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This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.
Resulting from the EASA conference in Prague, this book addresses the crises of identity, purpose and interest in the changing world and examines how social anthropology must update its methodology when applied to comparisons across space and time.As various societies increasingly merge into one global society and consequently have to address crises of identity, purpose and interest, so must social anthropology re-examine and update its methodology.Grasping the Changing World concerns itself with European anthropology from an Eastern perspective rather than focusing exclusively on Eastern European anthropology. It offers comparative material analysing social situations in Russia, Indonesia, Britain, Central Europe, Southern Africa and the Arctic as a means to determine the success or failure of the same concepts in the understanding of present Central Europe.
In Sufism East and West, the contributors investigate the redirection and dynamics of Sufism in the modern era, specifically from the perspective of global cross-cultural exchange. Edited by Jamal Malik and Saeed Zarrabi-Zadeh, the book explores the role of mystical Islam in the complex interchange and fluidity in the resonance spaces of “East” and “West.” The volume challenges the enduring Orientalist binary coding of East-versus-West and argues instead for a more mutual process of cultural plaiting and shared tradition. By highlighting amendments, adaptations and expansions of Sufi semantics during the last centuries, it also questions the persistent perception of Sufism in its post-classical epoch as a corrupt imitation of the legacy of the great Sufis of the past.
After Machiavelli isan examination of the triangular relationship of re-writing- a dynamic process encompassing both creative newness and awareness ofhistorical profundity - the hermeneutic attitude," andMachiavelli's poiesis. Specifically,it addresses four questions: First, to what degree can we speak of intersection(interaction) among this triad? Second, what common ground do all threeactually share? Third, in what particular manner do the act of "re-writing"and the "hermeneutic attitude" manifest themselves in thewritings of Niccoló Machiavelli? And last, what bearing does this have on thereader, heir to Machiavelli's literary legacy? In answering these questions, Godorecci offers a closereading of a cycle of Machiavellian re-writings characterized by threeparticular cases: Machiavelli's rewriting of the works of others (Plautus's Casina, Terence's Andria, Livy's Ab urbecondita and Dante's De vulgari eloquentia), his own texts (the story ofVitellozzo Vitelli and the events in Sinigaglia at the court of Cesare Borgis),and the re-writing of him by others (in Gramsci's "modern prince"). Drawing onWilhelm Dilthey's ideas on experience, history, and hermeneutics, Godorecciprovides insights into Machiavelli's participation in the process of re-writingas expression of his own "hermeneutic attitude," which supports the universalvalidity of interpretation and (thus) clears space for others who come/take/run"after Machiavelli."
The late and turbulent transition from a largely rural and peasant society to a modern urban state involved the crisis of rooted popular traditions and the emergence of mass cultural forms. As a result, Italy, once the centre of a cultural world, has increasingly found itself on the periphery of an American media empire and serious questions of cultural identity have been raised. The Italian case is further significant on account of the theoretical and political problems it has posed. As well as dealing with these and related topics, the book examines current tendencies, such as the rapid multiplication of sub-cultures and the crisis of 'mass' forms. Each chapter is written by a specialist in the field. Although the essays normally deal with specific problems, they also highlight both the historical context and more general considerations within their sphere of interest.
An investigation into the Christological ideas of three contemporary thinkers: Slavoj Žižek, Gianni Vattimo and René Girard.
DIVA study of the cultural policies of the Italian communist party following the collapse of fascismand the struggle with popular consumer culture that led to its demise in 1991./div
Tracing the notion of 'the gift' in Nietzsche's Thus Spoke Zarathustra, Emilio Corriero provides a new interpretation of this essential text, alongside 'the gift's' evolution as a key concept in the history of western philosophy and Christianity. The last phase of Nietzsche's thought, including his writings on the death of God, The Will to Power, the Overman, and eternal recurrence are analysed anew in Corriero's reading of Thus Spoke Zarathustra. From Nietzsche's Prologue, in which Zarathustra presents the idea of the Overman as a gift of love and wisdom, up to the fourth and final book, in which the theme of hospitality and sacrifice are inextricably linked to the concept of donation, highlighting the novelty and exceptionality of Zarathustra's gift. Building on these ideas, this book reveals how the gift of Zarathustra put forward by Nietzsche rethinks the relationships between individuals based on Christian doctrine, enabling new forms of coexistence and sociality to thrive.