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New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks. It was reinvigorated and became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Since its founding in 1968, New York Magazine has told the story of that city's constant morphing, week after week. This book draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. It constitutes an unparalleled history of that city's transformation, and of a New York City institution as well.
From its beginning, New York City Ballet embodied a bold, modern idea of dance that resonated in every other art. The ompany and its dances inspired artists of every medium from Manhattan to St. Petersburg to Paris to myriad cultural havens around the world. Oversize and replete with lavish color, Tributes is a showcase for the exquisite art, sets, costumes, photography, poetry, and writing the City Ballet has inspired in the great creative minds of our time. An impressionistic portrait of the American treasure, Tributes pays homage to the Ballet and to the people who created it -- from George Balanchine and Lincoln Kirstein to Jerome Robbins and Peter Martins, to the dancers, artists, and composers whose artistic fantasies became stunning reality on stage. Boasting the most comprehensive repertory list to span the Company's fifty-year history and a complete chronology discography, and videography, Tributes is also a definitive history of the Company. This is an elegant celebration of New York City Ballet with full-color art and writing from the century's greatest artists and authors, who have been entranced and seduced by the premier dance company in the world. A luxurious celebration of New York City Ballet, Tributes is a must-have for every balletomane and lover of the arts.
Describes top trends and designers of the past fifty years, including their social and cultural contexts
A stunning fifty-year visual history of LGBTQ pride marches, parades, and protests, taken from the New York Times photo archives. It began in New York City on June 28, 1969. When police raided the Stonewall Inn—a bar in the Greenwich Village neighborhood, known as a safe haven for gay men—violent demonstrations and protests broke out in response. The Stonewall Riots, as they would come to be known, were the first spark in the wildfire that would become the LGBTQ rights revolution. Fifty years later, the LGBTQ community and its supporters continue to gather every June to commemorate this historic event. Here, collected for the first time by The New York Times, is a powerful visual history of five decades of parades and protests of the LGBTQ rights movement. These photos, paired with descriptions of major events from each decade as well as selected reporting from The Times, showcase the victories, setbacks, and ongoing struggles for the LGBTQ community. “To take in the breadth of [PRIDE’s] contents—to see the scope of LGBTQ+ rights, from the first Christopher Street Day march in 1970 to protests for transgender rights just last year—is to witness the power of visibility firsthand.” —them. “This book is a powerful visual history of five decades of parades and protests for equality. Educational and visually enriching, complete with photos from The New York Times, this book is the perfect companion for any coffee table.” —BookTrib
How do you tell the story of a race that symbolizes New York City’s vitality, diversity, and charm? Here, Richard O’Brien offers more than forty definitive articles from over the years that capture the color and excitement of one of the world's most beloved annual events. In this rich run through the decades, readers will revisit all of the results, relive all of the highlights, and share the road again with all of the marathon’s unforgettable figures, including Fred Lebow, Grete Waitz, Bill Rodgers, Germán Silva, Meb Keflezighi, Mary Keitany, Shalane Flanagan, and so many others. With special sections highlighting the race’s volunteers, spectators, celebrities, and more, as well as an introduction by New York Road Runners Chairman of the Board George Hirsch, the book celebrates the marathon’s first fifty years with a thrilling selection of photographs. Like the stories of everyday women and men overcoming obstacles to complete the race, these curated images capture the inimitable charge of running the New York City Marathon, while providing a compelling visual tapestry reflecting a half century of cultural change. The images not only show how running gear and hairstyles changed from the early 1970s to the present, but they also reveal the ever-dynamic political and cultural climate of New York City. This beautifully designed, heavily illustrated coffee-table style book is the perfect gift for any fan of this fifty-year-old race!
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In Mag Men, Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. Richly illustrated with the covers and interiors that defined their careers, Mag Men is bursting with vivid examples of Bernard and Glaser’s work, designed to encapsulate their distinctive approach to visual storytelling and capture the major events and trends of the past half century. Highlighting the importance of collaboration in magazine journalism, Bernard and Glaser detail their relationships with a variety of writers, editors, and artists, including Nora Ephron, Tom Wolfe, Gail Sheehy, David Levine, Seymour Chwast, Katherine Graham, Clay Felker, and Katrina vanden Heuvel. The book features a foreword by Gloria Steinem, who reflects on her work in magazines and her collaborations with Bernard and Glaser. At a time when uncertainty continues to cloud the future of print journalism, Mag Men offers not only a personal history from two of its most innovative figures but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.
The New York Police Department is an iconic symbol of one of the world’s most famous cities. The blue uniforms of the men and women who serve on the force have long stood for integrity and heroism in the work to serve and protect the city’s residents. And yet, as in any large public organization, the NYPD has also suffered its share of corruption, political shenanigans, and questionable leadership. In The NYPD’s First Fifty Years Bernard Whalen, himself a long-serving NYPD lieutenant, and his father, Jon, consider the men and women who have contributed to the department’s past, both positively and less so. Starting with the official formation of the NYPD in 1898, they examine the commissioners, politicians, and patrolmen who during the next fifty years left a lasting mark on history and on one another. In the process, they also explore the backroom dealings, the hidden history, and the relationships that set the scene for the modern NYPD that so proudly serves the city today.
Published on the 50th anniversary of his death, this is the definitive photographic portrait of James Dean in both his professional and his private worlds, the real man behind the lingering legend.