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" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.
Cinematic depictions of real U.S. presidents from Abraham Lincoln to George W. Bush explore how Hollywood movies represent American history and politics on screen. Morgan and his contributors show how films blend myth and reality to present a positive message about presidents as the epitome of America's values and idealism until unpopular foreign wars in Vietnam and Iraq led to a darker portrayal of the imperial presidency, operated by Richard Nixon and Bush 43. This exciting new collection further considers how Hollywood has continually reinterpreted historically significant presidents, notably Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to fit the times in which movies about them were made.
The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.
The first book-length assessment of Coolidge's presidency in thirty years draws on the recently opened papers of his White House physician for hitherto unknown personal information. Ferrell (history, Indiana U.) exonerates Coolidge for the failures of his party's foreign policy, but holds him accountable for having had insufficient economic savvy to warn Wall Street against the overspeculation that caused the Depression. Annotation copyrighted by Book News, Inc., Portland, OR
The new edition of The Paradoxes of the American Presidency--now with three prize-winning presidential scholars: Thomas E. Cronin, Michael A. Genovese and Meena Bose--explores the complex institution of the American presidency by presenting a series of paradoxes that shape and define the office. Rewritten and updated to reflect recent political events including the presidency of Barack Obama, the 2012 and 2014 elections (with greater emphasis on the importance of the Presidential midterm election), and the primary and presidential election of 2016, as well as the 2020 election and beginning of the Biden Administration, this must-read sixth edition incorporates findings from the latest scholarship, recent elections and court cases, and essential survey research.
Discusses how film has affected the culture of presidential politics by looking at fourteen different presidents, including Herbert Hoover, John F. Kennedy, and Barack Obama.
Films examined include: Master and commander - the far side of the world, The Coneheads, X2, The postman, Taxi driver, Working girl, Mr. Smith goes to Washington, Robocop, Showgirls, The passion of the Christ, Last tango in Paris, Pulp fiction, Kill Bill: Vol. 2.
The American Presidency examines the constitutional foundation of the executive office and the social, economic, political, and international forces that have reshaped it. Authors Sidney M. Milkis and Michael Nelson broadly examine the influence of each president, focusing on how these leaders have sought to navigate the complex and ever-changing terrain of the executive office and revealing the major developments that launched the modern presidency at the dawn of the twentieth century. By connecting presidential conduct to the defining eras of American history and the larger context of politics and government in the United States, this award-winning book offers vital perspective and insight on the limitations and possibilities of presidential power. The Eighth Edition examines recent events and developments including the latter part of the Obama presidency, the 2016 election, the first twenty months of the Trump presidency, and updated coverage of issues involving race and the presidency.
Gender, Heteronormativity and the American Presidency places notions of gender at the center of its analysis of presidential campaign communications. Over the decades, an investment in gendered representations of would-be leaders has changed little, in spite of the second- and third-wave feminist movements. Modern candidates have worked vigorously to demonstrate "compensatory heterosexuality," an unquestionable normative identity that seeks to overcome challenges to their masculinity or femininity. The book draws from a wide range of archived media material, including televised films and advertisements, public debates and speeches, and candidate autobiographies. From the domestic ideals promoted by Eisenhower in the 1950s, right through to the explicit and divisive rhetoric associated with the Clinton/Trump race in 2016; intersectional content and discourse analysis reveals how each presidential candidate used his or her campaign to position themselves as a defender of traditional gender roles, and furthermore, how this investment in "appropriate" gender behaviour was made manifest in both international and domestic policy choices. This book represents a significant and timely contribution to the study of political communication. While communication during presidential elections is a well-established research field, Aidan Smith’s book is the first to apply a gendered lens over such an extended historical period and across the political spectrum.
Eminent scholars Peter C. Rollins and John O'Connor make an important contribution to the field with an eclectic mix of essays, which translate visual language into on-screen politics. While the series may be criticized as "idealistic," its clever techniques of camera work, lighting, editing, and mise en scene reflect America's best image of itself, and entertains a loyal audience that desperately wants to believe in the nobility of the American dream. This collection introduces readers to the sensibilities to appreciate the show's nuances and the necessary knowledge to avoid any misreadings. It will be of interest to students of politics, popular culture, fans and critics alike.