Download Free Figures In The Carpet Book in PDF and EPUB Free Download. You can read online Figures In The Carpet and write the review.

Figures in the Carpet presents a stellar roster of first-rate historians dealing seriously with a perennially important subject. The case studies and more theoretical accounts in this book amount to an unusually perceptive assessment of how "the person' has been viewed in American history.
Enwrapped in indescribable mysteriousness, ‘The Figure in the Carpet’ (1896) is a short story by the American-born British writer Henry James. It explores the meaning of art and how it is found in what other people see. Hugh Vereker is a famous author who says the secret to his greatness and skill is hidden in his works ‘like a complex figure in a Persian carpet’. When the narrator of the story meets Vereker, he becomes obsessed with discovering the secret meaning of his favourite author's works. Those who enjoy Henry James' short story will likely find ́Eureka ́ by Anthony Quinn interesting as The Figure is an important part of the plot. Henry James (1843-1916) was an American-born, British author, and one of the founders of the school of realism in fiction. His inventive use of interior monologues and unreliable narrators, brought a complexity and depth to his work that made him hugely popular. A prolific writer, he published numerous novels, articles, travel books, biographies and plays. Many of his stories have been adapted for TV and film, such as ‘What Maisie Knew’ (2012) starring Steve Coogan and Julianne Moore. However, it is his celebrated Gothic novella ‘The Turn of the Screw’ (1898), regarded as one of the greatest ghost stories ever written, that has been adapted more than any other. Most recently, the eponymous 2009 BBC TV series starring Michelle Dockery, and the Netflix series, ‘The Haunting of Bly Manor’ (2020). James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.
The New York Times bestselling author of the Discworld series delivers “fantasy with comedic flair” in his debut novel and first children’s book (VOYA). In the beginning, there was nothing but endless flatness. Then came the Carpet . . . That’s the old story everyone knows and loves. But now the Carpet is home to many different tribes and peoples, and there’s a new story in the making. The story of Fray, sweeping a trail of destruction across the Carpet. The story of power-hungry mouls—and of two brothers who set out on an adventure to end all adventures when their village is flattened. It’s a story that will come to a terrible end—if someone doesn’t do something about it. If everyone doesn’t do something about it . . . First published in 1971, this hilarious and wise novel marked the debut of the phenomenal Sir Terry Pratchett. Years later, Sir Terry revised the work, and this special collectable edition includes the updated text, his original color and black-and-white illustrations, and an exclusive story—a forerunner to The Carpet People created by the seventeen-year-old nascent writer who would become one of the world’s most beloved storytellers. “Only a writer with a masterstroke of imagination could place an entire empire of goodies and baddies within the fronds of a carpet.”—Daily Mail “The perfect starting place for young readers; seasoned Pratchett fans will just revel in his wit, his subversion of tropes and his sense of humanity . . . Small in scale but large in pleasure.”—Kirkus Reviews “Brilliantly funny dialogue, high peaks of imagination.”—The Times
At the heart of Meg Mullins?s debut novel is one of the most touchingly believable characters in recent fiction, a gentle soul in the body of an Iranian exile in New York. Ushman Khan sells exquisite hand-woven rugs to a wealthy clientele that he treats with perfect rectitude. He is lonely, and his loneliness becomes unbearable when he learns that his wife in Iran is leaving him. But when a young woman named Stella comes into his store, what ensues is a love story that is all the more moving because its protagonists understand tragedy. The Rug Merchant will sweep readers away with its inspiring, character-rich tale about shaking free from disappointment and finding connection and acceptance in whatever form they appear.
Perez Hilton—self-proclaimed “Queen of All Media” and founder of PerezHilton.com—cuts loose with a book that secures his reputation as “the most-hated man in Hollywood” (Rolling Stone). The best part: it’s hysterically funny—and shockingly true… Psycho celebs dominate news, fashion, and trends, influencing how we speak and what we wear. We’re obsessed! Our reality-based, gossip-driven world has set the barometer for what’s in and what’s out. So, how do we become like the famous? Well, post a grainy sex video online, drive high and wasted against oncoming traffic, flash your coochie for the cameras, and if those don’t work, attempt suicide—and you’re bound to become a “Hilton.” Now the man infamous for breaking raw superstar dish and jaw-dropping commentary lends his fearless voice, notorious sense of humor, and outrageous sensibility to Red-Carpet Suicide, a generation-defining, hilarious survival guide.
Molds are everywhere: we inhale their microscopic spores from birth to death. But when an investigation in Ohio revealed that babies suffering from a serious lung illness had been exposed to a toxic black mold in their homes, millions of Americans became nervous about patches of mold in their own basements and bathrooms. Before long, lawsuits were filed by the residents of mold-contaminated homes in every state. By failing to address water damage, building contractors, plumbers, and insurance agents were held liable for exposing families to an unprecedented microbiological hazard. The mold crisis soon developed into a fully-fledged media circus. In Carpet Monsters and Killer Spores, Nicholas Money explores the science behind the headlines and courtroom dramas, and profiles the toxin-producing mold that is a common inhabitant of water-damaged buildings. Nicholas Money tells the most important mycological story since potato blight, with his inimitable style of scientific clarity and dark humor.
An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.
This book establishes the genealogy of a subgenre of crime fiction that Antoine Dechêne calls the metacognitive mystery tale. It delineates a corpus of texts presenting 'unreadable' mysteries which, under the deceptively monolithic appearance of subverting traditional detective story conventions, offer a multiplicity of motifs – the overwhelming presence of chance, the unfulfilled quest for knowledge, the urban stroller lost in a labyrinthine text – that generate a vast array of epistemological and ontological uncertainties. Analysing the works of a wide variety of authors, including Edgar Allan Poe, Jorge Luis Borges, and Henry James, this book is vital reading for scholars of detective fiction.
Five British children discover in their new carpet an egg, which hatches into a phoenix that takes them on a series of fantastic adventures around the world.
Tomie dePaola matches his storytelling talent with the richly patterned artwork of Claire Ewart to provide a tale that brings magnificent detail and feeling to this Middle Eastern fable of loss overcome by art. Full color.