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"International sex researcher, neuroscientist, and frequent contributor to The Globe and Mail (Toronto) Debra Soh [discusses what she sees as] gender myths in this ... examination of the many facets of gender identity"--
A famous female soldier of the Revolutionary War There have been few notable women who have joined their nations colours to fight in its causes on the battlefield. Fewer still have actually donned the uniform of a soldier and in the guise of men fought in in the ranks. Several nations have notable examples. The English have their 'Mother Ross' who fought as a dragoon during Marlborough's campaigns and there are several examples from both sides of the American Civil War. Deborah Sampson also felt her nation's call, in her case the emergent United States of America at the time when the young country rose to shake off the shackles of colonialism. In 1778, aged just 18 years old, young Deborah disguised herself in male attire and attempted to join the ranks of Washington's Continental Army. Fearful she had been discovered she failed to report for duty; but in 1782 under the name of her late brother, Robert Shurtliff Sampson, she finally achieved her objective. She found herself posted to the distinctively uniformed ranks of the light company of the 4th Massachusetts Regiment. Deborah fought in several skirmishes before her first battlefield engagement at Tarrytown during which she was wounded in the thigh and cut about the head. Afraid of discovery, she treated herself with penknife and twine. Her gender was discovered in 1783 by a doctor who was treating her for a fever though he did not reveal his discovery. Deborah Sampson's true identity was never formally acknowledged right up to the point she was honourably discharged in October 1783. This book was originally published under the title The Female Review. Life of Deborah Sampson, the Female Soldier in the War of the Revolution. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.
In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and fought as a soldier for seventeen months toward the end of the American Revolution. Deborah Sampson was not the only woman to pose as a male and fight in the war, but she was certainly one of the most successful and celebrated. She managed to fight in combat and earn the respect of her officers and peers, and in later years she toured the country lecturing about her experiences and was partially successful in obtaining veterans’ benefits. Her full story, however, was buried underneath exaggeration and myth (some of which she may have created herself), becoming another sort of masquerade. Young takes the reader with him through his painstaking efforts to reveal the real Deborah Sampson in a work of history that is as spellbinding as the best detective fiction.
A #1 New York Times bestselling author traces her father’s life from turn-of-the-century Warsaw to New York City in an intimate memoir about family, memory, and the stories we tell. “An accomplished, clear-eyed, and affecting memoir about a man who is at once ordinary and extraordinary.”—Forward Long before she was the acclaimed author of a groundbreaking book about women and men, praised by Oliver Sacks for having “a novelist’s ear for the way people speak,” Deborah Tannen was a girl who adored her father. Though he was often absent during her childhood, she was profoundly influenced by his gift for writing and storytelling. As she grew up and he grew older, she spent countless hours recording conversations with her father for the account of his life she had promised him she’d write. But when he hands Tannen journals he kept in his youth, and she discovers letters he saved from a woman he might have married instead of her mother, she is forced to rethink her assumptions about her father’s life and her parents’ marriage. In this memoir, Tannen embarks on the poignant, yet perilous, quest to piece together the puzzle of her father’s life. Beginning with his astonishingly vivid memories of the Hasidic community in Warsaw, where he was born in 1908, she traces his journey: from arriving in New York City in 1920 to quitting high school at fourteen to support his mother and sister, through a vast array of jobs, including prison guard and gun-toting alcohol tax inspector, to eventually establishing the largest workers’ compensation law practice in New York and running for Congress. As Tannen comes to better understand her father’s—and her own—relationship to Judaism, she uncovers aspects of his life she would never have imagined. Finding My Father is a memoir of Eli Tannen’s life and the ways in which it reflects the near century that he lived. Even more than that, it’s an unflinching account of a daughter’s struggle to see her father clearly, to know him more deeply, and to find a more truthful story about her family and herself.
Deborah Sampson, a true hero of the American Revolutionary War, is the only woman in early American history thought to serve as a soldier without being discovered. Her patriotic zeal leads the young woman to disguise herself as a man, and to enlist as a soldier in Washington's Continental Army. At West Point her officers choose her for membership in an elite corps, The Light Infantrymen. The military action and episodes of Deborah's story are based on real events. After the war, Deborah became the first American woman to set out alone to tour as a speaker for compensation, and the first to receive a full pension as a soldier for serving in the army. The actions she took enabled her to live life by her own lights in a society that appeared hostile to the value of women-for they had no legal rights. Their voices and plight were ignored, except for those whose husbands, or fathers, were more enlightened and compassionate. Deborah's story shows that courage and bravery know no gender, and calls us to empathy, and to a wider vision of the world as we stand in someone else's shoes, if only as reader. Deborah's journey is one in which men, women and children actively participated in the shaping of our nation, and that physical, spiritual and psychological freedoms are the right of both genders. This is a look at the far past, which in many ways is not so different from our modern era. The struggle to individualize and to find a place where one can live and thrive is a challenge all of us have faced, or are facing. Each man, woman and child must find within themselves the courage to stand up, to live a life of integrity with the kind of grit, tenacity and care for others that life requires. Deborah's life is a testament to the difficulties of that challenge and of their resolution-or at the least how to live well in spite of life's often unasked for trials and hardships.
Soon after the fall of the Taliban, in 2001, Deborah Rodriguez went to Afghanistan as part of a group offering humanitarian aid to this war-torn nation. Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup. Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style. With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.
NATIONAL BESTSELLER • The remarkable memoir of an ambitious young photojournalist who went off to war as a twenty-two-year-old girl—and came back, four years and many adventures later, a woman “Eloquent and well observed, not only about the memoirist, but about the world: war, death, photojournalism and, of course, the worldwide battle between the sexes.” —The Washington Post Book World In 1988, fresh out of Harvard, Deborah Copaken Kogan moved to Paris with a small backpack, a couple of cameras, the hubris of a superhero, and a strong thirst for danger. She wanted to see what a war would look like when seen from up close. Naïvely, she figured it would be easy to filter death through the prism of her wide-angle lens. She was dead wrong. Within weeks of arriving in Paris, after begging to be sent where the action was, Kogan found herself on the back of a truck in Afghanistan, her tiny frame veiled from head to toe, the only woman—and the only journalist—in a convoy of rebel freedom fighters. Kogan had not actually planned on shooting the Afghan war alone. However, the beguiling French photographer she’d entrusted with both her itinerary and her heart turned out to be as dangerously unpredictable as, well, a war. Kogan found herself running from one corner of the globe to another, each linked to the man she was involved with at the time. From Zimbabwe to Romania, from Russia to Haiti, Kogan takes her readers on a heartbreaking yet surprisingly hilarious journey through a mine-strewn decade, her personal battles against sexism, battery, and even rape blending seamlessly with the historical struggles of war, revolution, and unfathomable abuse it was her job to record. In the end, what was once adventurous to the girl began to weigh heavily on the woman. Though she had finally been accepted into photojournalism’s macho fraternity, her photographs splashed across the front pages of international newspapers and magazines, Kogan began to feel there was something more she was after. Ultimately, what she discovered in herself was a person—a woman—for whom life, not death, is the one true adventure to be cherished above all.
A woman recounts coming of age in the shadow of her father’s mental illness in this “candid, unsettling portrait of madness and enduring love” (Kirkus). Deborah A. Lott grew upina Los Angeles suburb in the 1950s, under the sway of her outrageously eccentric father. A lay rabbi who enjoyed dressing up like Little Lord Fauntleroy, he taught her how to have fun. But he also taught her to fear germs, other children, and contamination from the world at large. Deborah was so deeply bonded to her father and his peculiar worldview that when he plunged from neurotic to full-blown psychotic, she nearly followed him. Sanity is not always a choice, but for sixteen-year-old Deborah, lines had to be drawn between reality and her own “overactive imagination.” She saved herself through an unconventional reading of Moby Dick, a deeply awkward sexual awakening, and entry into the world of political activism as a volunteer in Robert F. Kennedy’s Presidential campaign. After attending Kennedy’s last stop at the Ambassador Hotel the night of his assassination, Deborah would come to a new reckoning with loss. Ultimately, she would find her own path, and her own way of turning grief into love.