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Corey is lost. It’s the day of her high school graduation and her unsigned yearbook confirms what she already suspects…no one knows who Corey Taylor is. And how can she blame them when Corey hardly knows herself? When her best friend, Reese, suggests a road trip across America to meet other people named Corey Taylor, Corey reluctantly agrees, and embarks on the trip of a lifetime, hoping that in finding other Corey Taylors, she’ll also find herself. Each scene takes Corey to a new part of America-from a rustic home in Possum Trot, KY, to backstage at a cabaret theater in NYC, to the home of a reclusive author in Lebanon, KA, to a bohemian colony in Austin, TX, to a wide open ranch in Sioux Falls, SD. But it’s a surprise last minute stop that puts everything in focus for Corey, and she learns that finding herself is a journey, not a destination. A one-act version of this play is also available. Dramedy Full-length. 75-85 minutes 15-29+ actors
Slipknot and Stone Sour singer Corey Taylor's New York Times bestselling journey into the world of ghosts and the supernatural Corey Taylor has seen a lot of unbelievable things. However, many of his most incredible experiences might just shock you. For much of his life, the Grammy Award-winning singer of Slipknot and Stone Sour and New York Times bestselling author of Seven Deadly Sins has brushed up against the supernatural world. Those encounters impacted his own personal evolution just as much as headlining at Castle Donington in front of 100,000 people at Download Festival or debuting at #1 on the Billboard Top 200. Since growing up in Iowa, his own curiosity drew him into situations that would've sent most people screaming scared and running for the hills. He's ballsy enough to go into the darkness and deal with the consequences, though. As a result, he's seen ghosts up close and personal, whether while combing through an abandoned house in his native Iowa as a child or recording an album in the fabled Houdini Hollywood Hills mansion. He's also got the memories (and scars) to prove it. For some reason, he can't seem to shake these spectral stories, and that brings us to this little tome right here... At the same time, being an erudite, tattooed, modern Renaissance Man, he was never one for Sunday Service. Simply put, he's seen ghosts, but he hasn't seen Jesus. Taylor especially can't find a reason why people do the insane things they do in HIS name. That's where everything gets really interesting. His second book, A Funny Thing Happened on the Way to Heaven, compiles Taylor's most intimate, incredible, and insane moments with the supernatural. His memories are as vivid as they are vicious. As he recounts these stories, he questions the validity of religious belief systems and two-thousand-year-old dogma. As always, his rapid-fire writing, razor sharp sense of humor, unbridled honesty, and cozy anecdotes make quite the case for his point. You might end up believing him or not. That's up to you, of course. Either way, you're in for a hell of a ride.
The great outdoors…for some this is a place of peace and tranquility and for others it’s…well…a little messy. A Night Under the Stars is a story about people—people looking to get away from it all, people looking to connect…with nature, with one another, and with the undeniable human spirit that overcomes obstacles, no matter what is thrown our way. And whether it’s attempting to make the perfect s’more, telling scary stories around a roaring campfire, gazing up at the stars with the one you love, or trying to find a way to break bad news, there’s no better place than under a night sky filled with stars to remind us that no matter what divides, we as people are always better when we’re together. (A full-length version of this play is also available.) Comedy One-act. 40-45 minutes 8-17 actors (suggested casting: 17 any)
A hunt for horror finds four friends at the Museum of the Macabre…a wax museum displaying scenes from short stories by great authors of Gothic Horror like Poe, Hawthorne, and Irving. But as unnerving as the exhibits - and the stories behind them - are…the real terror for the fearless four comes when the exhibits start to come to life! This easy-to-stage play celebrates great short stories of Gothic Horror, including: “The Birthmark” by Nathaniel Hawthorne “The Hand” by Guy De Maupassant “The Monkey’s Paw” by W.W. Jacobs “The Tell Tale Heart” by Edgar Allan Poe “The Red Room” by H.G. Wells “The Velvet Ribbon” by Washington Irving “The Yellow Wallpaper” by Charlotte Perkins Gilman “The Shadows on the Wall” by Mary E. Wilkins Freeman Perfect for Halloween, one-act competitions, or in collaboration with English Lit teachers, this flexible, large-cast play will delight audiences and actors alike. *** Length note: Any of the short stories may be cut to create a shorter play Horror Comedy/Drama Full-length, 90-100 minutes (but can be shortened - see description) 11-36 actors (suggested casting: 9M, 11F, 14 any gender)
The cafeteria’s the place for so much more than lunch. The thrilling action of the race for the last precious chicken nugget! The suspense of whether the hard-boiled egg someone bounced into the rafters will ever come down! The mystery of....mystery meat! You can meet an under-the-table dessert salesman, a drama kid trying to eat despite being trapped in a horse mask, and of course those inevitable students daring each other to eat something gross. But most of all, in this flexible series of vignettes, the cafeteria’s the place for comedy that will have any audience coming back for seconds.
A skewering of the American underbelly by the New York Times bestselling author of Seven Deadly Sins, A Funny Thing Happened on the Way to Heaven, and You're Making Me Hate You The always-outspoken hard rock vocalist Corey Taylor begins America 51 with a reflection on what his itinerant youth and frequent worldwide travels with his multiplatinum bands Slipknot and Stone Sour have taught him about what it means to be an American in an increasingly unstable world. He examines the way America sees itself, specifically with regard to the propaganda surrounding America's origins (like a heavy-metal Howard Zinn), while also celebrating the quirks and behavior that make a true-blue American. Taylor likewise takes a look at how the world views us, and his findings should come as a surprise to no one. But behind Taylor's ranting and raving is a thoughtful and intelligent consideration, and even a sadness, of what America is compared to what it could and should be. Expertly balancing humor, outrage, and disbelief, Taylor examines the rotting core of America, evaluating everything from politics and race relations to modern family dynamics, millennials, and "man buns." No element of what constitutes America is safe from his adept and scathing eye. Continuing the wave of moral outrage begun in You're Making Me Hate You, Taylor flawlessly skewers contemporary America in his own signature style.
Millions of Americans are glued to their couches during the duration of an American Idol season. Taylor Hicks, his music greatly influenced by soul and blues, won the fifth season of American Idol, in 2006. This biography covers his life from birth to present day, while concentrating on his journey both during and after his American Idol competition.
In a nightmarish world, the Human finds himself at a crossroads as wild adventure ensues and he's thrust into a morphing landscape of rolling hills, dense forest, and an ominous Crimson City. Chased by a crazed mob and mysterious characters neither friend nor foe, the Human takes an unexpected journey that will lead to his salvation… or damnation. Collects the four-issue miniseries. * Inspired by the Stone Sour album House of Gold & Bones Parts 1 and 2. * Includes variant covers by Frank Quitely, Kylz Hotz, Steve Morris, and Richard Clark. " House of Gold and Bones #1 explores the fear of the unknown in interesting ways. Though the issue leaves a lot of unanswered questions, I look forward to reading how Taylor will develop the mystery." - Bloody Disgusting
New York Times bestselling leadsinger of Slipknot and Stone Sour's hilarious trawl through the endless backwaters of human stupidity Corey Taylor has had it. Had it with the vagaries of human behavior and life in this postmodern digital blanked-out waiting room that passes for a world. Reality TV, awful music, terrible drivers, megamalls, airports, family reunions, bad fashion choices, other people's monstrous children, and badly-behaved "adult" human beings are warping life in the twenty-first century into an often-unbearable endurance test of one's patience, fortitude, and faith. You're Making Me Hate You is a blisteringly funny diatribe that skewers the worst aspects of human behavior with a knowing eye for every excruciating detail, told in the vivid way that only Corey Taylor can. Like his previous bestselling forays, You're Making Me Hate You is an unflinching glimpse into the mind of Corey Taylor, who spares no one from his seething gaze. Make no mistake: this is not the Corey Taylor you run into at meet-and-greets or in line at the coffee shop. This is not the kind and cuddly guy who kisses babies and takes pictures with your mom while leaving a voicemail for that distant cousin in college. This is not the loveable scamp who can poke just as much fun at himself as he does at the various rubes around him, though to be fair he does save one chapter for a brutal and lacerating self-analysis. This is Corey Motherfucking Taylor. This is the Great Big Mouth. This is that bastard you wonder about when you listen to Slipknot and Stone Sour. Funny, profane, blasphemous, and above all right on target, You're Making Me Hate You is pure Corey Taylor unleashed, exposing the underbelly of human depravity in all its ragged glory.
Slipknot and Stone Sour singer Corey Taylor's New York Times bestselling journey into the world of ghosts and the supernatural Corey Taylor has seen a lot of unbelievable things. However, many of his most incredible experiences might just shock you. For much of his life, the Grammy Award-winning singer of Slipknot and Stone Sour and New York Times bestselling author of Seven Deadly Sins has brushed up against the supernatural world. Those encounters impacted his own personal evolution just as much as headlining at Castle Donington in front of 100,000 people at Download Festival or debuting at #1 on the Billboard Top 200. Since growing up in Iowa, his own curiosity drew him into situations that would've sent most people screaming scared and running for the hills. He's ballsy enough to go into the darkness and deal with the consequences, though. As a result, he's seen ghosts up close and personal, whether while combing through an abandoned house in his native Iowa as a child or recording an album in the fabled Houdini Hollywood Hills mansion. He's also got the memories (and scars) to prove it. For some reason, he can't seem to shake these spectral stories, and that brings us to this little tome right here... At the same time, being an erudite, tattooed, modern Renaissance Man, he was never one for Sunday Service. Simply put, he's seen ghosts, but he hasn't seen Jesus. Taylor especially can't find a reason why people do the insane things they do in HIS name. That's where everything gets really interesting. His second book, A Funny Thing Happened on the Way to Heaven, compiles Taylor's most intimate, incredible, and insane moments with the supernatural. His memories are as vivid as they are vicious. As he recounts these stories, he questions the validity of religious belief systems and two-thousand-year-old dogma. As always, his rapid-fire writing, razor sharp sense of humor, unbridled honesty, and cozy anecdotes make quite the case for his point. You might end up believing him or not. That's up to you, of course. Either way, you're in for a hell of a ride.