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A baker's dozen of classic pulp stories, by a master of the genre! "Satan's Daughter and Other Tales from the Pulps" includes such rare gems as the title story, "Scourge of the Silver Dragon," "Revolt of the Damned," "Pit of Madness," "The Walking Dead," "Drink or Draw," and many more. "Pulp stories at their pulpiest from a master of the form. Enjoy!" -- Darrell Schweitzer
Widely regarded as the one essential book for every science fiction fan, The Year's Best Science Fiction (Winner of the 2004 Locus Award for Best Anthology) continues to uphold its standard of excellence with more than two dozen stories representing the previous year's best SF writing.&The stories in this collection imaginatively take readers far across the universe, into the very core of their beings, to the realm of the Gods, and to the moment just after now. Included are the works of masters of the form and the bright new talents of tomorrow. This book is a valuable resource in addition to serving as the single best place in the universe to find stories that stir the imagination and the heart.
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.
George Scithers published AMRA, a leading sword and sorcery fanzine, beginning in 1959. The term "swords and sorcery" first appeared there, and AMRA became a leading proponent of the subgenre. Several of the articles originally published in AMRA were later re-printed as part of two volumes about Conan the Barbarian, which Scithers co-edited with L. Sprague de Camp. Contributors to the magazine included all the leading fantasists of the day: Poul Anderson, L. Sprague de Camp, Fritz Leiber, and many more. This volume includes work by: Karl Edward Wagner, Harry Warner, Jr., John Boardman, Poul Anderson, and more.
The contributors of this work include: William F. Nolan (part 1 of Ripper ), Jack Williamson (Ghost Town), Darrell Schweitzer (The Most Beautiful Dead Woman in the World), Clark Ashton Smith (The Face by the River), Jack Ketchum (Returns), Fred Chappell (The Invading Spirit), and E. Hoffmann Price (classic reprint - Satan's Daughter).
The Fall 1989 issue of Weird Tales showcases Featured Author Karl Edward Wagner (who contributes a major Kane novella and an interview) and Featured Artist J.K. Potter (who contributes all the artwork). Also includes work by Jonathan Carroll, Nina Kiriki Hoffman, Brian Lumley, and more.
With poems selected and translated by one of the preeminent translators of our day, this bilingual collection of 112 sonnets by six Spanish-language masters of the form ranges in time from the seventeenth to the twentieth centuries and includes the works of poets from Spanish America as well as poets native to Spain. Willis Barnstone's selection of sonnets and the extensive historical and biographical background he supplies serve as a compelling survey of Spanish-language poetry that should be of interest both to lovers of poetry in general and to scholars of Spanish-language literature in particular. Following an introductory examination of the arrival of the sonnet in Spain and of that nation's poetry up to Francisco de Quevedo, Barnstone takes up his six masters in chronological turn, preceding each with an essay that not only presents the sonneteer under discussion but also continues the carefully delineated history of Spanish-language poetry. Consistently engaging and informative and never dull or pedantic, these essays stand alone as appreciations--in the finest sense of that word--of some of the greatest poets ever to write. It is, however, Barnstone's subtle, musical, clear, and concise translations that form the heart of this collection. As Barnstone himself says, "In many ways all my life has been some kind of preparation for this volume."