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As history's first democracy, classical Athens invited political discourse. The Athenians, however could not completely separate the politicals from the private sphere; indeed father-son conflict, from patricide to murdering one's son, was a major public as well as a private theme. In a fascinating historical reappraisal, the author explores the consequences, for Athens and us, of the powerful influence of familial ideology on politics.
Popular American films are replete with story lines which involve the father-son relationship, often as the pivotal conflict or dragon which a hero must overcome to achieve success. Sometimes these conflicts are straightforward; other times they are projections of the central character's unconscious becoming conscious--in essence a modern form of myth. These American "filmmyths" serve as a visual means to project the psyche in an entertaining and easily accessible manner. Focusing on mythic structure, this volume explores 12 popular movies that deal with various aspects of the father-son relationship including the process of becoming a father, absent fathers, the rite of passage, and the turmoil between fathers and adolescents. Films examined include The Wizard of Oz, Back to the Future, Stand By Me, Red River, City Slickers, North by Northwest, E.T. the Extraterrestrial, Field of Dreams, Lone Star, The Lion King, Jurassic Park and The Searchers.
The so-called First Epistle of Clement has long intrigued historians of early Christianity. It responds to a crisis in the Corinthian church by enjoining an ethic of subordination especially to the presbyteroi and episkopoi, but the exact nature of that conflict has eluded scholars. L. L. Welborn sets out a clear methodology for reconstructing the historical situation behind the letter, then examines the conventions of its deliberative rhetoric, its blending of citations from the Old Testament and Paul’s letters, and its reliance on topoi from Greco-Roman civic discourse. He then presents a compelling argument for the letter’s occasion. First Clement assails a “revolt” among the youth against their elders, invoking epithets and characterizations that were, as Welborn demonstrates at length, common in political discourse supporting the status quo. At length, Welborn proposes two possible scenarios for the precise nature of the “revolt” in Corinth— a revolt possibly inspired by memories of the apostle Paul— and details the replacement of a Pauline ethic with a strict code of subordination.
A hilarious tribute to baseball and to the fathers and sons who share the love of the game. Are We Winning? is built around a trip to Wrigley Field to watch the St. Louis Cardinals play the Chicago Cubs--the "lovable losers" to most fans but the hated enemy to the Leitch men. Along for the ride are both Will's father, the gregarious but not-exactly demonstrative Midwestern titan who, despite being a die-hard Cards fan and living his whole life just 200 miles south of Chicago, had never been to Wrigley Field before this game, and Will's college friend, a lifelong Cubs fan. The Cardinals have recently fallen out of the pennant race, and the Cubs, as it turns out, are attempting to clinch the division on this Saturday afternoon in September. The pitchers are Ted Lilly for the Cubs and Joel Pineiro for the Cardinals. It's just a regular game. Play ball. The book unfolds in half-inning increments where Will gives one-of-a-kind insight on the past, present, and future of the game--from Pujols' unrivaled greatness to the myth that steroids have ruined baseball. Along the way, he shares memories of his father and growing up in the small town of Mattoon, including the year his dad coached his Little League team and nicknamed a scrawny kid "Bulldog," and an unlikely postgame episode involving a biker bar and Mr. Holland's Opus. And there is beer. Lots and lots of beer. Are We Winning? is a book about the indelible bond that links fathers and sons. For the Leitch men it's baseball that holds them together--not that either of them would ever be so weak as to admit it. No matter how far apart they are or what's going on in their lives, they'll always be able to talk about baseball. It's the story of being a fan, a story about fathers, sons, and legacies. And one perfect game.
Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout
Introduction : interpreting Shakespeare's sons : ambivalence, rescue, and revenge -- Paternal authority and filial autonomy in Shakespeare's England -- Henry VI, part one : prototypical beginnings : the two John Talbots -- Richard II : patrilineal inheritance and the generation gap -- Henry IV, part one : Deep defiance and the rebel prince -- Henry IV, part two : the prince becomes the king, with a note on Henry V -- Hamlet : notes from the underground : paternal and filial subterfuge -- King Lear : the usurpation of fathers, and of fathers and sons -- Macbeth and the late plays : the disappearance of ambivalent sons -- Biographical coda : William Shakespeare, son of John Shakespeare -- Appendix 1 : Shakespearean fathers and sons in Edward III -- Appendix 2 : Thomas Plume's anecdote : the merry-cheeked, jest-cracking John Shakespeare, Sir John Mennes, and Sir John Falstaff
This groundbreaking study brings into dialogue for the first time the writings of Julian, the last non-Christian Roman Emperor, and his most outspoken critic, Bishop Gregory of Nazianzus, a central figure of Christianity. Susanna Elm compares these two men not to draw out the obvious contrast between the Church and the Emperor’s neo-Paganism, but rather to find their common intellectual and social grounding. Her insightful analysis, supplemented by her magisterial command of sources, demonstrates the ways in which both men were part of the same dialectical whole. Elm recasts both Julian and Gregory as men entirely of their times, showing how the Roman Empire in fact provided Christianity with the ideological and social matrix without which its longevity and dynamism would have been inconceivable.
SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.
A wide-ranging, surprising, and eloquently argued book that offers a pragmatic and erudite look at the innate human inclination toward nepotism—from ancient Chinese clans to families like the Gores, Kennedys, and Bushes. • “Fascinating and well-researched.” —Walter Isaacson, #1 New York Times bestselling author of The Code Breaker and Steve Jobs Nepotism is one of those social habits we all claim to deplore in America; it offends our sense of fair play and our pride in living in a meritocracy. But somehow nepotism prevails; we all want to help our own and a quick glance around reveals any number of successful families whose sons and daughters have gone on to accomplish objectively great things, even if they got a little help from their parents. Bellow explores how nepotism has produced both positive and negative effects throughout history. As he argues, nepotism practiced badly or haphazardly is an embarrassment to all (including the incompetent beneficiary), but nepotism practiced well can satisfy a deep biological urge to provide for our children and even benefit society as a whole. In Praise of Nepotism is a judicious look at a controversial but timeless subject that has never been explored with such depth or candor, and a fascinating natural history of how families work.
This book explores the relationship between middle-class fathers and sons in England between c. 1870 and 1920. We now know that the conventional image of the middle-class paterfamilias of this period as cold and authoritarian is too simplistic, but there is still much to be discovered about relationships in middle-class families. Paying especial attention to gender and masculinities, this book focuses on the interactions between fathers and sons, exploring how relationships developed and masculine identities were negotiated from infancy and childhood to adulthood and old age. Drawing on sources as diverse as autobiographies, oral history interviews, First World War conscription records and press reports of violent incidents, this book questions how fathers and sons negotiated relationships marked by shifting relations of power, as well as by different combinations of emotional entanglements, obligations and ties. It explores changes as fathers and sons grew older and assesses fathers’ role in trying to mould sons’ masculine identities, characters and lives. It reveals negotiation and compromise, as well as rebellion and conflict, underlining that fathers and sons were important to each other, their relationships a significant – if often overlooked – aspect of middle-class men’s lives and identities.