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This book establishes fatherhood as an essential event for both the father and son's development and examines the relationship throughout the life cycle.
The perfect gift for parents this Father’s Day: a beautiful, gut-wrenching memoir of Irish identity, fatherhood, and what we owe to the past. “A heartbreaking and redemptive book, written with courage and grace.” –J.D. Vance, author of Hillbilly Elegy “…a lovely little book.” –Ross Douthat, The New York Times The child of an Irish man and an Irish-American woman who split up before he was born, Michael Brendan Dougherty grew up with an acute sense of absence. He was raised in New Jersey by his hard-working single mother, who gave him a passion for Ireland, the land of her roots and the home of Michael's father. She put him to bed using little phrases in the Irish language, sang traditional songs, and filled their home with a romantic vision of a homeland over the horizon. Every few years, his father returned from Dublin for a visit, but those encounters were never long enough. Devastated by his father's departures, Michael eventually consoled himself by believing that fatherhood was best understood as a check in the mail. Wearied by the Irish kitsch of the 1990s, he began to reject his mother's Irish nationalism as a romantic myth. Years later, when Michael found out that he would soon be a father himself, he could no longer afford to be jaded; he would need to tell his daughter who she is and where she comes from. He immediately re-immersed himself in the biographies of firebrands like Patrick Pearse and studied the Irish language. And he decided to reconnect with the man who had left him behind, and the nation just over the horizon. He began writing letters to his father about what he remembered, missed, and longed for. Those letters would become this book. Along the way, Michael realized that his longings were shared by many Americans of every ethnicity and background. So many of us these days lack a clear sense of our cultural origins or even a vocabulary for expressing this lack--so we avoid talking about our roots altogether. As a result, the traditional sense of pride has started to feel foreign and dangerous; we've become great consumers of cultural kitsch, but useless conservators of our true history. In these deeply felt and fascinating letters, Dougherty goes beyond his family's story to share a fascinating meditation on the meaning of identity in America.
Bernard Malamud was one of the most accomplished American novelists of the postwar years. From the Pulitzer Prize winner The Fixer as well as The Assistant, named one of the best "100 All–Time Novels" by Time Magazine—to mention only two of the more than a dozen published books—he not only established himself in the first rank of American writers but also took the country's literature in new and important directions. In her signature memoir, Smith explores her renowned father's life and literary legacy. Malamud was among the most brilliant novelists of his era, and counted among his friends Philip Roth, Saul Bellow, Theodore Roethke, and Shirley Jackson. Yet Malamud was also very private. Only his family has had full access to his personal papers, including letters and journals that offer unique insight into the man and his work. In her candid, evocative, and loving memoir, his daughter brings Malamud to vivid life.
"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a communal home where gay men and women are said to stand in defiance of the French model of social integration. It is a place of freedom and tolerance where people of color and lesbians nevertheless feel unwanted and where young Zionists from the suburbs gather every Sunday and sometimes harass Arabs. It is a hot topic in the press and on television. It is open to the world and open for business. It is a place to be seen and a place of invisibility. It is like a home to me, a place where I feel both safe and out of place and where my father felt comfortable and alienated at the same time. It is a place of nostalgia, innovation, shame, pride, and anxiety, where the local and the global intersect for better and for worse. And for better and for worse, it is a French neighborhood."—from My Father and I Mixing personal memoir, urban studies, cultural history, and literary criticism, as well as a generous selection of photographs, My Father and I focuses on the Marais, the oldest surviving neighborhood of Paris. It also beautifully reveals the intricacies of the relationship between a Jewish father and a gay son, each claiming the same neighborhood as his own. Beginning with the history of the Marais and its significance in the construction of a French national identity, David Caron proposes a rethinking of community and looks at how Jews, Chinese immigrants, and gays have made the Marais theirs. These communities embody, in their engagement of urban space, a daily challenge to the French concept of universal citizenship that denies them all political legitimacy. Caron moves from the strictly French context to more theoretical issues such as social and political archaism, immigration and diaspora, survival and haunting, the public/private divide, and group friendship as metaphor for unruly and dynamic forms of community, and founding disasters such as AIDS and the Holocaust. Caron also tells the story of his father, a Hungarian Jew and Holocaust survivor who immigrated to France and once called the Marais home.
Rhyming text depicts a father sharing with his child such things as seven words that all mean blue and the name of every kind of cloud.
When a father begins whispering beautiful messages in his infant daughter's ear each night, his affirmations give her courage and confidence as she grows.
A personal story of learning to trust our heavenly Father when you feel your earthly father has let you down. Blair Linne’s personal story of growing up without a father at home reflects the experiences of millions. She weaves her personal story with thoughtful theological reflection, inviting readers to learn from God what "father" really means and to trust him, even if they feel their earthly father has let them down. This book will help readers to shift their eyes from what they do not have in their earthly fathers (who, whether present or absent, loving or the opposite, can never be perfect) to what they do have in their eternal Father, who will never disappoint, reject or abandon them. Readers will see that the gospel promises not just forgiveness but also a place in God's family, experienced in a local church, where they can enjoy the fullness of his fatherly joy, care, wisdom, provision, protection and security. Also includes a chapter by Blair’s husband, the Christian hip-hop artist Shai, on his own story of fatherlessness and faith.
The story spans nearly a hundred years. In Carlo Gebler's early childhood, his relationship with his father, Ernest, was a disaster. A man of the left, Ernest's politics had been 'hammered out in the nineteen thirties'. His early life as the son of a Jewish immigrant was spent working as a rat catcher in a cinema, snatching moments alone to educate himself, but the one with the literary talent was his second wife, Edna O'Brien - Gebler's mother - who left after Ernest claimed authorship of her work. As his father saw it, Carlo and his brother Sasha were over-fed members of the bourgeoisie, and toys and sweets were banned from their lonely childhood, filled with memories of abuse and neglect. Years later, on hearing his estranged father was now senile, Gebler made the journey to southern Ireland and through his past, through diaries that confirmed Ernest's hatred for his sons, yet also revealed the abuse Ernest in turn suffered as a young man, a life of extreme poverty and the abandonment of his first wife. This not a story that ends in hate; by the time Carlo Gebler reached their final years together, he no longer felt the anger that had dogged their relationship.