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Horror guaranteed to shock you dead or your life refunded! The cult classic monster magazine is back. All of the horror, all of the madness, all of the monsters, all together in one complete collection for the first time ever! Delve back in to the nostalgia of the golden age of horror in a time before the internet if you wanted the latest scoop on your favorite monsters and how they were created you got Fantastic Monsters of the Films, featuring the Devil’s Work Shop and Monster of the Month. Over 450 pages of ghoulish delight the time has come to go back to the grave and resurrect the forgotten past of monster movie history.
"The great book of movie monsters exposes the private lives of more than 300 of your favorite creatures, each one depicted in all its glory. Discover the truth about their fears, their loves, their favorite foods, their superpowers, and the accomplishments that earned them a place in movie history. You'll also learn about the films they starred in, as well as the directors and special effects technicians who brought these monsters to life."--Cover.
From cinema's earliest days, being scared out of your wits has always been one of the best reasons for going to the movies. From B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Landis also surveys the historical origins of archetypal monsters, such as vampires, zombies and werewolves, and takes you behind the scenes to discover the secrets of the special-effects wizards who created such legendary frighteners as King Kong, Dracula, the Alien, and Freddy Krueger. Monsters in the Movies by John Landis is filled with the author's own fascinating and entertaining insights into the world of movie-making, and includes memorable contributions from leading directors, actors and monster-makers. The book is also stunningly illustrated with 1000 movie stills and posters drawn from the unrivaled archives of the Kobal Collection. Contents Introduction by John Landis... Explore a timeless world of fears and nightmares as John Landis investigates what makes a legendary movie monster • Monsters, chapter by chapter... Feast your eyes upon a petrifying parade of voracious Vampires, flesh-eating Zombies, slavering Werewolves, gigantic Apes and Supernatural Terrors • Spectacular double-page features... Thrill to the strangest, scariest, weirdest, and craziest movie monsters ever seen • The ingenious tricks of movie-making... Marvel as the special-effects wizards reveal how they create movie magic • A monster-movie timeline... Discover John Landis's personal selection of landmark horror films
Lock your doors and gather close . . . if you dare! Once a rising TV journalist, Jerri Bartman has returned to her small Midwest hometown station. Demoted to hosting the nightly Creature Feature, Jerri's professional humiliation is eclipsed by the discovery that her new job comes with a secret, supernatural duty. Her missing predecessor, Count Crowley, was one of the last "Appointed" hunters of monsters. Yes. Monsters. They're real and they're hell bent on controlling the news and information consumed by humans. Everything we've ever been taught about monsters is a lie and Jerri's only possible advisor is a senile male chauvinist. It's 1983 and the outlook for humanity is getting . . . gnarly and their only hope is an alcoholic, acerbic horror host from Missouri. David Dastmalchian's authorial comics debut with artist Lukas Ketner--this terrifying trade collects issues #1-#4 of the Dark Horse Comics series Count Crowley: Reluctant Midnight Monster Hunter!
The complete collection of all of Perfect Commando productions’ its imprints, product lines and other labels product offerings for the calendar year of 2019. From graphic novels, manga, hentai, and t-shirts it’s all here each item link to where they can be purchased.
From the 1920s through the 1950s, Universal Studios was Hollywood’s number one studio for horror pictures, haunting movie theaters worldwide with Dracula, Frankenstein, and the Creature from the Black Lagoon, among others. Universal Studios Monsters: A Legacy of Horror explores all of these enduring characters, chronicling both the mythology behind the films and offering behind-the-scenes insights into how the films were created. Universal Studios Monsters is the most complete record of the horror films of this legendary studio, with biographies of major personalities who were responsible for the most notable monster melodramas in film history. The stories of these films and their creators are told through interviews with surviving actors and studio employees. A lavish photographic record, including many behind-the-scenes shots, completes the story of how these classics were made. This is a volume no fan of imaginative cinema will want to be without.
It’s a cold town of metal, greed, intrigue, and of course lust. Hal Weber, a handsome, downtrodden newspaperman has come to Copper City at the behest of his former lover Rust Masson. Now the widow of the towns political power house Rust intends to seize all power in this mining town. She’s greedy, heartless, and calculating. She knows what she wanted and is ready to use cold-blooded violence and to sacrifice anything to get. In this adult-oriented film noir and pulp fiction inspired romance of a potboiler, bubbling over with greed, sex, and political corruption can Hal expose Rust and her machinations.
Paul Blaisdell was the man behind the monsters in such movies as The She Creature, Invasion of the Saucer Men, Not of This Earth, It! Terror from Beyond Space and many others. Working in primarily low-budget films, Blaisdell was forced to rely on greasepaint, guts and, most importantly, an unbounded imagination for his creations. From his inauspicious beginning through The Ghost of Dragstrip Hollow (1959), the construction of Blaisdell's monsters and the making of the movies in which they appeared are fully detailed here. Blaisdell's work in the early monster magazines of the 1960s is also covered.
Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse.
This book showcases stunningly realistic and wonderfully posed models and dioramas depicting various characters and scenes from science fiction and horror cinema. The models and dioramas are presented in chronological order starting with the silent films from 1910 to 1927, then the classic films from the 1930s and 1940s, including Universal Studios' Dracula, Frankenstein, and Wolf Man franchises. Next are the many radiation induced mutants and invaders from outer space of the 1950s, followed by offerings from the 1960s, 1970s, 1980s, and 1990s. Hammer Films are included as well as the Mummy movies and Universal's Gillman series. A detailed explanation of the nitty-gritty of model and diorama building is presented and particular details unique to each piece are shown in close-ups and discussed. The figures are of unprecedented artistry.