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Too good to be true? When Eulalia first met Fenno, she found him thoroughly irritating! So she was alarmed when her attraction to him escalated to uncomfortable levels. And it certainly didn't help that he was engaged to another woman. Eulalia had more important things to take care of—like finding a home for herself and her young cousin. But her mysterious inheritance of a country cottage made her suspicious. Was fate—or Fenno—giving her a helping hand?
Too good to be true? When Eulalia first met Fenno, she found him thoroughly irritating! So she was alarmed when her attraction to him escalated to uncomfortable levels. And it certainly didn't help that he was engaged to another woman. Eulalia had more important things to take care of—like finding a home for herself and her young cousin. But her mysterious inheritance of a country cottage made her suspicious. Was fate—or Fenno—giving her a helping hand?
"... containing the names and the disposition made of more than 20,000 pictures, from ... May 15th, 1915, up to the end of the year 1917. This list will be supplemented by further lists presented at the end of each half yearly period."--Pennsylvania. State Board of Censors of Moving Pictures. Report, 1918, p. 7.
For Jackey Neyman Jones, who played Debbie in Manos: The Hands of Fate, the "worst movie ever made" is, at its heart, a home movie that just happens to be shared with the world. Equal parts memoir/family saga/film book, Growing Up with Manos: The Hands of Fate shares the behind-the-scenes story of the making of Manos: from creator Hal Warren's alleged bet with TV producer Stirling Silliphant that "anyone could make a movie," to the tragic suicide of John Reynolds (Torgo), right up through the newest Manos-related projects that are carrying the film into the digital age. Jackey's stories dispel much of the Manos mythology while crystallizing a unique time and place in America, where a crew of actors with a bad script and a rented camera set out to make a bad movie-and succeeded beyond their wildest dreams. Jackey Neyman Jones is a professional artist living in the Great Northwest. Laura Mazzuca Toops is a writer/editor with more than 30 years' experience in business and fiction writing. She is the author of three historical novels.
In this stunning work of historical fiction, LR Penn has concocted a breathtaking epic adventure that begins in 1890 in a small Zulu village in South Africa but spans three centuries and two continents. It is also a personal memoir that tells the story of a family torn apart by a racist totalitarian regime. The book examines a series of powerful conflicts: the cultural clash between ancient ethnic traditions and encroaching Western values; the political battle between the underground resistance movement and the repressive military strength of a modern nation state; and stirring personal conflicts, as illustrated by the impossibly difficult choices that the novel's heroes are forced to make - between the quest for liberation and the pursuit of love, between a family's security and a people's freedom. Diamonds on a River of Tears presents an in depth portrait of day-to-day life in a society altogether out of balance, playfully juxtaposing its comic absurdities and tragic injustices, but ultimately handing down a moral indictment that all of contemporary civilization will have to face.
Nance's heart sank. It was a blow to find that Mag, who was the cleverest girl in the finishing room, had been filing bottle necks for four years. She stole a glance at her stooped shoulders and sallow skin and the hideous, empty socket of her left eye. What was the good of becoming expert if it only put one where Mag was?