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Provides a concise history of the American motion picture industry before 1920.
The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings until the perfection of synchronized sound, and reflect upon the themes and techniques established with the silent cinema that continued into the sound era through modern times. The annotated entries, alphabetically arranged by film title or personnel, include brief bibliographies and filmographies. An appendix lists secondary but important movies and their creators. Film and popular culture scholars will appreciate the vast amount of information that has been culled from various sources and that builds upon the increased studies and research of the past ten years.
"Commissioned for and sponsored by the National Film Preservation Board."
This film reference covers 646 silent motion pictures, starting with Eadweard Muybridge's initial motion photography experiments in 1877 and even including The Taxi Dancer (1996). Among the genres included are classics, dramas, Westerns, light comedies, documentaries and even poorly produced early pornography. Masterpieces such as Joan the Woman (1916), Intolerance (1916) and Faust (1926) can be found, as well as rare titles that have not received critical attention since their original releases. Each entry provides the most complete credits possible, a full description, critical commentary, and an evaluation of the film's unique place in motion picture history. Birth dates, death dates, and other facts are provided for the directors and players where available, with a selection of photographs of those individuals. The work is thoroughly indexed.
Shows nearly two hundred directors, from D.W. Griffith to Alfred Hitchcock and Steven Spielberg, at work making movies
200 striking photographs, in-depth commentaries, plot synposes, contemporary reviews, and more — about 50 British classics from yesterday and today. Preface. Text. Alphabetical list of films. Bibliography.
This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.
Upon its original publication in 1962, Edward Wagenknecht's The Movies in the Age of Innocence immediately earned recognition as a classic in the history of early cinema. A tribute to American silent film from the first-person perspective of one who grew up with the medium, the volume surveys the pre-feature and feature era of silent films from a distinctly literary standpoint and considers the careers of directors like D. W. Griffith and Erich von Stroheim, and actors such as Charlie Chaplin, Mary Pickford and Lillian Gish. With nearly 90 illustrations from early films, fan magazines and brochures, indices of film titles and names, and an appendix containing Wagenknecht's otherwise unavailable 1927 pamphlet Lillian Gish: An Interpretation, this third edition retains its significance today.