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"Celebrities depend upon fans to sustain their popularity and livelihood, and fans are happy to oblige. With social media, they can follow their favorite (or least favorite) celebrities' every move, and get glimpses into their lives, homes, and behind-the-scenes work. Fans interact with celebrities now more than ever, and often feel that they have a claim on their time, attention, and accountability. In Fame and Fandom: Functioning On and Offline, contributors examine this tumultuous dynamic, and bring together celebrity studies and fan studies like never before. This volume explores the intersections between fan cultures, communities and practices around the globe; as well as the formation and maintenance of celebrity and public personas. It expands knowledge of the fields by examining both online and offline examples. Readers will find new theoretical approaches to fan/celebrity encounters, as well as discussion of parasocial relationships and fan interactions with celebrities. Case studies include Supernatural, Harry Styles, YouTube influencers, film location sites, Keanu Reeves, and celebrities as fans. This volume is ideal for anyone curious about the mutual influences of fame on fandom, and vice versa"--
Celebrities depend upon fans to sustain their popularity and livelihood, and fans are happy to oblige. With social media they can follow their favorite (or least favorite) celebrities’ every move, and get glimpses into their lives, homes, and behind-the-scenes work. Fans interact with celebrities now more than ever, and often feel that they have a claim on their time, attention, and accountability. In Fame and Fandom, the contributors examine this tumultuous dynamic and bring together celebrity studies and fan studies like never before. In case studies including Supernatural, Harry Styles, YouTube influencers, film location sites, Keanu Reeves, and celebrities as fans, readers find new approaches to fan/celebrity encounters and parasocial relationships. This is the go-to volume on the symbiotic relationship between fame and fandom.
Why are we so obsessed with fame? In Starstruck, former autograph hound and current entertainment journalist Michael Joseph Gross searches for the answer as he travels from Hollywood to Dollywood, Neverland to Middle Earth. He chases after Mick Jagger with a professional autograph collector; gets the inside scoop from Mary Hart on covering Hollywood for Entertainment Tonight; walks the red carpet with Sean Astin during The Lord of the Rings's Oscar championship season; and discovers what fans look like to the celebrities themselves-who often seem to be among the most starstruck of us all. "Absorbing."-Michael Musto, Village Voice "Jaw-dropping."-The Advocate "Starstruck is a wonderful blend of insight, personal history, sociology, and hilarious gossip...I can't wait for people to start asking Gross for his autograph."-Glen David Gold, author of Carter Beats the Devil "Gross works the fame-shame equation with a piercingly funny perceptiveness."-East Bay Express "Like an anthropologist trained in Hollywood culture, [Gross] understands the positive and negative results of adulation...Gross's writing is honest and humane, and his book is an entertaining look at modern celebrity culture."-Publishers Weekly "It's hard to imagine a more important, underestimated, and vexing subject for America today than celebrity, and Michael Gross's treatment of the subject is everything one would hope it could be: thoughtful, generous, rigorous, and suspicious of cant."-Jim Shepard, author of Project X Also available: Starstruck hc 1-58234-316-0 ISBN-13 978-1-58234-316-7 $23.95
Sometimes before you can build something up, you have to burn it down. Fans of Rainbow Rowell’s Fangirl and Jennifer Mathieu’s Moxie will fall in love with this fiercely crafted YA novel about followers, fame, and fighting for what’s right. Lainey wouldn’t mind lugging a camera around a video game convention for her mega-famous brother, aka YouTube streamer Codemeister, except for one big problem. He’s funny and charming online, but behind closed doors, Cody is a sexist jerk. SamTheBrave came to this year’s con with one mission: meeting Codemeister—because getting his idol’s attention could be the big break Sam needs. ShadowWillow is already a successful streamer. But when her fans start shipping her with Code, Shadow concocts a plan to turn the rumors to her advantage. The three teens’ paths collide when Lainey records one of Cody’s hateful rants on video and decides to spill the truth to her brother’s fans—even if that means putting Sam and Shadow in the crosshairs. Told through three relatable voices, this contemporary YA novel from the author of the widely praised Kat and Meg Conquer the World skillfully balances feminism, accountability, and doing the right thing—even when it hurts.
Fandom At The Crossroads: Celebration, Shame and Fan/Producer Relationships is an in-depth exploration of the reciprocal relationship between a groundbreaking cult television show and its equally groundbreaking fandom. For the past six years the authors have inhabited the close-knit fan communities of the television show Supernatural, engaging in criticism and celebration, reading and writing fanfiction, and attending fan conventions. Their close relationships within the community allow an intimate behind-the-scenes examination of fan psychology, passion, motivation, and shame. The authors also speak directly to the creative side in order to understand what fuels the passionate reciprocal relationship Supernatural has with its fans, and to interrogate the reality of fans’ fears and shame. As they go behind the scenes and onto the sets to talk with Supernatural’s showrunners, writers, and actors, the authors struggle to negotiate a hybrid identity as “aca-fans”. Fangirls one moment, “legitimate” researchers the next, the boundaries often blur. Their repeated breaking of the fan/creative side boundary is mirrored in Supernatural’s reputation for fourth wall breaking, which has attracted journalistic coverage everywhere from Entertainment Weekly to the New York Times. Written with humor and irreverence, Stalking Fandom combines an innovative theorizing of fandom and popular culture, which will be useful in a variety of courses, with a behind-the-scenes story that anyone who’s ever been a fan or wondered why others are fans will find fascinating.
This revealing biography goes behind the popstar persona to tell the inside story of Lady Gaga’s rise to fame. A true original, Gaga found fame the hard way, playing the grimy bars and burlesque shows of New York City, before finally relocating to Los Angeles to begin work on what would become her debut album The Fame. Constantly en vogue and always in the public eye, this is the biography of the rise of Gaga, from her early life as a teenage protégé, to her life as one of the most respected musicians and most recognized entertainers on the planet. This book lifts the lid on Lady Gaga, going beyond the familiar narrative to reveal new insight into her vision, artistry, and business savvy.
Presents the life and career of the popular singer, from his childhood in Canada to his rise to fame in graphic format.
Fans used to be seen as an overly obsessed fraction of the audience. In the last few decades, shifts in media technology and production have instead made fandom a central mode of consumption. A range of ideas has emerged to explore different facets of this growing phenomenon. With a foreword by Matt Hills, Understanding Fandom introduces the whole field of fan research by looking at the history of debate, key paradigms and methodological issues. The book discusses insights from scholars working with fans of different texts, genres and media forms, including television and popular music. Mark Duffett shows that fan research is an emergent interdisciplinary field with its own key thinkers: a tradition that is distinct from both textual analysis and reception studies. Drawing on a range of debates from media studies, cultural studies and psychology, Duffett argues that fandom is a particular kind of engagement with the power relations of media culture.
Charles Babbage is well described as the "pioneer of the computer", but he was far more than this: his mathematic, scientific, and engineering work is highly significant for its original approach to problem-solving while the economic, political, and theological writings show an incisive appreciation of contemporary debate, and justify the growing consensus which judges Babbage to be one of the most important and rigorous intellectual polymaths of his age. This edition contains his two major papers: n essay on the calculus of functions, which established his reputation as a mathematician, and On the economy of machinery manufacturers, which was the first work of its kind to concentrate on the manufacturing industry-a turning point in economic writing. The New York University Press edition includes a comprehensive general introduction in Volume I. Textual notes by leading international experts in the field of Babbage scholarship, such as Professor I. Bernard Cohen, Emeritus Professor of the History of Science, University of Sydney; and Dr. J. A. M. Dubey, Dean of Engineering at the Polytechnic of the South bank, consider the world spectrum of the writings and put the works in context. All new texts are brought together by a comprehensive index providing easy reference to the complete works- a facility which will allow the integration of Babbage scholarship for the first time. In addition to the standard pagination, the original page numbers have been retained to allow access from contemporary sources. there is also a comprehensive bibliography if works cited in the text- an essential reference tool for any serious scholar. The Works are illustrated throughout with the original diagrams, graphs, and line drawings. Volume 3 also contains 15 plates from Babbage's Calculating Engines (1889).
In a world where more people know who Princess Di was than who their own senators are, where Graceland draws more visitors per year than the White House, and where Michael Jordan is an industry unto himself, fame and celebrity are central currencies. In this intriguing book, Tyler Cowen explores and elucidates the economics of fame. Fame motivates the talented and draws like-minded fans together. But it also may put profitability ahead of quality, visibility above subtlety, and privacy out of reach. The separation of fame and merit is one of the central dilemmas Cowen considers in his account of the modern market economy. He shows how fame is produced, outlines the principles that govern who becomes famous and why, and discusses whether fame-seeking behavior harmonizes individual and social interests or corrupts social discourse and degrades culture. Most pertinently, Cowen considers the implications of modern fame for creativity, privacy, and morality. Where critics from Plato to Allan Bloom have decried the quest for fame, Cowen takes a more pragmatic, optimistic view. He identifies the benefits of a fame-intensive society and makes a persuasive case that however bad fame may turn out to be for the famous, it is generally good for society and culture.