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A little girl has the sniffles and a runny nose but no tissue and nonetheless visits and pets all the animals at the zoo, giving them something that they would rather not have.
Felicity Fly meets Veronica Vac, introduces the word Nocturnal. This story addresses the importance of team work and friendship. The narrated CD also includes a new Felicity Fly theme rhyming, sing along song. All stories in the series rhyme.
'From the moment I crossed the mountain I fell in love. With the place, which was more beautiful than any place I'd ever seen. With the people I met there. And with a way of looking at life that was deeper, richer and wiser than any I'd known before. When I left I dreamt of clouds on the mountain. I kept going back.' We all lead very busy lives and sometimes it's hard to find the time to be the people we want to be. Twelve years ago Felicity Hayes-McCoy left the hectic pace of the city and returned to Ireland to make a new life in a remarkable house on the stunning Dingle peninsula. Beautifully written, this is a life-affirming tale of rediscovering lost values and being reminded of the things that really matter.
Mary Oliver, winner of the Pulitzer Prize, celebrates love in her new collection of poems "If I have any secret stash of poems, anywhere, it might be about love, not anger," Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.
Meet Felicity Witch. For her entire life Felicity has wanted to turn herself into a cat. But witches may only perform this particular spell when they are 263 years old. Finally (finally) the magical day arrives—Felicity Witch's 263rd birthday! Happy Birthday! Poof! Now Felicity has a sleek coat and a long, graceful tail. She has a soft nose and speedy paws! Felicity loves being a cat. Will she ever be happy as her ordinary witchy self again? Meow
The wedding bouquet symbolizes a hope: that love will sail into the life of the person who catches it. For four guests at Abby's wedding, though, love is the last thing they're looking for. Isn't it ironic, then, that when a whirling ceiling fan disintegrates the carefully crafted nosegay, its pieces fly beyond the crowd of husband-hungry women -and parts end up in the hands of these four hardened observers? See if the bouquet/romance tradition holds true for... Felicity, the love-worn florist who's horrified to see newspaper photos of her bouquet going to pieces. Konnie, the brokenhearted widow who's determined never to let love bloom in her life again. Rosie, the caterer whose dreams are crushed flatter than her wedding cake, destroyed by a clumsy groomsman. Geoff, who quickly hands his flowers to an admiring little girl - and to her big sister, whose love for him is anything but childish. Can God use fragmented flowers to plant seeds of love in fallow hearts? Can He create a bouquet of love from the chaos in these four lives?
Am I Even a Bee? is the story of Osmia, a solitary bee, decidedly green and unquestionably un-fuzzy. Osmia has always believed she is a bee, (her mom told her so), but recent run-ins with people, and even other insects, leave her wondering, "Am I even a bee?!" Confused, Osmia faces an identity crisis, and she turns to her meadow for comfort. It is here that she meets her new friend and guide Xyla, a carpenter bee who, like Osmia, does not fit the black-and-yellow social mold. Through some adventures and chance encounters, Osmia and Xyla meet a slew of non-honey bees, each special and important to the meadow in their own unique way. Osmia discovers that while fame is great, diversity and acceptance are essential to a happy ecosystem. As it turns out, there is no one way to be a bee!
“Smart, funny, and full of awesome . . . everything I look for in a book.” —Rachel Hawkins, New York Times bestselling author of the Hex Hall series Felicity St. John has it all: loyal best friends, a hot guy, and artistic talent. And she’s right on track to win the Miss Scarlet pageant. Her perfect life is possible because of just one thing: her long, wavy, coppery red hair. Redheads hold all the power in Scarletville—and everybody knows it. That’s why Felicity is scared down to her roots when she receives an anonymous note: I know your secret. Because Felicity is a big fake. Her hair color comes straight out of a bottle. And if anyone discovers the truth, she’ll be a social outcast faster than she can say strawberry blond. Felicity isn’t about to let someone blackmail her life away. But just how far is she willing to go to protect her red cred? “As thought-provoking as it is enchanting.” —Rae Carson, author of the Fire and Thorns trilogy “Clever, wickedly funny, and with so much heart.” —Melina Marchetta, author of Jellicoe Road, a Michael L. Printz award winner
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • One of our most brilliant biographers takes on one of our greatest living playwrights, drawing on a wealth of new materials and on many conversations with him. “An extraordinary record of a vital and evolving artistic life, replete with textured illuminations of the plays and their performances, and shaped by the arc of Stoppard’s exhilarating engagement with the world around him, and of his eventual awakening to his own past.” —Harper's Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations—Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love—remain as fresh and moving as when they entranced their first audiences. Born in Czechoslovakia, Stoppard escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Václav Havel. Having long described himself as a "bounced Czech," Stoppard only learned late in life of his mother's Jewish family and of the relatives he lost to the Holocaust. Lee's absorbing biography seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man.