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A secret affair with your teenage celebrity crush? Yes, please! Music journalist Cassy Evans believes her career is made when she snags an exclusive interview with rock singer Frankie Blade. Once a superstar of the generation, Frankie has been a recluse since a freak motorcycle incident sent his career into a tailspin seven years ago. Now that he's returned to claim back his crown, Cassy hopes to kill two birds with one stone--secure her magazine a top spot in the rankings and chat with the man of her adolescent dreams. A dinner invitation isn't what she expects to get out of this interview, but the chemistry between them is undeniable. With paparazzi watching Frankie's every move as the two jump into a stormy relationship, Cassy risks her career, privacy--and possibly heart--to be with the biggest rockstar on the planet. But is Frankie worth it? Is he a humble man she thinks he is or is he just that good at hiding his demons? Final Serenade is the first book in The Encore installment. Cassy and Frankie's story concludes in One Last Verse.
Toni Bentley, a dancer for George Balanchine, the greatest ballet maker of the 20th century, tells the story of Serenade, his iconic masterpiece, and what it was like to dance—and live—in his world at New York City Ballet during its legendary era. At age seventeen, Toni Bentley was chosen by Balanchine, then in his final years, to join the New York City Ballet. From both backstage and onstage, she carries us through the serendipitous history and physical intricacies and demands of Serenade: its dazzling opening, with seventeen women in a double-diamond pattern; its radical, even jazzy, use of the highly refined language that is ballet; its place in the choreographer’s own dramatic story of his immigration to the United States from Soviet Russia; its mystical—and literal—embodiment of the tradition of classical ballet in just thirty-three minutes. Bentley takes us inside the rarefied, intense, and thrilling world Balanchine created through his lifelong devotion to celebrating and expanding female beauty and strength—a world that, inevitably, passed upon his death. An intimate elegy to grace and loss and to the imprint of a towering artist and his transcendent creation on Bentley’s own life, Serenade: A Balanchine Story is a rich narrative by a dynamic artist about the nature of art itself at its most ephemeral and glorious.
If you've seen flowers droop, they await touch of butterflies. So lovers forlorn, companions. Aiye-Koooto eulogizes the heart: anthology of 50 poems in 5 wave currents. 1st current; sweeps the heart, in Sweetness awaiting companion. With admiration desires, expectantly. 2nd current washes out Instead of Girdle, Rent. Surprise! Unexpected advances not requited. Such failed anticipation, brings distress to the heart. It's not entirely hopeless Borrowing on others experience, it's encouraged to try again. Driven heart in 3rd current, flow to Lily Among Thorns. Ready to battle to win companion over. Comes bearing gifts and tales of a brighter tomorrow in union Like Feathers in Clouds, in 4th current, the ears heard but smiles didn't speak. The heart traveled too far to give up Soon, it's rewarded, with the Bundle of Myrrh, in the final current. Showered in fragrance of love in the isle of sunsets. The heart poems- experience of perfect strangers, coming together. Do they make a difference against odds?
Leonard Bernstein is a household name. Most know him for his classic musical reworking of Shakespeare’s Romeo and Juliet as Broadway’s West Side Story. But Bernstein accomplished so much more as a composer, and his body of work is both broad and varied. He composed ballets (Fancy Free, Facsimile, Dybbuk), operas (Trouble in Tahiti, Candide, A Quiet Place), musicals (On the Town, Wonderful Town), film scores (On the Waterfront), symphonies, choral works, chamber music pieces, art songs, and piano works. In Experiencing Leonard Bernstein: A Listener’s Companion, Kenneth LaFave guides readers past Bernstein’s famously tortured personal problems and into the clarity and balance of his Serenade after Plato’s Symposium for Violin and Orchestra, the intense drama of his music for On the Waterfront, the existential cosmography of his three symphonies, and his vibrant works for the musical stage. Perhaps the most famous American classical musician born in the twentieth century, Bernstein divided his time between c
Relates the life of the ornithologist whose finest work took place in her back yard and whose final hope was that others would share her love of nature study.
Henry and Sam Miller-Greene are living the dream. They love their careers -- which afford each of them opportunities to travel to exotic locations -- they love their home, Sam’s caring family, and each other. They disagree on the subject of adoption, but are fully committed to each other in marriage ... ’Til Death Do Us Part. The dream is shattered when Henry’s plane crashes and he’s presumed dead. But four people -- Henry, two other men, and a child -- survive undetected on a remote, small, and insignificant island. Will Sam and Henry’s love be able to survive, as well? Henry fights to endure in harsh conditions, never knowing when disaster will strike. Sam struggles with his loss, but with help moves on with his life. Will Sam be able to put aside his new love when he reunites with Henry?
First published in 1999. The many available scholarly works on Italian-Americans are perhaps of little practical help to the undergraduate or high school student who needs background information when reading contemporary fiction with Italian characters, watching films that require a familiarity with Italian Americans, or looking at works of art that can be fully appreciated only if one understands Italian culture. This basic reference work for non-specialists and students offers quick insights and essential, easy-to-grasp information on Italian-American contributions to American art, music, literature, motion pictures and cultural life. This rich legacy is examined in a collection of original essays that include portrayals of Italian characters in the films of Francis Coppola, Italian American poetry, the art of Frank Stella, the music of Frank Zappa, a survey of Italian folk customs and an analysis of the evolution of Italian-American biography. Comprising 22 lengthy essays written specifically for this volume, the book identifies what is uniquely Italian in American life and examines how Italian customs, traditions, social mores and cultural antecedents have wrought their influence on the American character. Filled with insights, observations and ethnic facts and fictions, this volume should prove to be a valuable source of information for scholars, researchers and students interested in pinpointing and examining the cultural, intellectual and social influence of Italian immigrants and their successors.