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Caught as we are in a grave climate crisis that seems more irreversible with every passing year, our literary portrayals of the future often feature the dystopian collapse of the world as we know it. Science fiction explores how we got here, while pointing toward a more hopeful path forward. From an ecofeminist perspective, a core cause of our current ecological catastrophe is the patriarchal domination of nature, playing out in parallel with the oppression of women. As an alternative to dystopian futures that seem increasingly inevitable, ecofeminist science fiction helps us conjure utopias that promote environmental sustainability based on more egalitarian human relationships. Dystopias and Utopias on Earth and Beyond: Feminist Ecocriticism of Science Fiction explores the fictional worlds of such canonical novelists as Margaret Atwood, Octavia Butler, Ursula K. Le Guin, Doris Lessing, and Joan Slonczewski, as well as those of lesser-known science fiction writers, as they collectively probe humanity’s greatest existential threats. Contributors from five continents provide compelling analyses of far future dystopias on Earth that are all too easy to imagine becoming reality if humankind’s current trajectory continues, as well as provocative insights into science fiction utopias set on idyllic planets orbiting distant stars, which offer liberatory alternatives that might someday be actualized in the real world. By examining the links between the destruction of the environment and the domination of women, Dystopias and Utopias on Earth and Beyond provides the tools to counteract those intertwined oppressions, helping create a foundation for a truly habitable world.
Two of the most important political movements of the late twentieth century are those of environmentalism and feminism. In this book, Val Plumwood argues that feminist theory has an important opportunity to make a major contribution to the debates in political ecology and environmental philosophy. Feminism and the Mastery of Nature explains the relation between ecofeminism, or ecological feminism, and other feminist theories including radical green theories such as deep ecology. Val Plumwood provides a philosophically informed account of the relation of women and nature, and shows how relating male domination to the domination of nature is important and yet remains a dilemma for women.
Ecofeminist Science Fiction: International Perspectives on Gender, Ecology, and Literature provides guidance in navigating some of the most pressing dangers we face today. Science fiction helps us face problems that threaten the very existence of humankind by giving us the emotional distance to see our current situation from afar, separated in our imaginations through time, space, or circumstance. Extrapolating from contemporary science, science fiction allows a critique of modern society, imagining more life-affirming alternatives. In this collection, ecocritics from five continents scrutinize science fiction for insights into the fundamental changes we need to make to survive and thrive as a species. Contributors examine ecofeminist themes in films, such as Avatar, Star Wars, and The Stepford Wives, as well as television series including Doctor Who and Westworld. Other scholars explore an internationally diverse group of both canonical and lesser-known science fiction writers including Oreet Ashery, Iraj Fazel Bakhsheshi, Liu Cixin, Louise Erdrich, Hanns Heinz Ewers, Larissa Lai, Ursula K. Le Guin, Chen Qiufan, Mary Doria Russell, Larissa Sansour, Karen Traviss, and Jeanette Winterson. Ecofeminist Science Fiction explores the origins of human-caused environmental change in the twin oppressions of women and of nature, driven by patriarchal power and ideologies. Female embodiment is examined through diverse natural and artificial forms, and queer ecologies challenge heteronormativity. The links between war and environmental destruction are analyzed, and the capitalist motivations and means for exploiting nature are critiqued through postcolonial perspectives.
Explores the maternal experience from the mother's point of view. The book questions a society that has devalued and sentimentalized motherhood, and presents images of generative and creative women who are also mothers. It also discusses the portrayal of mothers in art, film and literature.
The Routledge Handbook of Ecofeminism and Literature explores the interplay between the domination of nature and the oppression of women, as well as liberatory alternatives, bringing together essays from leading academics in the field to facilitate cutting-edge critical readings of literature. Covering the main theoretical approaches and key literary genres of the area, this volume includes: Examination of ecofeminism through the literatures of a diverse sampling of languages, including Hindi, Chinese, Arabic, and Spanish; native speakers of Tamil, Vietnamese, Turkish, Slovene, and Icelandic Analysis of core issues and topics, offering innovative approaches to interpreting literature, including: activism, animal studies, cultural studies, disability, gender essentialism, hegemonic masculinity, intersectionality, material ecocriticism, postcolonialism, posthumanism, postmodernism, race, and sentimental ecology Surveys key periods and genres of ecofeminism and literary criticism, including chapters on Gothic, Romantic, and Victorian literatures, children and young adult literature, mystery, and detective fictions, including interconnected genres of climate fiction, science fiction, and fantasy, and distinctive perspectives provided by travel writing, autobiography, and poetry This collection explores how each of ecofeminism’s core concerns can foster a more emancipatory literary theory and criticism, now and in the future. This comprehensive volume will be of great interest to scholars and students of literature, ecofeminism, ecocriticism, gender studies, and the environmental humanities.
With a special focus on education and underrepresented geographical locations, this book is an inclusive collection of theories, discourses, art, identities, and practices related to this discipline.
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. Five women. One question. What is a woman for? In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom. Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivv?r, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling herbalist, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt. Red Clocks is at once a riveting drama, whose mysteries unfold with magnetic energy, and a shattering novel of ideas. In the vein of Margaret Atwood and Eileen Myles, Leni Zumas fearlessly explores the contours of female experience, evoking The Handmaid's Tale for a new millennium. This is a story of resilience, transformation, and hope in tumultuous -- even frightening -- times.
Thesis (M.A.) from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,7, RWTH Aachen University, language: English, abstract: Being a great lover of mythological tales since childhood, I have early discovered that certain traits and patterns of behaviour were usually ascribed to certain gender roles. Yet even within the roles of the respective genders, considerable differences were to be found. Those who shared many characteristics tended to end in similar ways. Strong and capable Penthesilea ends dead on the battlefield of Troy and her corpse is raped by Achilles. Atalanta, who beats male heroes in great adventures is tricked into marriage against her will, by an offended goddess and a man who is not her equal. Helen’s beauty has the power to launch thousand ships. Yet Helen herself is only a toy for men and gods. Penelope sits and weaves for twenty years waiting for her husband to return from a Trojan war while he is pursued and seduced by enchantresses. The more I read, in mythology and other fiction, the more often I discovered some endlessly repeating characteristics and patterns of behaviour of diverse roles. During my studies I became very interested in gender roles in Anglo-American literature, again particularly in those of female characters. Female roles in literature were always the more interesting to me when read from the background of the historical period in which they were created. Some of those fictional characters reflected the roles women were expected to fill at that particular age and geographical area. Others again were bad examples and warnings of what happens to women who do not fit into socially accepted roles. Once in a while a heroine would rise above the expected roles yet in the end she would return to the domestic area in which she was expected to be, or she would be destroyed. Of course there were always exceptions. Yet the first permanent and recognisable change of such roles in literature becomes obvious at the turn from the 19th to the 20th century. It is no coincidence that the same time in history marks the rise of the women’s liberation and suffrage movement with sweeping changes occurring in many issues of gender and social class. For the next hundred years, the roles and characteristics of women in literature underwent a greater change than in all previous centuries put together.
Fascinating angle on "emotional work"' MARGARET ATWOOD on Twitter In modern, beautiful Green City, the capital of South West Asia, gender selection, war and a virus outbreak have brought the ratio of men to women to alarmingly low levels. The government uses terror and technological surveillance to control its people, and women must take multiple husbands to have children as quickly as possible. Yet there are women who resist, women who live in an underground collective and refuse to be part of the system. Secretly protected by the highest echelons of power, they emerge only at night, to provide to the rich and elite of Green City a type of commodity that nobody can buy: intimacy without sex. As it turns out, not even the most influential men can shield them from discovery and the dangers of ruthless punishment. This dystopian novel from one of Pakistan’s most talented writers is a modern-day parable. It takes the patriarchal practices of female seclusion, gender selection and control over women’s bodies, and recasts them to imagine a terrifying world of post-religious authoritarianism.
Sharp-eyed Marianne lives in a white tower made of steel and concrete with her father and the other Professors. Outside, where the land is thickly wooded and wild beasts roam, live the Barbarians, who raid and pillage in order to survive. Marianne is strictly forbidden to leave her civilized world but, fascinated by these savage outsiders, decides to escape. There, beyond the wire fences, she will discover a decaying paradise, encounter the tattooed Barbarian boy Jewel and go beyond the darkest limits of her imagination. Playful, sensuous, violent and gripping, Heroes and Villains is an ambiguous and deliriously rich blend of post-apocalyptic fiction, gothic fantasy, literary allusion and twisted romance.