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Frida Kahlo was not only an iconic artist, she was also a bold beauty and an avant-garde fashionista whose timeless sense of style continues to inspire and influence the worlds of fashion, media, and art today.
Introduction -- 1 Artists & Wardrobes -- 2 The Slow Approach to Seeing -- 3 Observation -- 4 Reflection -- 5 Interpretation -- 6 Fashion & Identity -- 7 Fashion & Modernity -- 8 Fashion & Beauty 9 Fashion & Gender -- 10 Fashion & Politics -- Coda -- Appendix I Checklist for Observation -- Appendix II Checklist for Reflection -- Appendix III Checklist for Interpretation -- Bibliography -- Image -- Credits -- Index.
For at least two centuries, fashion and art have maintained a competitive love-hate relationship. Both fashion and art construct imaginary worlds, and use a language of style to invigorate beliefs, perceptions and ideas. Until now the crossovers of fashion and art have received only scattered treatment and suffered from a dearth of theorization. As an attempt to theorize the area, this collection of new and updated essays is the most well-rounded and authoritative to date. Some of the world's foremost scholars in the field are assembled here to explore the art-fashion nexus in numerous ways: from aesthetics and performance to masquerade and media. Original and inspiring, this book will not only secure 'art-fashion' as a discrete area of study, but also suggest new critical pathways for exploring their continuing cross-pollination. Fashion and Art is essential reading for students and scholars of fashion, art history and theory, cultural studies and related fields.
A volume of magnificent proportions, Art + Fashion is as exciting and elegant as the creative partnerships it celebrates. Spanning numerous eras, men and women's fashion, and a wide range of art mediums, these 25 collaborative projects reveal the astonishing work that results when luminaries from the art world (such as Pollock, Haring, and Hirst) come together with icons of the fashion world (including Saint Laurent, Westwood, McQueen). From 20th-century legends such as Elsa Schiaparelli and her famous lobster dress painted by Salvador Dalí to 21st-century trailblazers such as Cindy Sherman and her self-portraits in vintage Chanel, these electric and provocative pairings—represented in lavish visuals and thoughtful essays reflecting on the history of each project—brim with the energy and possibility of powerful forces uniting.
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
Between 1850 and 1900 fashion in Paris became an art form in itself, its designers inspired to creations of ever greater elegance and exoticism by the examples of the Old Masters and the popular painters of the day. But as art inspired fashion, so fashion served as a muse for art: painters from Courbet to Whistler, from Manet to Vuillard borrowed the poses of their models from the fashion plates of the day, and embraced the intimate scene - a walk in the garden, a visit from a friend - so typical of the genre. The dialogue between fashion and art is illustrated here by some 120 paintings - works by Ingres, Tissot, Renoir, Manet, Monet, Seurat and Degas among them - and a clutch of hitherto unpublished photographs from the recently discovered archive of Disderi.
"Reflects upon the relationship between our physical covering and constructed personal environments, our individual and social identities and the contexts in which we live. It also looks at the role of clothing in cultural and personal stories through the work of Grayson Perry, Marie-Ange Guilleminot, Helen Storey and Claudia Losi. Issues of belonging and nationality, displacement and political and social confrontation are addressed by Yinka Shonibare MBE, Alexander McQueen, Sharif Waked, Alicia Framis, Meschac Gaba, Dai Rees, Yohji Yamamoto and Acconci Studio. Meanwhile, the importance of performance in the presentation of fashion and clothing, highlighting the roles that we play in our daily life, are explored through the work of Marina Abramović, Hussein Chalayan, Yoko Ono, Gillian Wearing RA and Andreas Gursky, amongst others"-- Back cover.
In Fashion and Imagination, the frame of reference is the current debate on the relationship between fashion and art. The book consists of five thematic chapters containing contributions from a number of respected scholarly authors. The first chapter focuses on the relationship between art and fashion in general, with the 'authorship' and the 'artistic aspect' of fashion as principal subjects. The four other themes each underscore essential and elementary aspects of fashion that have played a major role in fashion history and remain significant today. Case studies on specific subjects, designers and artists are included, e.g. Showstudio.com, the Reform movement, Wiener Werkstatte, Futurism, the Russian avant-garde, Maison Martin Margiela, Nick Cave, Vanessa Beecroft, Viktor & Rolf, ...
This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind.