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Essays on festive drama - plays, pageantry and traditional ceremonies - of the European middle ages, with comparative material.
Christmas in Ritual and Tradition, Christian and Pagan is a study of the history and folklore surrounding Christmas holidays in several countries. It is an amazing collection of Christmas-related traditions from the first introductions of Christianity to the early 20th century. The book covers the history of Christmas as a Christian feast day and how that developed. It also discusses pre-Christian festivals and observances and how a lot of them survived by being given a Christian veneer although the overt paganism disappeared. Clement A. Miles (1881-1918), an author and translator, was a member of the Folk-Lore Society. He had been for many years on T. Fisher Unwin's literary staff and he was the author of an important work: Christmas in Ritual and Tradition. Miles possessed a wide knowledge of European languages, and translated numerous works from French and Italian.
The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country's first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.
Christmas in Ritual and Tradition, Christian and Pagan is a study of the history and folklore surrounding Christmas holidays in several countries. It is an amazing collection of Christmas-related traditions from the first introductions of Christianity to the early 20th century. The book covers the history of Christmas as a Christian feast day and how that developed. It also discusses pre-Christian festivals and observances and how a lot of them survived by being given a Christian veneer although the overt paganism disappeared. Clement A. Miles (1881-1918), an author and translator, was a member of the Folk-Lore Society. He had been for many years on T. Fisher Unwin's literary staff and he was the author of an important work: Christmas in Ritual and Tradition. Miles possessed a wide knowledge of European languages, and translated numerous works from French and Italian.
Reprints the 1912 study of the origins, evolution, and meaning of Christmas rituals and practices of many nations, including caroling, Christmas drama, the manger, the Christmas tree, the Yule log, and the twelve days.
Started in 1958, Sanathana Sarathi is a monthly magazine devoted to Sathya (Truth), Dharma (Righteousness), Shanti (Peace) and Prema (Love) - the four cardinal principles of Bhagawan Baba's philosophy. It is published from Prasanthi Nilayam (the Abode of Highest Peace) and acts as a mouthpiece of Baba's Ashram as it speaks of the important events that take place in His sacred Abode, besides carrying Divine Messages conveyed through Divine Discourses of Bhagawan Sri Sathya Sai Baba. The word meaning of Sanathana Sarathi is the 'Eternal Charioteer'. It signifies the presence of the Lord in every being as the atma guiding their lives like a charioteer. It implies that he who places his life, the body being likened to a chariot, in an attitude of surrender in the hands of the Lord, will be taken care of by the Lord even as a charioteer would take the occupant of his chariot safely to its destination. The magazine is an instrument to disseminate spiritual knowledge for the moral, physical and mental uplift of humanity without any discrimination as the subject matter discussed therein is always of common interest and of universal appeal. The fifteen Vahinis - streams of sacredness - known as the Vahini Series comprising annotation and interpretation of the Upanishads and other scriptures, Itihasas like the Ramayana, the Bhagavatha and the Mahabharata, and authentic explanations on Dhyana, Dharma, Prema, etc., have been serially published in this magazine as and when they emanated from the Divine pen of Bhagawan Baba. This magazine is published in almost all Indian languages, English and Telugu from Prasanthi Nilayam and others from respective regions. Every year Sanathana Sarathi comes out with a special issue in November commemorating the Divine Birthday. The English and Telugu magazines are posted on the 10th and 23rd respectively, of every month, from Prasanthi Nilayam. This magazine has wide, ever increasing circulation in India as well as abroad, as the study of it brings the reader closer to the philosophy of the Avatar in simple understandable language THUS SPAKE SAI... Discoursing during the launch of Sanathana Sarathi... From this day, our Sanathana Sarathi will lead to victory the cohorts of truth - the Vedas, the Sastras and similar scriptures of all faiths, against the forces of the ego such as injustice, falsehood, immorality and cruelty. This is the reason why it has emerged. This Sarathi will fight in order to establish world prosperity. It is bound to sound the paean of triumph when universal Ananda is achieved.