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A travel writer secretly investigates powerful people, putting herself in the crosshairs of a killer. Travel writer, Jessie Berns, returns to her hometown to find answers about her brother’s suspicious death. With the help of an old friend, Detective Rick Chandler, they pursue a truth that someone is willing to do anything to keep hidden—even kill again. They uncover decades-old secrets that expose hidden sins and threaten the lifestyles of high-powered people in their small community. As they close in on the devious mastermind manipulating the town, it becomes frighteningly clear to Rick that Jessie is not the one calling the shots in her private investigation. She is the killer’s new target.
Who killed the bride and groom? Everyone thinks it was "that troublemaker," Peta Donald. Gossips say she came home to stop the wedding. That jealousy led her to murder. No one on Northwind Island believes that Peta has changed since her youth. And nothing has changed in town. Peta is still shunned by everyone. Everyone except Lawson Mills, whose appearance on the island is as mysterious as the double murders. Peta is sure he has an ulterior motive for helping clear her name. Full of questions about another set of murders, Lawson is secretive about himself. Until they discover what's behind Peta's deadly homecoming…
From the corner of his eye, he sees the massive arm swinging down in a hard chop toward his neck. He tries to avoid it but it is too unexpected. There is a numbing blow which snaps his head to one side. He feels the keys slip from his hand as he sinks into darkness. His last thoughts are about the attack. The unknown assailant's sole purpose is to kill him. Why? A mysterious letter sent to Alan Bronze encourages him to return to his childhood hometown to handle the estate of his deceased grandfather, a man he hated and who hated him in return. Instead of the expected paper shuffling, Alan is soon struggling just to stay alive. He has unwittingly walked into the midst of a major drug distribution center-set up by his own grandfather. The old man's corrupt partners are the leading citizens of the small mountain town, and now they plan to take care of Alan-just like they took care of his grandfather. With the help of the well-connected editor of the local newspaper, Alan decides he's going to have to take control of this "kill or be killed" situation.
"For my baby's safety, I must give her up…" An old letter is all Kristin Perry has of her birth mother. When the Witness Protection Program couldn't keep mother or daughter safe, the woman fled "underground." With the help of private investigator Zane Black, Kristin tries to track her down. Instead, though, she finds herself the target of a series of deadly "accidents." Zane's still searching for her missing mother—but now Kristin's starting to wonder if her family reunion will be the death of them all….
Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.
Welcome to Sycamore Hill, where hearts mend, redemption is within reach, and love’s blossoms endure even the harshest storms. This collection includes: Series starter - To Sweet Beginnings in Sycamore Hill: When a disgraced woman's return to Sycamore Hill entangles the lives of five couples, twenty-four hours changes everything. Book 1 - The Sycamore Standoff: He’s the small town’s biggest catch. Her past threatens the future. A gripping story of survival, community, and the power of love. Book 2 - His Sycamore Sweetheart: She wants acceptance. He wants approval. They get a catastrophic wardrobe malfunction and a disastrous church scandal. Book 3 - The Sycamore Slopes: When a family is torn apart, the battle lines are drawn and the fight to control Sycamore Hill heats up. Book 4 - One Sycamore Sunday: It starts as a normal Sunday, but one horrifying moment changes everything. Book 5 - A Sycamore Secret: His custom coffee blend paired with her social media following brews a latte of trouble.
A Heart Unconquered Widowed Saxon Lady Ediva Dunmow will do anything to protect her people—even marry one of the invading Norman knights. The king sees it as a way to keep Ediva, her lands and her tenants subdued. But Ediva's embittered heart, still healing from the abuse of her first husband, will not yield so easily. Marriage never held any appeal for Adrien de Ries. Yet it is his king's will, and perhaps his Lord's, too—though he finds his faith tested daily by Ediva's staunch refusal to trust him. As a knight, Adrien survived many battles, but the fight to win Ediva's heart may be his most challenging—and rewarding.
His life as a U.S. marshal was something Pastor Ian McNeal had left behind…until he's asked to care for little Charlie Troop. The boy witnessed a terrible crime and hasn't spoken since—except to his Auntie Liz, the one adult he trusts. Ian just wants to find the truth, something only Charlie can reveal. But Charlie isn't talking, and Liz is determined to protect Charlie against anyone who'd hurt, frighten or pressure him—including Ian. Yet with a killer dead set on making sure Charlie never speaks again, a protector like Ian is just what Liz and Charlie need.
FOR HONOR'S SAKE When Clara became a midwife, she vowed to preserve life above all. She'll keep that vow, even if it means defying a Norman baron by hiding a Saxon slave and her child. Yet when the ruthless lord threatens Clara's village--and her life--she's forced to rely on another Norman to keep her safe. Kenneth D'Entremont is a soldier, one who takes lives instead of healing them. Clara despairs of finding any common ground with him. But when he begins guarding her, she learns to see him in a new light. His care and compassion make her feel safe...even loved. Can she bring herself to put her secrets, and her heart, under the protection of the warrior?
Her unexpected guardian Baron Stephen de Bretonne's sworn duty is to serve the king—and that means finding the Saxons plotting against the throne by any means necessary. Protecting a Saxon woman and her half-Norman child? Merely a means to that end. But the lovely Rowena proves to be more than just a pawn in his plan. And his admiration for her could ruin everything if he can't stifle his feelings. While Rowena must begrudgingly accept Norman protection for herself and her baby, she knows better than to trust any man. Yet in the face of danger, can she also open her heart to her unlikely protector?