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In this outstanding book Susan Strehle argues that a new fiction has developed from the influence of modern physics. She calls this new fiction actualism, and within that framework she offers a critical analysis of major novels by Thomas Pynchon, Robert Coover, William Gaddis, John Barth, Margaret Atwood, and Donald Barthelme. According to Strehle, the actualists balance attention to questions of art with an engaged meditation on the external, actual world. While these actualist novels diverge markedly from realistic practice, Strehle claims that they do so in order to reflect more acutely what we now understand as real. Reality is no longer "realistic"; in the new physical or quantum universe, reality is discontinuous, energetic, relative, statistical, subjectively seen, and uncertainly known_all terms taken from new physics. Actualist fiction is characterized by incompletions, indeterminacy, and "open" endings unsatisfying to the readerly wish for fulfilled promises and completed patterns. Gravity's Rainbow, for example, ends not with a period but with a dash. Strehle argues that such innovations in narrative reflect on twentieth-century history, politics, science, and discourse.
Famous explorer Bob and his dog Rick have been around the world and even to the Moon, but their travels through the quantum universe show them the greatest wonders they've ever seen. As they follow their tour guide, the giddy letter h (also known as the Planck constant), Bob and Rick discover that the universe is bouncy, have crepes with Max Planck, talk to Einstein about atoms, visit Louis de Broglie in his castle, and hang out with Heisenberg on Heligoland. On the way, we find out that a dog - much like a cat - can be both dead and alive, the gaze of a mouse can change the universe, and a comic book can actually make quantum physics fun, easy to understand and downright enchanting.
In this outstanding book Susan Strehle argues that a new fiction has developed from the influence of modern physics. She calls this new fiction actualism, and within that framework she offers a critical analysis of major novels by Thomas Pynchon, Robert Coover, William Gaddis, John Barth, Margaret Atwood, and Donald Barthelme. According to Strehle, the actualists balance attention to questions of art with an engaged meditation on the external, actual world. While these actualist novels diverge markedly from realistic practice, Strehle claims that they do so in order to reflect more acutely what we now understand as real. Reality is no longer "realistic"; in the new physical or quantum universe, reality is discontinuous, energetic, relative, statistical, subjectively seen, and uncertainly known -- all terms taken from new physics. Actualist fiction is characterized by incompletions, indeterminacy, and "open" endings unsatisfying to the readerly wish for fulfilled promises and completed patterns. Gravity's Rainbow, for example, ends not with a period but with a dash. Strehle argues that such innovations in narrative reflect on twentieth-century history, politics, science, and discourse.
The twentieth century was defined by physics. From the minds of the world's leading physicists there flowed a river of ideas that would transport mankind to the pinnacle of wonderment and to the very depths of human despair. This was a century that began with the certainties of absolute knowledge and ended with the knowledge of absolute uncertainty. It was a century in which physicists developed weapons with the capacity to destroy our reality, whilst at the same time denying us the possibility that we can ever properly comprehend it. Almost everything we think we know about the nature of our world comes from one theory of physics. This theory was discovered and refined in the first thirty years of the twentieth century and went on to become quite simply the most successful theory of physics ever devised. Its concepts underpin much of the twenty-first century technology that we have learned to take for granted. But its success has come at a price, for it has at the same time completely undermined our ability to make sense of the world at the level of its most fundamental constituents. Rejecting the fundamental elements of uncertainty and chance implied by quantum theory, Albert Einstein once famously declared that 'God does not play dice'. Niels Bohr claimed that anybody who is not shocked by the theory has not understood it. The charismatic American physicist Richard Feynman went further: he claimed that nobody understands it. This is quantum theory, and this book tells its story. Jim Baggott presents a celebration of this wonderful yet wholly disconcerting theory, with a history told in forty episodes — significant moments of truth or turning points in the theory's development. From its birth in the porcelain furnaces used to study black body radiation in 1900, to the promise of stimulating new quantum phenomena to be revealed by CERN's Large Hadron Collider over a hundred years later, this is the extraordinary story of the quantum world. Oxford Landmark Science books are 'must-read' classics of modern science writing which have crystallized big ideas, and shaped the way we think.
Quantum Theory is the most revolutionary discovery in physics since Newton. This book gives a lucid, exciting, and accessible account of the surprising and counterintuitive ideas that shape our understanding of the sub-atomic world. It does not disguise the problems of interpretation that still remain unsettled 75 years after the initial discoveries. The main text makes no use of equations, but there is a Mathematical Appendix for those desiring stronger fare. Uncertainty, probabilistic physics, complementarity, the problematic character of measurement, and decoherence are among the many topics discussed. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Paul Davies explains the significance of the amazing quantum universe, where fact is stranger than any science fiction. He takes us into a world where commonsense notions of space, time, and causality must be left behind as the realm of solid matter dissolves into vibrating patterns of ghostly energy, and where mind and matter are interwoven in a subtle and holistic manner. An Australian physicist and author of GOD AND THE NEW PHYSICS, Davies writes for the lay reader in simple language.
"A thorough, illuminating exploration of the most consequential controversy raging in modern science." --New York Times Book Review An Editor's Choice, New York Times Book Review Longlisted for PEN/E.O. Wilson Prize for Literary Science Writing Longlisted for Goodreads Choice Award Every physicist agrees quantum mechanics is among humanity's finest scientific achievements. But ask what it means, and the result will be a brawl. For a century, most physicists have followed Niels Bohr's solipsistic and poorly reasoned Copenhagen interpretation. Indeed, questioning it has long meant professional ruin, yet some daring physicists, such as John Bell, David Bohm, and Hugh Everett, persisted in seeking the true meaning of quantum mechanics. What Is Real? is the gripping story of this battle of ideas and the courageous scientists who dared to stand up for truth. "An excellent, accessible account." --Wall Street Journal "Splendid. . . . Deeply detailed research, accompanied by charming anecdotes about the scientists." --Washington Post
A science fiction tale on the theme that love knows no boundaries. The protagonist is an SF writer who creates a woman character and falls in love with her. Such is the power of his love she ceases to be fiction and joins him in reality.
Topical and timely, Booker Prize–winning author Ben Okri’s new collection of short stories blurs parallel realities and walks the line between darkness and magic. A Library Journal Best Book of 2021 “No matter how different each story is in context or story line, Prayer for the Living is not simply a collection of different tales, it is a deliberate assemblage of universal truths that explores what it means to seek and to live.” —Los Angeles Review of Books Playful, frightening, shocking—these stories from a writer at the height of his power will make you think, or make you laugh. Sometimes they’ll make you want to look away, but they will always hold your gaze. These are stories set in London, in Byzantium, in the ghetto, in the Andes, and in a printer’s shop in Lagos. Characters include a murderer, a writer, a detective, a woman in a dream, a man in a mirror, a little girl, a prison door, and the author himself. Each one of these twenty-four stories will make you wonder if what you see in the world can really be all there is . . .
The most accessible guide to quantum physics there is, from the New Scientist cosmology correspondent.