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William Faulkner grew up and began his writing career during a time of great cultural upheaval, especially in the realm of sexuality, where every normative notion of identity and relationship was being re-examined. Not only does Faulkner explore multiple versions of sexuality throughout his work, but he also studies the sexual dimension of various social, economic, and aesthetic concerns. In Faulkner's Sexualities, contributors query Faulkner's life and fiction in terms of sexual identity, sexual politics, and the ways in which such concerns affect his aesthetics. Given the frequent play with sexual norms and practices, how does Faulkner's fiction constitute the sexual subject in relation to the dynamics of the body, language, and culture? In what ways does Faulkner participate in discourses of masculinity and femininity, desire and reproduction, heterosexuality and homosexuality? In what ways are these discourses bound up with representations of race and ethnicity, modernity and ideology, region and nation? In what ways do his texts touch on questions concerning the racialization of categories of gender within colonial and dominant metropolitan discourses and power relations? Is there a southern sexuality? This volume wrestles with these questions and relates them to theories of race, gender, and sexuality.
The life and works of William Faulkner have generated numerous biographical studies exploring how Faulkner understood southern history, race, his relationship to art, and his place in the canons of American and world literature. However, some details on Faulkner’s life collected by his early biographers never made it into published form or, when they did, appeared in marginalized stories and cryptic references. The biographical record of William Faulkner’s life has yet to come to terms with the life-long friendships he maintained with gay men, the extent to which he immersed himself into gay communities in Greenwich Village and New Orleans, and how profoundly this part of his life influenced his “apocryphal” creation of Yoknapatawpha County. Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond explores the intimate friendships Faulkner maintained with gay men, among them Ben Wasson, William Spratling, and Hubert Creekmore, and places his fiction into established canons of LGBTQ literature, including World War I literature and representations of homosexuality from the Cold War. The book offers a full consideration of his relationship to gay history and identity in the twentieth century, giving rise to a new understanding of this most important of American authors.
The life and works of William Faulkner have generated numerous biographical studies exploring how Faulkner understood southern history, race, his relationship to art, and his place in the canons of American and world literature. However, some details on Faulkner’s life collected by his early biographers never made it into published form or, when they did, appeared in marginalized stories and cryptic references. The biographical record of William Faulkner’s life has yet to come to terms with the life-long friendships he maintained with gay men, the extent to which he immersed himself into gay communities in Greenwich Village and New Orleans, and how profoundly this part of his life influenced his “apocryphal” creation of Yoknapatawpha County. Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond explores the intimate friendships Faulkner maintained with gay men, among them Ben Wasson, William Spratling, and Hubert Creekmore, and places his fiction into established canons of LGBTQ literature, including World War I literature and representations of homosexuality from the Cold War. The book offers a full consideration of his relationship to gay history and identity in the twentieth century, giving rise to a new understanding of this most important of American authors.
This comprehensive Companion to William Faulkner reflects the current dynamic state of Faulkner studies. Explores the contexts, criticism, genres and interpretations of Nobel Prize-winning writer William Faulkner, arguably the greatest American novelist Comprises newly-commissioned essays written by an international contributor team of leading scholars Guides readers through the plethora of critical approaches to Faulkner over the past few decades Draws upon current Faulkner scholarship, as well as critically reflecting on previous interpretations
Considering that he worked a stint as a screenwriter, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner's novels were produced in the same high period as the films of classic Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner's novels—or the ways in which they ask readers to see as well as feel his world—have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered. In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema. Drawing on film history, critical theory, archival studies of Faulkner's screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.
This Nobel Prize–winning author’s satirical Southern novel is “full of the kind of swift and lusty writing that comes from a healthy, fresh pen” (Lillian Hellman, New York Herald Tribune). If ever there was a William Faulkner novel that could be called a portrait of the artist as a young man, Mosquitoes is that book. Set on a yacht excursion on Lake Pontchartrain, Faulkner’s second novel introduces his readers to the artistic community of New Orleans, a vibrant band of aspiring artists, charismatic dilettantes and social butterflies. A satiric look at the world Faulkner himself inhabited in his early years as a writer, Mosquitoes is a high-spirted, engaging novel from the Nobel laureate–winning author known for his classic portrayals of the American South. “It approaches in the first half and reaches in the second half a brilliance that you can rightfully expect only in the writings of a few men.” —Lillian Hellman
A beautifully illustrated children’s book unlike any other—a tender and atmospheric tale written by William Faulkner as a present for his future stepdaughter “If you are kind to helpless things, you don’t need a Wishing Tree to make things come true.” A strange boy leads a birthday girl and her companions on a hunt for the wishing tree, which brings them many surprising and magical adventures. Written in 1927 and eventually published in 1964 as a limited edition featuring Don Bolognese’s striking illustrations, The Wishing Tree reveals another side to a visionary of American letters, making it a welcome gift to children and to all readers of Faulkner.
This new Companion offers a sample of innovative approaches to interpreting and appreciating William Faulkner in the twenty-first century.
"The thrill ... will keep readers flipping pages well past the point where they probably should have gone to bed." - Stephani Hren for IndieReader Laurence Riley might be able to see the future, but he can't see a way to fix his messed-up life. He can't control anything—not his supernatural talents, not his drug addiction, and not his violent ex-boyfriend. Laurence needs help and he knows it. A lifelong pagan, he turns to his god... and he gets Jack. Jack can help Laurence tame his powers and take control of his life. But it comes at a price: Laurence will need to keep him fed with regular offerings of sex. For the old Laurence, that would've been a pleasure. Problem is, Laurence has met Quentin. Quentin is devastatingly handsome, way out of Laurence's league (like British nobility levels of out-of-his-league), and unbearably chaste. If that weren’t enough to keep Laurence away, Quentin's wild telekinesis is even more uncontrollable than Laurence's precognition. But Laurence doesn't want anyone else, and Jack is getting hungry. Then Laurence foresees a glimpse of Jack's true plan. It will leave a trail of death across San Diego--and Laurence has been helping him do it. The past has taught him that the future can't be changed. But if Laurence and Quentin can't stop Jack, there won't be any future at all. Jack of Thorns is the first book in a dark urban fantasy series where X-Men meets The Magicians. "Striking prose and characters make this opening fantasy installment worthwhile." - Kirkus Reviews "AK Faulkner thrusts together two deliciously flawed main characters ... then weaves an empowering plot of destiny, inheritance, and self-improvement—all while letting the reader languor in the glow of a glorious slow burn romance." - Indie Reader "Mixing the paranormal with the deeply personal, A.K. Faulkner has delivered a bold debut novel with Jack of Thorns in what stacks up to be a thrilling new series." - Self Publishing Review