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Michael analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction. While much has been written on various aspects of postmodernism and postmodern fiction and of feminism and feminist fiction, very little attention has been given to the postmodern aesthetic strategies that surface in post-World War II feminist fiction. Feminism and the Postmodern Impulse examines ways in which many widely read and acclaimed novels with feminist impulses engage and transform subversive aesthetic strategies usually associated with postmodern fiction to strengthen their feminist political edge. The author discusses many examples of recent feminist-postmodern fiction, and explores in greater depth Doris Lessing's The Golden Notebook, Marge Piercy's Woman on the Edge of Time, Margaret Atwood's The Handmaid's Tale, and Angela Carter's Nights at the Circus. She shows that feminist-postmodern fiction's emphasis on the material historical situation--the link to activist politics and commitment to enacting concrete changes in the world, and thus the need to reach a large reading public--often results in a blending and transformation of postmodern and realist aesthetic forms. Moreover, feminist fiction uses deconstructive strategies not only to disrupt the status quo but also to create a space for reconstruction, particularly of recreating new forms of female subjectivities and feminist aesthetics.
Analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction.
Both writers' novels borrow heavily from other authors, and in doing so they offer strategies for a politically committed rereading of literary history and its interaction with the popular imagination.".
A greater part of the feminist movement has considered traditional psychology to be both a product and a defense of the status quo, a patriarchal society. Here, Barbara Hill Rigney explores emerging feminist psychology by applying it to literary works by women who have depicted the relationship between madness and the female condition. The result is a fascinating and illuminating exposition, certain to be welcomed by students and scholars in literature and women's studies, as well as those in sociology and psychology whose interests include feminism and problems of women and society. Among the works Rigney considers are Charlotte Brontë's Jane Eyre, Virginia Woolf's Mrs. Dalloway, Doris Lessing's The Four-Gated City, and Margaret Atwood's Surfacing, all of which depict insanity in relation to sexual politics. These authors portray a patriarchal social system which, in itself, manifests symptoms of collusive madness in the form of war or sexual oppression and is thereby seen as threatening to female psychological survival. Each of Rigney's author subjects sees her protagonist as tragically divided between male society's prescribed roles for women and a sense of an authentic self. Thus emerges a pattern, common to all works, in which the divided self is reflected by the inevitable juxtaposition of the protagonist to a doppelgänger, an "insane" self, an extension of the protagonist who herself can be regarded as sane only by degree. A return to "true" sanity is traced through the patterns found in the selected works. Rigney explores the literary metaphor of the return of Demeter or the Amazon mother to restore the alienated female protagonists. In order to begin the return from psychosis, Rigney concludes, they must find the mother within themselves in the form of a feminist consciousness of self-worth.
Two of the most important political movements of the late twentieth century are those of environmentalism and feminism. In this book, Val Plumwood argues that feminist theory has an important opportunity to make a major contribution to the debates in political ecology and environmental philosophy. Feminism and the Mastery of Nature explains the relation between ecofeminism, or ecological feminism, and other feminist theories including radical green theories such as deep ecology. Val Plumwood provides a philosophically informed account of the relation of women and nature, and shows how relating male domination to the domination of nature is important and yet remains a dilemma for women.
For over one hundred and fifty years G.W.F. Hegel’s ghost has haunted theoretical understanding and practice. His opponents first, and later his defenders, have equally defined their programs against and with his. In this way Hegel’s political thought has both situated and displaced modern political theorizing. This book takes the reception of Hegel’s political thought as a lens through which contemporary methodological and ideological prerogatives are exposed. It traces the nineteenth century origins of the positivist revolt against Hegel’s legacy forward to political science’s turn away from philosophical tradition in the twentieth century. The book critically reviews the subsequent revisionist trend that has eliminated his metaphysics from contemporary considerations of his political thought. It then moves to re-evaluate their relation and defend their inseparability in his major work on politics: the Philosophy of Right. Against this background, the book concludes with an argument for the inherent metaphysical dimension of political theorizing itself. Goodfield takes Hegel’s reception, representation, as well as rejection in Anglo-American scholarship as a mirror in which its metaphysical presuppositions of the political are exceptionally well reflected. It is through such reflection, he argues, that we may begin to come to terms with them. This book will be of great interest to students, scholars, and readers of political theory and philosophy, Hegel, metaphysics and the philosophy of the social sciences.
About various theories of gender, sexuality, feminism and masculinity including queer theory, transgender theorizing, modernist liberationism and social constructionism.
Faking Death includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Geneviève Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. By bringing together this many Canadian works "Faking Death" provides a compelling visual introduction to one of Canada's most vibrant and internationally recognized artistic media. It is an invaluable tool for curators, artists, teachers, students, and scholars in art history, fine arts, Canadian studies, film, communications, literature, and cultural studies.
The Routledge Companion to Postmodernism combines a series of fourteen in-depth background chapters with a body of A-Z entries to create an authoritative yet readable guide to the complex world of postmodernism.