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Three lives touch and wind together in a small North Carolina town as wildfires head menacingly toward the community.
“Fire Season both evokes and honors the great hermit celebrants of nature, from Dillard to Kerouac to Thoreau—and I loved it.” —J.R. Moehringer, author of The Tender Bar “[Connors’s] adventures in radical solitude make for profoundly absorbing, restorative reading.” —Walter Kirn, author of Up in the Air Phillip Connors is a major new voice in American nonfiction, and his remarkable debut, Fire Season, is destined to become a modern classic. An absorbing chronicle of the days and nights of one of the last fire lookouts in the American West, Fire Season is a marvel of a book, as rugged and soulful as Matthew Crawford’s bestselling Shop Class as Soulcraft, and it immediately places Connors in the august company of Edward Abbey, Annie Dillard, Aldo Leopold, Barry Lopez, and others in the respected fraternity of hard-boiled nature writers.
Beleaguered Police Detective Frank Coffin is on the trail of a harmful firebug in "Fire Season," the third in this sharply witty mystery series set in Provincetown, Massachusetts.
This concluding volume of the Literary Trails of North Carolina trilogy takes readers into an ancient land of pale sand, dense forests, and expansive bays, through towns older than our country and rich in cultural traditions. Here, writers reveal lives long tied to the land and regularly troubled by storms and tell tales of hardship, hard work, and freedom. Eighteen tours lead readers from Raleigh to the Dismal Swamp, the Outer Banks, and across the Sandhills as they explore the region's connections to over 250 writers of fiction, poetry, plays, and creative nonfiction. Along the way, Georgann Eubanks brings to life the state's rich literary heritage as she explores these writers' connection to place and reveals the region's vibrant local culture. Excerpts invite readers into the authors' worlds, and web links offer resources for further exploration. Featured authors include A. R. Ammons, Gerald Barrax, Charles Chesnutt, Clyde Edgerton, Philip Gerard, Kaye Gibbons, Harriet Jacobs, Jill McCorkle, Michael Parker, and Bland Simpson. Literary Trails of North Carolina is a project of the North Carolina Arts Council.
Students will learn how to design, plan, market and stage an event, as well as how to manage staff, staffing problems and how to ensure the safety of everyone involved. Also what they need to know about legal compliance, risk managment, financial control and how to evaluate the success of the events they stage.
“One of the most important chroniclers of the modern psyche.” —The Guardian The novelist, cultural critic, and indie icon serves up sometimes bitchy, always generous, erudite, and joyful assessments from the last thirty-five years of cutting edge film, art, and literature. Whether he’s describing Tracy Emin or Warhol, the films of Barbet Schroeder (“Schroeder is well aware that life is not a narrative; that we impose form on the movements of chance, contingency, and impulse....”) or the installations of Barbara Kruger (“Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are…”), Indiana is never just describing. His writing is refreshing, erudite, joyful. Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it’s also political, plus it’s a riot of fun on the page. Here is Gary Indiana on Euro Disney resort park in Marne-la-Valée outside of Paris: John Berger compares the art of Disney to that of Francis Bacon. He says that the same essential horror lurks in both, and that it springs from the viewer’s imagining: There is nothing else. Even as a child, I understood how unbearable it would be to be trapped inside a cartoon frame.
Frazer's series which attempted to define the shared elements of religious belief and scientific thought, discussing fertility rites, human sacrifice, the dying god, the scapegoat, and many other symbols and practices whose influences had extended into 20th-century culture. His thesis is that old religions were fertility cults that revolved around the worship and periodic sacrifice of a sacred king. Frazer proposed that mankind progresses from magic through religious belief to scientific thought.
Planetary Health is a solution oriented transdisciplinary field and a global movement focused on analyzing and addressing the impacts of human disruptions to Earth’s natural systems on human health and all life on Earth. A core insight of the field is that the current Earth crisis is so extensive that it is now driving a global humanitarian crisis (Planetary Health Alliance © 2022). The nature of our current problems, with global and local implications, requires that voices from all geographies, genders, and cultures be heard, and that those people be involved in the Planetary Health Alliance (PHA). With that in mind, the PHA proposed that the 4th Planetary Health Annual Meeting (PHAM2021) would be hosted for the first time in the Global South. After a selection process, the University of São Paulo (USP) was chosen to host the PHAM2021, in the city of São Paulo, Brazil. USP and PHA worked together to develop the program. The meeting motto reflects the overall concept: Planetary Health for all - bridging communities to achieve the Great Transition. Also on our minds was a sense of urgency to promote actions, as the Earth crisis continues to intensify all around the globe. Then came the COVID-19 outbreak to emphasize the importance of spreading the word about PH as a comprehensive framework to understand our current situation and to promote change. Intended to be held in-person at the USP main campus, we had to shift to a virtual meeting due to the pandemic. We took that as an opportunity to expand the program across an entire week, to declare the last week of April Planetary Health Week, and call our event PH Meeting and Festival, including arts sessions in the program, as arts are an important way to connect people around PH. Our audience increased tremendously, while lowering our environmental footprint: we had more than 5,000 registrants from 130 countries. The narrative of the event was especially tailored to be aligned with the underlying event concept, bringing foundations of PH - values and knowledge, and PH in action in the private sector, government and civil society. Each of them was the main theme of a day that week. Finally, we felt it was time for the global PH community to issue a call-to-action for a deep change and urgent response: the São Paulo Declaration on Planetary Health was developed openly and collaboratively by the global community with assistance from the United Nations Development Program and was released after the event. At the end, and after all the hard work, we felt very satisfied with the results, the ample participation, and with an innovative event that will certainly inspire the next editions.