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This collection of classic essays in feminist body studies investigates the history of the image of the female body; from the medical 'discovery' of the clitoris, to the 'body politic' of Queen Elizabeth I, to women deprecated as 'Hottentot Venuses' in the nineteenth century. The text look at the way in which coverings bear cultural meaning: clothing reform during the French Revolution, Islamic veiling, and the invention of the top hat; as well as the embodiment of cherished cultural values in social icons such as the Statue of Liberty or the Barbie doll. By considering culture as it defines not only women but also men, this volume offers both the student and the general reader an insight into the interdisciplinary and cross-cultural study involved in feminist body studies.
This work comprises a collection of influential readings in feminist theory. It is divided into four sections: "Reading the Body"; "Bodies in Production"; "The Body Speaks"; and "Body on Stage".
Young Women and the Body sets out to examine why the current generation of young women seem to be deeply unhappy with their own bodies. Dieting and disguising are commonplace, and inflicting serious harm by no means rare in fourteen to eighteen year olds. Despite prophesies to the contrary boys and adults are suffering far less. Drawing on feminist social constructionist perspectives the book seeks to examine this epidemic of body-hatred.
Feminist Perspectives on the Body provides an accessible introduction to this extremely popular new area and is aimed at students from a variety of disciplines who are interested in gaining an understanding of the key issues involved. The author explores many important topics including: the Western world's construction of the body as a theoretical, philosophical and political concept; the body and reproduction; medicalisation; cosmetic surgery and eating disorders; the body in performance; the private and the public body; working bodies and new ways of thinking about the body.
This Reader provides students with a comprehensive overview of differing feminist approaches to the body. Its wide range of contributions locate the important historical developments, interdisciplinary perspectives, and key discourses that have shaped this dynamic area of feminist theory.
The Body and Shame: Phenomenology, Feminism, and the Socially Shaped Body investigates the concept of body shame and explores its significance when considering philosophical accounts of embodied subjectivity. Body shame only finds its full articulation in the presence (actual or imagined) of others within a rule and norm governed milieu. As such, it bridges our personal, individual and embodied experience with the social, cultural and political world that contains us. Luna Dolezal argues that understanding body shame can shed light on how the social is embodied, that is, how the body—experienced in its phenomenological primacy by the subject—becomes a social and cultural artifact, shaped by external forces and demands. The Body and Shame introduces leading twentieth-century phenomenological and sociological accounts of embodied subjectivity through the work of Edmund Husserl, Maurice Merleau-Ponty, Jean-Paul Sartre, Michel Foucault and Norbert Elias. Dolezal examines the embodied, social and political features of body shame. contending that body shame is both a necessary and constitutive part of embodied subjectivity while simultaneously a potential site of oppression and marginalization. Exploring the cultural politics of shame, the final chapters of this work explore the phenomenology of self-presentation and a feminist analysis of shame and gender, with a critical focus on the practice of cosmetic surgery, a site where the body is literally shaped by shame. The Body and Shame will be of great interest to scholars and students in a wide variety of fields, including philosophy, phenomenology, feminist theory, women’s studies, social theory, cultural studies, psychology, sociology, and medical humanities.
What is a body? What are our perceptions of our inner bodies? How are these perceptions influenced? In recent years, thinking about the body has become highly fashionable. However, the renewed focus, while certainly welcome, seems to always end at the corporeal surface. While recent sociological and feminist theory has made important claims about the process of cultural inscription on the body, and about the cultural representation of the body, what actually appears in this new theory seems to be, ironically, disembodied. If this newly theorized form has interiority, it is one that is explained predominantly through psychoanalysis. The physiological processes remain a mystery to be explained, if at all, only in the esoteric language of biomedicine. As a trained biologist, Lynda Birke was frustrated by the gap between feminist cultural analysis and her own scientific background. In this book, she seeks to bridge this gap using ideas in anatomy and physiology to develop the feminist view that the biological body is socially and culturally constructed. Birke rejects the assumption that bodily function is somehow fixed and unchanging, claiming that biology offers more than just a deterministic narrative of how nature works. Feminism and the Biological Body brings natural science and feminist theory together and suggests that we need a new politics that includes, rather than denies, our flesh.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Feminist Perspectives on the Body provides an accessible introduction to this extremely popular new area and is aimed at students from a variety of disciplines who are interested in gaining an understanding of the key issues involved. The author explores many important topics including: the Western world's construction of the body as a theoretical, philosophical and political concept; the body and reproduction; medicalisation; cosmetic surgery and eating disorders; the body in performance; the private and the public body; working bodies and new ways of thinking about the body.
The articles in this volume consider the prevailing standards of feminine decorum, and how these are being played with and challenged by various media. This is a collection of essays which focuses on the representation of women's bodies in historical and contemporary cultures. It discusses recent books on the subject, and compares the two different approaches to the body adopted by the soft-porn magazine "For Women", and the women's monthly "Cosmopolitan". It also examines TV cult figures, such as the "comic body" exemplified by comedienne Joe Brand, and situation comedies such as "Absolutely Fabulous".