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By following and reproducing the cultural turn, the rhetoric of cultural mix and hybridism is disseminated today primarily in its crossing of trade barriers. Cultures reduced to their exchange value function as capital - an accumulative, speculative and, ultimately, financial affair. In some of its media and site-(un)specific manifestations, process art - which aims to encompass both old and new media art - seems to resist this pressure, despite, nonetheless, not being protected from regulations and incorporations. In the present collection of his recent essays, Slavko Kacunko discusses the process art by crossing the disciplines of art history and comparative media-, visual- and -cultural studies. As a first approximation, several historiographical remarks on closed-circuit video installations underline their importance as a core category of process art. In the second part, the problems of process art, seen as a threshold of art history, are further examined in another retroanalytical step, in which concepts and objects related to `mirror', `frame' and `immediacy' are analyzed as the triple delimitation of visual culture studies. In the third part, previously outlined manifestations of what is termed the `post-visual condition' are summarized and projected to the `coreless core' of the emerging art and research related to the coreless beings par excellence, the bacteria.
In the early years of the thirteenth century the Danish writer Saxo Grammaticus provided his people with a History of the Danes, an account of their glorious past from the legendary kings and heroes of Denmark to the historical present. It isone of the major sources for the heroic and mythological traditions of northern Europe, though the complex Latin style and the wide range of material brought together from different sources have limited its use. Here Hilda Ellis Davidson, a specialist in Scandinavian mythology, together with the translator Peter Fisher, provides a full English edition; each of the first nine books is preceded by an introductory summary, and a detailed commentary follows on the folklore and life and customs of twelfth-century Denmark - including the sources of Hamlet, of which Saxo gives the earliest known account. HILDA ELLIS DAVIDSON's other books include The Sword in Anglo-Saxon England; PETER FISHER is also the translator of Olaus Magnus: A Description of the Northern Peoples. Both are available from Boydell & Brewer. `In the early years of the 13th century the Danish writer Saxo Grammaticus provided his people with a dignified and ambitious Latin account of their glorious past from the mythical past to the historical present -(He) collected the legends of Scandinavian gods and heroes, and arranged their exploits in a series of `biographies' which ostensibly formed an unbroken sequence. He took his tales from a variety of sources, and readers will find his collection of myths, folklore and fabulous history fascinating - An accurate and readable translation of the nine mythological books based on the best scholarly edition'. RUTH MORSE, BRITISH BOOK NEWS.
This book explores Brahe's wide range of activities which encompass much more than his reputed role of astronomer. Christianson broadens this singular perspective by portraying Brahe as Platonic philosopher, Paracelsian chemist, Ovidian poet, and devoted family man. This pioneering study includes capsule biographies of two dozen men and women, including Johannes Kepler, Willebrord Snel, Willem Blaeu, several bishops and numerous technical specialists all of whom helped shape the culture of the Scientific Revolution. Under Tycho Brahe's leadership, their teamwork achieved breakthroughs in astronomy, scientific method, and research organization that were essential to the birth of modern science.