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Like the figure of the governess, the seamstress occupied a unique place in the history of the nineteenth century, appearing frequently in debates about women's work and education, and the condition of the working classes generally in the rapidly changing capitalist marketplace. Like the governess, the figure of the needlewoman is ubiquitous in art, fiction and journalism in the nineteenth century. The fifteen articles in this book address the seamstress's appearance as a 'real' figure in the changing economies of nineteenth-century Britain, America, and France, and as an important cultural icon in the art and literature of the period. They treat the many different types of needlewomen in the nineteenth century-from skilled milliners and dressmakers, some of whom owned their own businesses selling merchandise to other women (forming a unique 'female economy') to women who, through reduced circumstances, were forced into the lowest end of paid needlework, sewing clothing at home for starvation wages-like the impoverished shirt-maker in the famous Victorian poem by Thomas Hood, 'The Song of the Shirt.' This volume assembles the work of leading American, British and Canadian scholars from many different fields, including art history, literary criticism, gender studies, labor history, business history, and economic history to draw together recent scholarship on needlewomen from a variety of different disciplines and methodologies. Famine and Fashion will therefore appeal to anyone studying images of work in the nineteenth century, popular and canonical nineteenth-century literature, the history of women's work, the history of sweated labor, the origins of the ready-made clothing industry and early feminism.
History.
This book presents, above all, a study of the establishment and development of the Soviet organization and system of fashion industry and design as it gradually evolved in the years after the Second World War in the Soviet Union, which was, in the understanding of its leaders, reaching the mature or last stage of socialism when the country was firmly set on the straight trajectory to its final goal, Communism. What was typical of this complex and extensive system of fashion was that it was always loyally subservient to the principles of the planned socialist economy. This did not by any means indicate that everything the designers and other fashion professionals did was dictated entirely from above by the central planning agencies. Neither did it mean that their professional judgment would have been only secondary to ideological and political standards set by the Communist Party and the government of the Soviet Union. On the contrary, as our study shows, the Soviet fashion professionals had a lot of autonomy. They were eager and willing to exercise their own judgment in matters of taste and to set the agenda of beauty and style for Soviet citizens. The present book is the first comprehensive and systematic history of the development of fashion and fashion institutions in the Soviet Union after the Second World War. Our study makes use of rich empirical and historical material that has been made available for the first time for scientific analysis and discussion. The main sources for our study came from the state, party and departmental archives of the former Soviet Union. We also make extensive use of oral history and the writings published in Soviet popular and professional press.
The terrible 1984 famine in Ethiopia focused the world's attention on the country and the issue of aid as never before. Anyone over the age of 30 remembers something of the events - if not the original TV pictures, then Band Aid and Live Aid, Geldof and Bono. Peter Gill was the first journalist to reach the epicentre of the famine and one of the TV reporters who brought the tragedy to light. This book is the story of what happened to Ethiopia in the 25 years following Live Aid: the place, the people, the westerners who have tried to help, and the wider multinational aid business that has come into being. We saved countless lives in the beginning and continued to save them now, but have we done much else to transform the lives of Ethiopia's poor and set them on a 'development' course that will enable the country to do without us?
The main focus of this book is on the causation of starvation in general and of famines in particular. The author develops the alternative method of analysis—the 'entitlement approach'—concentrating on ownership and exchange, not on food supply. The book also provides a general analysis of the characterization and measurement of poverty. Various approaches used in economics, sociology, and political theory are critically examined. The predominance of distributional issues, including distribution between different occupation groups, links up the problem of conceptualizing poverty with that of analyzing starvation.
"The curse of gold" by Ann S. Stephens. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Wives and Widows; or, The Broken Life is a novel by Ann S. Stephens. Ann S. Stephens was an American novelist and magazine editor. Excerpt: "Mr. Olmsly was a very wealthy man. His property stretched far into an iron and coal district of Pennsylvania, and every day increased its value. It lay in and around a fine inland town, situated among some of the most picturesque scenery to be found in the State. His residence was about five miles from this town, and a most beautiful spot it was. The house was built on the last spur of a range of hills, which ran for some distance down the valley of the Delaware. Around this tall ridge the noble river made a bold sweep, turned an old stone mill on its outer curve, and went careering down one of the richest and most beautiful valleys that the eye ever dwelt upon. The whole of this mountain spur, the mill and the land down to the river, which swept around it like an ox-bow, was the property of Mr. Olmsly. His house of heavy stone was built half-way up the side of the ridge, in the form of the letter T, which ran lengthwise along the face of the hill, presenting a pointed roof, and one sharp gable in the front view. The walls were stuccoed like many houses to be found in European countries, and were settled back on the hill by three curving terraces, two of them blooming with rare flowers. These terraces cut the hill as with a girdle of blossoms about half-way up from its base. The first was a carriage-road, which was connected with the house by a long flight of steps leading across the first flower-terrace to the front door."
"Norston's Rest" is a love novel by the prolific American writer Ann Sophia Stephens. This story can offer you a lot of exciting turns of the plot, where the love is influenced with jealousy and obstacles, and the protagonists should fight for their happiness and take a lot of important life lessons on the way.
"The Old Homestead" by Ann S. Stephens is a heartfelt exploration of love, resilience, and the enduring connections that define family. Stephens' narrative paints a vivid picture of the titular homestead as a place of nostalgia, memories, and emotional bonds. Through her characters, she delves into themes of loyalty, sacrifice, and the evolving relationships that stand the test of time. The novel's immersive descriptions and relatable characters allow readers to feel a deep connection to the story's setting and the lives it encompasses. Stephens' portrayal of the human experience makes "The Old Homestead" a poignant and relatable tale of family and home.