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Excerpt from Farm Houses, Manor Houses, Minor Chateaux and Small Churches From the Eleventh to the Sixteenth Centuries in Normandy, Brittany and Other Parts of France From the first beginnings of the Middle Ages in the last quarter of the X century; the grand style in architecture develops side by side with the minor style, as, under the new social conditions, must have been the case. Great abbeys, cathedrals, castles, reveal themselves, growing ever more complex and gigantic, but art is no longer the possession of a favoured few, it is now the heritage of all, and for one great monument there are scores of little churches, minor priories, small castles, with somewhat later, town houses, chapels, farms, manors and Chateaux in ever-increasing numbers and infallible charm. To build up a philosophy of Medieval art and a science of Gothic architecture on the foundations of only such strue tures as the abbeys of Caen, the cathedrals of Chartres, Notre Dame, Rheims, Amiens, Beauvais, to the total ignoring of the work and the people as a whole, is absurd, for the art of Medievalism was essen tially a communal art and to a degree never approached before. It was not the product of a few highly trained specialists expressing their own idiosyncracies, but the spontaneous and instinctive art of a whole people, or rather of groups of people acting under a common impulse, in accordance with varying conditions, to a common end. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Surveys the work of the father of the Spanish-Colonial Revival style ofrchitecture that can be found throughout the warm, dry climate of Southernalifornia and is identified by enclosed courtyards, white stucco walls,rought-iron window grilles, and shady balconies.
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PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...