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JACK LONDON (1876-1916), American novelist, born in San Francisco, the son of an itinerant astrologer and a spiritualist mother. He grew up in poverty, scratching a living in various legal and illegal ways -robbing the oyster beds, working in a canning factory and a jute mill, serving aged 17 as a common sailor, and taking part in the Klondike gold rush of 1897. This various experience provided the material for his works, and made him a socialist. "The son of the Wolf" (1900), the first of his collections of tales, is based upon life in the Far North, as is the book that brought him recognition, "The Call of the Wild" (1903), which tells the story of the dog Buck, who, after his master ́s death, is lured back to the primitive world to lead a wolf pack. Many other tales of struggle, travel, and adventure followed, including "The Sea-Wolf" (1904), "White Fang" (1906), "South Sea Tales" (1911), and "Jerry of the South Seas" (1917). One of London ́s most interesting novels is the semi-autobiographical "Martin Eden" (1909). He also wrote socialist treatises, autobiographical essays, and a good deal of journalism.
xxxxx proposes a radical, new space for artistic exploration, with essential contributions from a diverse range of artists, theorists, and scientists. Combining intense background material, code listings, screenshots, new translation, [the] xxxxx [reader] functions as both guide and manifesto for a thought movement which is radically opposed to entropic contemporary economies. xxxxx traces a clear line across eccentric and wide ranging texts under the rubric of life coding which can well be contrasted with the death drive of cynical economy with roots in rationalism and enlightenment thought. Such philosophy, world as machine, informs its own deadly flipside embedded within language and technology. xxxxx totally unpicks this hiroshimic engraving, offering an dandyish alternative by way of deep examination of software and substance. Life coding is primarily active, subsuming deprecated psychogeography in favour of acute wonderland technology, wary of any assumed transparency. Texts such as Endonomadology, a text from celebrated biochemist and chaos theory pioneer Otto E. Roessler, who features heavily throughout this intense volume, make plain the sadistic nature and active legacy of rationalist thought. At the same time, through the science of endophysics, a physics from the inside elaborated here, a delicate theory of the world as interface is proposed. xxxxx is very much concerned with the joyful elaboration of a new real; software-led propositions which are active and constructive in eviscerating contemporary economic culture. xxxxx embeds Perl Routines to Manipulate London, by way of software artist and Mongrel Graham Harwood, a Universal Dovetailer in the Lisp language from AI researcher Bruno Marchal rewriting the universe as code, and self explanatory Pornographic Coding from plagiarist and author Stewart Home and code art guru Florian Cramer. Software is treated as magical, electromystical, contrasting with the tedious GUI desktop applications and user-led drudgery expressed within a vast ghost-authored literature which merely serves to rehearse again and again the demands of industry and economy. Key texts, which well explain the magic and sheer art of programming for the absolute beginner are published here. Software subjugation is made plain within the very title of media theorist Friedrich Kittler's essay Protected Mode, published in this volume. Media, technology and destruction are further elaborated across this work in texts such as War.pl, Media and Drugs in Pynchon's Second World War, again from Kittler, and Simon Ford's elegant take on J.G Ballard's crashed cars exhibition of 1970, A Psychopathic Hymn. Software and its expansion stand in obvious relation to language. Attacking transparency means examining the prison cell or virus of language; life coding as William Burrough's cutup. And perhaps the most substantial and thorough-going examination is put forward by daring Vienna actionist Oswald Wiener in his Notes on the Concept of the Bio-adapter which has been thankfully unearthed here. Equally, Olga Goriunova's extensive examination of a new Russian literary trend, the online male literature of udaff.com provides both a reexamination of culture and language, and an example of the diversity of xxxxx; a diversity well reflected in background texts ranging across subjects such as Leibniz' monadology, the ur-crash of supreme flaneur Thomas de Quincey and several rewritings of the forensic model of Jack the Ripper thanks to Stewart Home and Martin Howse. xxxxx liberates software from the machinic, and questions the transparency of language, proposing a new world view, a sheer electromysticism which is well explained with reference to the works of Thomas Pynchon in Friedrich Kittler's essay, translated for the first time into English, which closes xxxxx. Further contributors include Hal Abelson, Leif Elggren, Jonathan Kemp, Aymeric Mansoux, and socialfiction.org.
Does the Reformation Still Matter? In 1517, a German monk nailed a poster to the door of a church, disputing key doctrines taught by the Roman Catholic Church in that day. This moment set in motion a movement that changed the entire trajectory of church history. But do the Reformers still have something to teach us? In this accessible primer, Michael Reeves and Tim Chester answer eleven key questions raised by the Reformers—questions that remain critically important for the church today.
InThe Division of Christendom, revered historian Hans J. Hillerbrand details the events and ideas of the sixteenth century and contends that the Protestant Reformation must be seen as an interplay of religious, political, and economic forces in which religion played a major role. Hillerbrand tells the fascinating story of the ways in which theological disagreements divided the centuries-old Christian church and the roles that leading characters such as Luther, Zwingli, Anabaptists, and Calvin played in establishing new churches, even as Roman Catholicism continued to develop in its own ways. The book covers all significant aspects of this period and interprets these important events in their own context while reflecting on the consequences of the Reformation for later periods and for today.
Follow the escapades of Dick and James (and their basset hound, Otis) as they navigate the shifting sands of Rehoboth Beach, Delaware, facing one crazy conundrum after another. Fun with Dick and James is a delightful new romp by Rich Barnett, author of The Discreet Charms of a Bourgeois Beach Town: Rehoboth Beach Stories.Dick and James are variously assisted and resisted by a quirky cast of characters that includes an heir to a fading french fry empire, some new neighbors who are a bit clueless when it comes to life in Rehoboth, and Dick's diabolical nemesis. Stirring the pot are Dick's ex-wife, Kissy (a Rehoboth Realtor with a flair for drama), and Dick's meddling sister, Jane.Whether Dick is organizing the Daffodil Strut, preparing for a hurricane, or just hosting a simple game of cocktail croquet, his best-laid plans often go awry, and James must come to the rescue, whisking Dick from the clutches of his well-meaning friends, conniving relatives, and a scheming arch-enemy. Fun with Dick and James is a wacky whirlwind of entanglements, misadventures, and style.
This book is a printed edition of the Special Issue "Teaching Augustine" that was published in Religions