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Lively and anecdotal, Viva Baseball! chronicles the struggles of Latin American professional baseball players in the United States from the late 1800s to the present. Even as "Fernandomania" raged in 1981, most Latin players felt lonely, shunned, and forgotten. Samuel Regalado reveals the shocking racism faced by these immigrant athletes in a white culture. Only a burning desire to succeed and a grim determination to leave behind the grinding poverty of their homelands could have driven these men to continue in the face of overwhelming hostility. In addition to mining the National Baseball Hall of Fame Library in Cooperstown, New York, and the Sporting News archives, Regalado conducted interviews with some twenty-five Latin baseball stars, among them Felipe Alou, Orlando Cepeda, and Tony Oliva.
From an award-winning writer, the first linked history of African Americans and Latinos in Major League Baseball After peaking at 27 percent of all major leaguers in 1975, African Americans now make up less than one-tenth--a decline unimaginable in other men's pro sports. The number of Latin Americans, by contrast, has exploded to over one-quarter of all major leaguers and roughly half of those playing in the minors. Award-winning historian Rob Ruck not only explains the catalyst for this sea change; he also breaks down the consequences that cut across society. Integration cost black and Caribbean societies control over their own sporting lives, changing the meaning of the sport, but not always for the better. While it channeled black and Latino athletes into major league baseball, integration did little for the communities they left behind. By looking at this history from the vantage point of black America and the Caribbean, a more complex story comes into focus, one largely missing from traditional narratives of baseball's history. Raceball unveils a fresh and stunning truth: baseball has never been stronger as a business, never weaker as a game.
In Cuban Star, an interpretive account of Alejandro "Alex" Pompez's life in context, Adrian Burgos, Jr. follows Pompez's--and baseball's--path through the twentieth century's changing social and racial landscape. When the selection committee voted Alex Pompez into the Baseball Hall of Fame in 2006, some cried foul. A Negro-league owner during baseball's glory days, Pompez was known as an early and steadfast advocate for Latino players, helping bring baseball into the modern age. So why was his induction so controversial? Like many in the era of segregated baseball, Pompez found that the game alone could never make all ends meet. To finance his beloved team, the New York Cubans, he delved headlong into a sin many baseball fans find unforgivable—gambling. He built one of the most infamous numbers rackets in Harlem, eventually arousing the ire of the famed prosecutor Thomas Dewey. But he also led his Cubans, with their star lineup of Latino players, to a Negro-league World Series championship in 1947. In this effervescent biography, the historian and sportswriter Adrian Burgos, Jr., brings to life the world of professional baseball during a time of enormous change. Following Pompez from his early days to the twilight of his career, Burgos offers a glimpse inside the clubhouse as both owners and players struggled with the new realities of the game. That today's rosters are filled with names like Rodriguez, Pujols, Rivera, and Ortiz is a testament to Pompez and his lasting influence.
In a decade that featured such legendary hurlers as Sandy Koufax, Bob Gibson, Don Drysdale, and other Hall of Famers, no pitcher won more games than Juan Marichal in the 1960s. His unique, high-kick pitching style was imitated by kids from New York to San Franciso, and it is immortalised in a bronze statue outside of the Giants' current ballpark. Marichal was the first Dominican-born player to play in an All-Star game and the first elected to the Baseball Hall of Fame, and he won more games than any of his countrymen. In Juan Marichal, Marichal tells the story of his rise from living in a shanty as a young boy in the Dominican Republic to his status as one of the great pitchers of all time. He offers reflections on lingering stereotypes, the impact of steroids, and the general state of the game in the 21st century.
The Original San Francisco Giants is a nostalgic look at the team that brought Major League Baseball to San Francisco, the 1958 Giants. Author Steve Bitker, who attended his first big-league game in 1958 at age five at a charming little downtown ballpark called Seals Stadium, traveled as far as the island of St. Croix in the U.S. Virgin Islands to interview virtually every surviving member of the team.
Laney Moralesœ dream of playing soccer in Mazatlan, Mexico soon turns into a nightmare, as she discovers that the spine-chilling legends of old may actually be modern mysteries. Friendless and frightened, Laney must endure the eerie cries in the night alone. Why does no one else seem to hear or see the weeping woman in the long white dress? Laney must stop the dreadful visits, even if it means confessing her poor choices and coming face to face withLa Llorona.
Most baseball fans know Tom Candiotti as a knuckleballer but he began his career as a conventional pitcher in 1983--after becoming just the second player to appear in the major leagues following Tommy John surgery, at a time when only Tommy John himself had ever come back from the operation. Candiotti, whose arm recovered, threw fastballs and curveballs in his first two years in the majors before switching over to the knuckleball for the 1986 season. He would then go on to use primarily the knuckleball for the rest of his career, though he threw a good enough curveball to get hitters out. This biography is based on the recollections of Candiotti himself, his former teammates and managers, newspaper and periodical accounts, and archival resources.
“I believe in rules. Sure I do. If there weren't any rules, how could you break them?” The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo “the Lip” Durocher. Following a five-decade career as a player and manager for baseball’s most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success—and an outsized celebrity. Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him “the All-American Out.” But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious “Gashouse Gang” Cardinals. In 1939, he was named player-manager of the Brooklyn Dodgers—and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson’s “shot heard ’round the world,” which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2-game lead to the Miracle Mets. All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials—not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Larraine Day—kept his name in the headlines and spread his fame far beyond the confines of the diamond. A no-holds-barred account of a singular figure, Nice Guys Finish Last brings the personalities and play-by-play of baseball’s greatest era to vivid life, earning a place on every baseball fan’s bookshelf.
"How much of our fate is tied to the status of our parents and grandparents? How much does this influence our children? More than we wish to believe! While it has been argued that rigid class structures have eroded in favor of greater social equality, The Son Also Rises proves that movement on the social ladder has changed little over eight centuries. Using a novel technique -- tracking family names over generations to measure social mobility across countries and periods -- renowned economic historian Gregory Clark reveals that mobility rates are lower than conventionally estimated, do not vary across societies, and are resistant to social policies. The good news is that these patterns are driven by strong inheritance of abilities and lineage does not beget unwarranted advantage. The bad news is that much of our fate is predictable from lineage. Clark argues that since a greater part of our place in the world is predetermined, we must avoid creating winner-take-all societies."--Jacket.