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Feminism in France charts the evolution of the women’s liberation in France (MLF) from its emergence in 1968 to the present. Claire Duchen provides a lucid and compelling account of different feminist practices in France, clarifying the divergent political stances and the feminist theory that informs them. The remarkably clear introduction to French feminist theory, notably of Luce Irigaray and Helene Cixous, places it in its wider intellectual and political context and illuminates the complex connection of feminist thinking to other strands of contemporary French thought, represented by philosophers such as Michel Foucault and Jacques Lacan. The author’s role as ‘participant observer’ and her inclusion of interviews with French activists enhance her discussion, complementing the analytical with the immediacy of lived experience. ‘Claire Duchen’s lucid and succinct account is both timely and valuable.’ – Harriet Gilbert, New Statesman ‘Lucid, sympathetic and very helpful book on the French women’s movement ... will help us to understand the French feminist world much better.’ – Sian Reynolds, Women’s Review ‘An excellent introduction to French feminist theory which clarifies feminism in contemporary French thought, and includes illuminating interviews with activists.’ - SHE
Feminism in France charts the evolution of the women’s liberation in France (MLF) from its emergence in 1968 to the present. Claire Duchen provides a lucid and compelling account of different feminist practices in France, clarifying the divergent political stances and the feminist theory that informs them. The remarkably clear introduction to French feminist theory, notably of Luce Irigaray and Helene Cixous, places it in its wider intellectual and political context and illuminates the complex connection of feminist thinking to other strands of contemporary French thought, represented by philosophers such as Michel Foucault and Jacques Lacan. The author’s role as ‘participant observer’ and her inclusion of interviews with French activists enhance her discussion, complementing the analytical with the immediacy of lived experience. ‘Claire Duchen’s lucid and succinct account is both timely and valuable.’ – Harriet Gilbert, New Statesman ‘Lucid, sympathetic and very helpful book on the French women’s movement ... will help us to understand the French feminist world much better.’ – Sian Reynolds, Women’s Review ‘An excellent introduction to French feminist theory which clarifies feminism in contemporary French thought, and includes illuminating interviews with activists.’ - SHE
Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events--with their embrace of radical individualism and antiauthoritarianism--triggered a break from the past, and the women's movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts. The history of French feminism is the history of women's claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity.
Written confidently and with compassion, this is the story of a long revolution that has set out to change predominant attitudes and transform value hierarchies and human lifestyles. By outlining the postwar histories of individual countries Kaplan contextualises women's movements and documents a significant chapter of European social history. She poses questions about the interrelationship between the new movements and the parliamentary democracies in which they occurred, while analysing the contradictions of living in modern capitalist countries. Contemporary Western European Feminism also tackles important contradictions, such as those between the welfare state and the free market economy; industrialisation and religious value systems; social engineering and the production of wealth; and dissent and patrimonial systems of democracy.
Women's Rights and Women's Lives In France 1944-1968 explores key aspects of the everyday lives of women between the Liberation of France and the events of May '68. At the end of the war, French women believed that a new era was beginning and that equality had been won. The redefined postwar public sphere required women's participation for the new democracy, and women's labour power for reconstruction, but equally important was the belief in women's role as mothers. Over the next two decades, the tensions between competing visions of women's `proper place' dominated discourses of womanhood as well as policy decisions, and had concrete implications for women's lives. Working from a wide range of sources, including women's magazines, prescriptive literature, documentation from political parties, government reports, parliamentary debates and personal memoirs, Claire Duchen follows the debates concerning womanhood, women's rights and women's lives through the 1944-1968 period and grounds them in the changing reality of postwar France.
Contemporary Western European Feminism is a ground-breaking history of feminism. Gisela Kaplan invites a critical analysis of current ideas, terms and assumptions about our modern world. Written confidently and with compassion, this is the story of a long revolution that has set out to change predominant attitudes and transform value hierarchies and human lifestyles. By outlining the postwar histories of individual countries Kaplan contextualises women’s movements and documents a significant chapter of European social history. She poses questions about the interrelationship between the new movements and the parliamentary democracies in which they occurred, while analysing the contradictions of living in modern capitalist countries. Contemporary Western European Feminism also tackles important contradictions, such as those between the welfare state and the free market economy; industrialisation and religious value systems; social engineering and the production of wealth; and dissent and patrimonial systems of democracy. For those wanting to know more about Europe without the intimidating barriers of language and for those already experts in its social history, Contemporary Western European Feminism is essential reading.
Religion, Theory, Critique is an essential tool for learning about theory and method in the study of religion. Leading experts engage with contemporary and classical theories as well as non-Western cultural contexts. Unlike other collections, this anthology emphasizes the dynamic relationship between "religion" as an object of study and different methodological approaches and openly addresses the question of the manifold ways in which "religion," "secular," and "culture" are imagined within different disciplinary horizons. This volume is the first textbook which seeks to engage discussion of classical approaches with contemporary cultural and critical theories. Contributors write on the influence of the natural sciences in the study of religion; the role of European Christianity in modeling theories of religion; religious experience and the interface with cognitive science; the structure and function of religious language; the social-scientific study of religion; ritual in religion; the phenomenology of religion; critical theory and religion; embodiment and religion; the impact of colonialism and modernity; theorizing religion in terms of race and ethnicity; links among religion, nationalism, and globalization; the interplay of gender, sex, and religion; and religion and the environment. Each chapter introduces the topic, identifies key theorists and issues, and respects the pluralistic nature of the scholarship in the field. Altogether, this collection scrutinizes the explicit and implicit assumptions theorists make about religion as an object of analysis.
In this provocative interdisciplinary essay, Joan B. Landes examines the impact on women of the emergence of a new, bourgeois organization of public life in the eighteenth century. She focuses on France, contrasting the role and representation of women under the Old Regime with their status during and after the Revolution. Basing her work on a wide reading of current historical scholarship, Landes draws on the work of Habermas and his followers, as well as on recent theories of representation, to re-create public-sphere theory from a feminist point of view.Within the extremely personal and patriarchal political culture of Old Regime France, elite women wielded surprising influence and power, both in the court and in salons. Urban women of the artisanal class often worked side by side with men and participated in many public functions. But the Revolution, Landes asserts, relegated women to the home, and created a rigidly gendered, essentially male, bourgeois public sphere. The formal adoption of "universal" rights actually silenced public women by emphasizing bourgeois conceptions of domestic virtue.In the first part of this book, Landes links the change in women's roles to a shift in systems of cultural representation. Under the absolute monarchy of the Old Regime, political culture was represented by the personalized iconic imagery of the father/king. This imagery gave way in bourgeois thought to a more symbolic system of representation based on speech, writing, and the law. Landes traces this change through the art and writing of the period. Using the works of Rousseau and Montesquieu as examples of the passage to the bourgeois theory of the public sphere, she shows how such concepts as universal reason, law, and nature were rooted in an ideologically sanctioned order of gender difference and separate public and private spheres. In the second part of the book, Landes discusses the discourses on women's rights and on women in society authored by Condorcet, Wollstonecraft, Gouges, Tristan, and Comte within the context of these new definitions of the public sphere. Focusing on the period after the execution of the king, she asks who got to be included as "the People" when men and women demanded that liberal and republican principles be carried to their logical conclusion. She examines women's roles in the revolutionary process and relates the birth of modern feminism to the silencing of the politically influential women of the Old Regime court and salon and to women's expulsion from public participation during and after the Revolution.
What are men doing in feminist discourse? Although many feminists have commented on the relation, actual or possible, of men to feminist thinking and practice, and although some male academics have written about feminism, there has so far been little shared discussion. Men in Feminism is the first substantial attempt to produce a dialogue between feminists and their male allies. This lively book, comprised of essays by both men and women, is a controversial sally in the current debate over the future of feminist theory. Its focus is one seemingly direct and yet surprisingly prickly question: the actual and potential relationship of men to the now impressive and widely recognized body of feminist writing. Each essay attempts to assess the benefits or damage of male participation in feminism; several of the contributions stand in direct dialogue with others. The editors present, mediate and reflect upon the agreements and arguments in the book, as well as between themselves as editors. Their dialogue-afterword draws together the questions at the heart of the volume. Offering few comfortable answers, Men in Feminism will open up discussion of this theoretical and thoroughly political issue.
"Despite critical interest in the role of women in the French Revolution, there is no single, comprehensive study of the works of the two most prolific women writers of the period: Olympe de Gouges and Manon Roland. At a time when politicians were molding public policy concerning life, liberty, the pursuit of happiness, and constituting criteria for citizenship, increasing numbers of women in Paris were clamoring for rights. New medical and philosophical theories redefining female nature were trotted out to justify women's continued exclusion from full political participation. Such theories focused on the female body as the locus of women's intellectual inadequacies and promulgated the idea that women who acted outside of the confines of their physiological nature were considered desensitized and unfeminine. "Deviant Women of the French Revolution and the Rise of Feminism" aims to uncover the work of those women who challenged prevailing views of female nature, sought social reforms, and were deemed 'deviant' for their writing and/or activism during the French Revolution."--Jacket.