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Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatise with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. This Student Edition features an extensive introduction and commentary and includes: a chronology of the Brecht's life and work; a synopsis of each playlet; an introduction to the context of the play; commentary on themes, characters, style and language; a review of the play in performance; notes on individual words and phrases in the text, and questions for further study.
First thorough treatment in English of one of Brecht's most important antifascist works.
These six plays represent the best and most humorous of Brecht's shorter works. The Jewish Wife is from the Fear and Misery in the Third Reich cycle of one-act plays, which, along with In Search of Justice and The Informer, chromicles the hardships of life in Nazi Germany. The Exception and the Rule, one of Brecht's most popular short works, grimly depicts the consequences of the mutually dependent -- yet inevitable inequitable -- relationship between the priviledged and the poor; it is included here with The Measures Taken and The Elephant Calf. Though all of these ales of horror, ad Eric Bentley calls them, have tragic undertones, they are also infused with farcical absurdities and cosmic irony so characteristic of Brecht's work.
The first history of postwar fears of a Nazi return to power in Western political, intellectual, and cultural life.
“This thoroughly researched and superbly written study” examines the final days of WWII combat within Germany during the occupation of Franconia (WWII History). At the end of World War II, Gen. Dwight D. Eisenhower turned US forces toward the Franconian region of Germany, ordering them to cut off and destroy German units before they could escape into the Alps. Opposing this advance were German forces headed by SS-Gruppenführer Max Simon, a committed National Socialist who advocated merciless resistance. Caught in the middle were the people of Franconia. Historians have largely overlooked this period of violence and terror, but it provides insight into the chaotic nature of life while the Nazi regime was crumbling. Neither German civilians nor foreign refugees acted simply as passive victims caught between two fronts. Throughout the region people pressured local authorities to end the senseless resistance. Others sought revenge for their tribulations in the “liberation” that followed. Stephen G. Fritz examines the predicament and perspective of American GI's, German soldiers and officials, and the civilian population. Endkampf is a gripping portrait of the collapse of a society and how it affected those involved, whether they were soldiers or civilians, victors or vanquished, perpetrators or victims.
Brecht's series of twenty-four interconnected playlets describe events which took place in ordinary German households in the 1930s. They dramatise with clinical precision the suspicion and anxiety experienced by ordinary people, particularly Jewish citizens, as the power of Hitler grew. Written in exile in Denmark and first staged in 1938 it was inspired in part by his recent trip to Moscow where he had been researching tasks for the anti-Nazi effort. This Student Edition features an extensive introduction and commentary and includes: a chronology of the Brecht's life and work; a synopsis of each playlet; an introduction to the context of the play; commentary on themes, characters, style and language; a review of the play in performance; notes on individual words and phrases in the text, and questions for further study.
In this riveting book, Michael Burleigh sets Nazi Germany in a European context, showing how the Third Reich's abandonment of liberal democracy, decency and tolerance was widespread in the Europe of the period. He shows how a radical, pseudo-religious movement, led by an oddity with dazzling demagogic talents, seemed to offer salvation to a German exhausted by war, depression and galloping inflation. 'This is a monumental book.' Richard Overy, Sunday Telegraph 'If I had to recommend one book on the Third Reich, this would be it.' Daniel Johnson, Daily Telegraph 'It is a breathtaking achievement, at once broader and deeper than any other single volume ever published on the subject. Indeed I would go further: it is the product of authentic historical genius.' Niall Ferguson, Sunday Times 'Happily, Michael Burleigh now fills that bibliographical gap, with a readable and highly knowledgeable account of that ghastly period. You will never be bored by this extraordinary book.' Andrew Roberts, Mail on Sunday
Named a Best History Book of 2019 by The Times (UK) The astounding true story of how thousands of ordinary Germans, overcome by shame, guilt, and fear, killed themselves after the fall of the Third Reich and the end of World War II. By the end of April 1945 in Germany, the Third Reich had fallen and invasion was underway. As the Red Army advanced, horrifying stories spread about the depravity of its soldiers. For many German people, there seemed to be nothing left but disgrace and despair. For tens of thousands of them, the only option was to choose death -- for themselves and for their children. "Promise Me You'll Shoot Yourself" recounts this little-known mass event. Using diaries, letters, and memoirs, historian Florian Huber traces the euphoria of many ordinary Germans as Hitler restored national pride; their indifference as the Führer's political enemies, Jews, and other minorities began to suffer; and the descent into despair as the war took its terrible toll, especially after the invasion of the Soviet Union. Above all, he investigates how suicide became a contagious epidemic as the country collapsed. Drawing on eyewitness accounts and other primary sources, "Promise Me You'll Shoot Yourself" presents a riveting portrait of a nation in crisis, and sheds light on a dramatic yet largely unknown episode of postwar Germany.
In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, "the best of Germany," refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Dblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.
History of Nazi Germany.