercises take you from the fundamentals of fingerpicking to five authentic blues tunes. All exercises and pieces printed in the book are played in addition to some extra explanation of the concepts and techniques presented.
Builds fingerstyle blues technique and independence through musical phrases and licks
(Guitar Solo). The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. Features 15 top blues tunes: Bright Lights, Big City * Come On in My Kitchen * Every Day I Have the Blues * How Long, How Long Blues * My Babe * Nobody Knows You When You're Down and Out * (They Call It) Stormy Monday * and more.
A collection of 20 different 4-bar patterns and 10 original solo compositions by one of Europe's finest guitarists. Designed for the serious fingerstyle guitar student, this book presents rhythm patterns in a wide range of moods written in standard notation and tablature, along with new concepts about blues and jazz. In the solos, beautiful and impressive melodies are paired with alternate and walking basses. an accompanying audio CD includes a demonstration of each concept and a performance of each solo.
"Descriptive analysis and musical transcriptions, in standard notation and tablature" of the works of various blues guitarists.
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
This book/3CD audio lesson is designed for the beginner and intermediate student. Basic fingerpicking styles are illustrated in all the major keys. The technique of the alternating bass is introduced in various settings (both in standard and open tunings). The styles and techniques of Mississippi John Hurt, Rev. Gary Davis, Blind Blake, Blind Boy Fuller, Sam McGee, Skip James, Willie Brown and Tommy Johnson are explored.
In these CD lessons Dave Van Ronk presents his arrangements of folk tunes and blues. These lessons are for the intermediate fingerstyle guitarist. The book includes an interview, a discography, and the 11 tunes taught on the three CD's in standard notation and tablature. LESSON ONE: The alternating bass technique is presented with four arrangements: Green Green Rocky Road, Kansas City Blues, Stackerlee and Saturday Night Shuffle. LESSON TWO: Alternating the bass in 3/4 with The Ballad Of The IRT. Elizabeth Cotten's Wilson Rag, Blind Blake's That Will Never Happen No More and Miss. John Hurt's Spike Driver's Moan. LESSON THREE: Brownie Mc-Ghee's Sportin' Life Blues played in dropped D tuning. Blues in 12/8 with St. James Infirmary played in A minor.
In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSON TWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good Old Wagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It is an excellent example of contemporary ragtime guitar.
(Guitar). This book for intermediate-level guitarists is a follow-up to Kenny's Introduction to Acoustic Blues . It covers blues in five different keys and positions, and incorporates slide or bottleneck playing in both open and standard tunings. All songs are primarily fingerstyle with a monotone bass used for most. The accompanying 70-minute CD features performances of every example and song, played slowly then up to speed to facilitate learning.