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A collection of scholarly essays dedicated to Fernando Pessoa as English reader and writer including unpublished material from the author's archive and private library
For the first time—and in the best translation ever—the complete Book of Disquiet, a masterpiece beyond comparison The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.
A selection of prose by “Portugal’s greatest writer of the twentieth century . . . as addictive, and endearing, as Borges and Calvino” (The Washington Post Book World). Building on the wonderful Fernando Pessoa & Co.: Selected Poems, which was acclaimed by Booklist as “a beautiful one-volume course in the soul of the twentieth century,” translator Richard Zenith has now edited and translated selections from Pessoa’s prose, offering a second volume of this forgotten master’s flights of imagination and melancholy wit. Though known primarily as a poet, Pessoa wrote prose in several languages and every genre—the novel, short stories, letters, and essays. The pieces collected here span intellectual inquiry, Platonic dialogue, and literary rivalries between Pessoa’s many alter egos—a diverse cast of literary voices he called ‘heteronyms’—who launch movements and write manifestos. There are appreciations of Shakespeare, Dickens, Wilde, and Joyce; critical essays in which one heteronym derides the work of another; experiments with automatic writing; and works that toy with the occult. Also included is a generous selection from Pessoa’s masterpiece, The Book of Disquiet, freshly translated by Richard Zenith from newly discovered materials. Fernando Pessoa was one of the greatest exponents of modernism. The Selected Prose of Fernando Pessoa is an important contribution to literature that brings back to life a forgotten but crucial part of the canon.
Like Richard Ellmann’s James Joyce, Richard Zenith’s Pessoa immortalizes the life of one of the twentieth century’s greatest writers. Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match. Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius. Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal. Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet. A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.
The largest and richest English-language volume of poetry from “the greatest twentieth-century writer you have never heard of” (Los Angeles Times) Edited, Translated, and with an Introduction by Richard Zenith, the author of the Pulitzer Prize finalist Pessoa: A Biography A Penguin Classic Writing obsessively in French, English, and Portuguese, poet Fernando Pessoa (1888–1935) left a prodigious body of work, much of it credited to three “heteronyms”―Alberto Caeiro, Ricardo Reis, and Alvaro de Campos―alter egos with startlingly different styles, points of view, and biographies. Offering a unique sampling of his most famous voices, this collection features Pessoa’s major, best-known works and several stunning poems that have come to light only in this century, including his long, highly autobiographical swan song. Featuring a rich body of work that has never before been translated into English, this is the finest introduction available to the stunning breadth of Pessoa’s genius.
Writing a biography about Pessoa is a seemingly impossible task. The great Portuguese poet did not have just one life, but his existence virtually exploded in over a hundred different personalities. Only by placing oneself close to Pessoa, only by becoming almost one with him, is it possible to trace the life of this poet who was himself a multitude. José Paulo Cavalcanti has done such a thing, sewing together a path that runs through Pessoa’s multiple voices and personalities, seamlessly moving in and out of the poet’s work, daily habits and interactions. Following the great success of the Brazilian edition, Fernando Pessoa. A quasi Memoir is the first English translation of the book, and it provides new insights on the complex nature of the Portuguese poet.
The first comprehensive English translation of poetry from the renowned Portuguese author of The Book of Disquiet: “An arresting . . . body of work” (Newsday). Born in 1888, Fernando Pessoa is widxely considered Portugal’s greatest modern poet and author. With an introduction that illuminates the life and work of this elusive literary giant, Fernando Pessoa & Co. is the most comprehensive and elegantly translated edition of Pessoa’s poetry available in English. Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under what he referred to as “heteronyms,” numerous alter egos with fully fleshed identities and writing styles, who supported and criticized each other’s work in the margins of his drafts and in the literary journals of the time. Ranging widely over the possibilities of language, Pessoa’s poetry echoes symbolist verse, Portuguese folk song, and futurist manifesto. From spare minimalism to a revolutionary exuberance that recalls Walt Whitman’s Leaves of Grass, Pessoa’s oeuvre was radically new and anticipated contemporary literature to an unnerving degree. Fernando Pessoa & Co. is “a beautiful one-volume course in the soul of the twentieth century” (Booklist).
Fernando Pessoa is one of the greatest poets of the 20th century. Until some years ago known in the English-speaking world only among a minority of connaisseurs, his work is finally becoming available in English translations, and more are in the process of reaching the literary public. Born in Lisbon in 1888, Pessoa was only forty-seven when he died, but he left behind a staggering number of unpublished manuscripts that are still being screened and brought to light. George Steiner heralded the day Pessoa discovered his major Portuguese heteronyms, for no country had ever seen the birth of four great poets in a single day. That was a reference to the personae Pessoa created, the famous heteronyms Alberto Caeiro, Alvaro de Campos, and Ricardo Reis, besides the man himself -- all poets in their own right with their biographies and even critical exchanges among themselves. Today well over a hundred Pessoa heteronyms are known, including, notably, the semi-heteronym Bernardo Soares, author of The Book of Disquiet, presently available in two English translations. Lately, another Pessoa is emerging -- an English writer, as well as a thinker. Indeed, having been educated in Durban, South Africa, where his stepfather was the consul of Portugal, the poet had a strong English education that shaped his life and thought. George Monteiro has been in the forefront of the uncovering of this side of Pessoa. Author, among many other works, of The Presence of Pessoa: English, American, and Southern African Literary Responses, and Fernando Pessoa and Nineteenth-Century Anglo-American Literature, in this volume Monteiro continues to explore and interpret the world of Pessoa to English-speaking readers.
Edward Snow's selection of more than one hundred of Rainer Maria Rilke's little-known and neglected poems in this bilingual edition offers the reader a glimpse into one of the most powerful and underrated accomplishments in all of modern poetry. The poems in Uncollected Poems reveal a freer, more dangerous, less self-fashioning Rilke than the poet of the Elegies and the Sonnets; and Snow's translations of them, while always scrupulously faithful to the German, bring Rilke's power and music into English with unmatched grace and intelligence.
Fernando Pessoa is Portugal's most important contemporary poet. He wrote under several identities, which he called heteronyms: Albet Caeiro, Alvaro de Campos, Ricardo Reis, and Bernardo Soares. He wrote fine poetry under his own name as well, and each of his "voices" is completely different in subject, temperament, and style. This volume brings back into print the comprehensive collection of his work published by Ecco Press in 1986.