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"Inspirational for me as a fellow filmmaker"- Sean McNamara, Emmy-nominated Producer / Director"Elizabeth epitomizes the title of her book"- Larry Schapiro, ProducerDirector Elizabeth Blake-Thomas has been "filmmaking without fear" since day one. Dive into the beginning of her career and explore how her first films shaped her storytelling today, growing from her first film shot on an iPhone, to a heart-wrenching true story starring an Oscar-nominated actress."Grab some popcorn if you fancy, for you're along for the ride of my life."- Elizabeth Blake-Thomas
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Everything you ever wanted to know about making a movie but were afraid to ask… Lights, camera, action! We all have at least one movie in us, and the amazing and affordable advances in digital technology makes it increasingly easy to make your dream a reality and share it with the world. Filmmaking for Dummies is your definitive guide to bringing a project to life, from the comedy antics of loveable pets to the deepest, most meaningful independent film. Bryan Michael Stoller is your friend and guide, sharing his knowledge gained over 100 productions (directing and working with Dan Aykroyd, James Earl-Jones, Barbra Streisand and Drew Barrymore, among others) to show you how to take your movie from the planning and storyboarding stage, through shooting and editing, to making it available to your adoring audiences through television broadcast, streaming online or in movie theaters. For the do-it-your-selfer, the book includes tips on how to finance your project, a look at the latest software and apps, including advancements in digital technology, and for the passionate director, advice on how to hire and work with your cast and crew and find great scenic locations. Whether you want to become a professional filmmaker or just create great YouTube videos or nostalgic home movies, shooting with your smartphone or with consumer or pro-gear, this practical guide has it all. Learn how to compose your shots and when to move the camera Make the perfect pitch to sell your story Take advantage of helpful contacts and tons of new resources Get up-to-date on the latest and greatest digital technology Find the right distributor, or learn how you can be your own distributor! So, you really have no excuses to make your masterpiece. Get rolling with a copy of Filmmaking for Dummies today and start shooting for the stars!
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. This book approaches the subject of cinematography from a 'hands-on, in the trenches' viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes. This title provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises. It is written for filmmakers working on a budget. Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel - all on a budget. It helps you learn the realty of filmmaking from the cinematographer's perspective. Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually.
Integrates contemporary film theory into the teaching of film production, presenting alternatives to the standard Hollywood model of filmmaking.
Brett Mauser has made over 40 feature films, and most of them were done with no money. Not microbudgets, but no money at all. Some were shot for as little as $65. Now Mauser is bringing all he's learned, from the fundamentals of filmmaking to the philosophy, to how to bring it all together so that you can make your first feature film without any money. Mauser hasn't just completed more than 40 feature films, 50 music videos, and hundreds of commercials, but most of his projects have seen national and international distribution. He runs a successful independent film company and is a professor of Digital Video and Film Production at the Art Institute of San Antonio. He's received recognition at film festivals and holds three degrees. And now, actually written the Book On Making a Movie With No Money!His book begins by taking you through the essential fundamentals and basics of film and video production, giving you a vocabulary and understanding of how films are made. He teaches you the rules and then in the second parts, he teaches you how to break those rules. He shares with you experiences of making films and tells you how to avoid the pitfalls he fell into over his 30+ years of filmmaking.
This book will teach you how to make a movie that won't break your bank account. Not only will it teach you how to make a movie for little or no money, but will teach you to potentially make a "box office hit" that won't require your first born, and two kidneys to do so. This book will take you through the whole process of filmmaking from Pre-Production, Production, and Post-Production. You'll learn all the key elements in which are forgotten that always cost more money in the long run then originally planned. If you are a first time filmmaker, seasoned professional, or just someone with a dream to make a movie one day, then this book will change your life.
The business of filmmaking is a multifaceted and intricate industry that encompasses various aspects such as production, distribution, and marketing. Success in this field requires a combination of talent, creativity, and business acumen. Filmmakers must possess a thorough understanding of the market, identifying trends and opportunities to capitalize on. Additionally, they must adeptly manage budgets, negotiate deals, and foster relationships with investors, distributors, and other industry stakeholders. Recent years have witnessed significant transformations in the film industry due to advancements in artificial intelligence (AI) technology and the surge of streaming services. While traditional movie theaters retain their importance, an increasing number of viewers now prefer online or mobile platforms for film consumption. Consequently, filmmakers must adapt to these evolving trends and find innovative ways to engage with audiences. My goal in writing this book is to raise awareness about film marketing processes and the art of building a business and network within the film industry. Unfortunately, colleges and universities often neglect these critical aspects, with the majority of lectures and programs focusing solely on the technicalities of filmmaking. Merely obtaining a master's degree in film production is insufficient for success in this field. To thrive in filmmaking, like any other business, one must cultivate relationships with various stakeholders, ranging from cast and crew to sales agents, distributors, exhibitors, lawyers, and publicists. This book is not another typical guide to filmmaking. Instead, I delve into the essential elements of building a successful business in the movie industry, emphasizing the impact of artificial intelligence on different aspects of the filmmaking process. Furthermore, I discuss strategies for increasing the value of one's film, such as hiring A-list actors for low-budget projects and more.
Independent filmmakers face various questions every day, but they don't have the legal training to answer them, nor do they have enough money to call an entertainment lawyer every 5 minutes. This book provides answers to hundreds of questions. It helps filmmakers understand what's legal, what's questionable and when they need to call in a lawyer.