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Emmi Maeda comes into possession of an antique and plunges through time—into feudal Japan and the world of samurai. Los Angles, present day Emiko &‘Emmi' Maeda set aside her studies following the sudden death of her father. Estranged from her mother and brother and burdened with guilt over her role in the tragic accident, she moves in with her godfather Jake and comes into possession of an antique mirror. While accompanying Jake to Japan on a film shoot, Emmi is caught in a freak storm and plunged through time—into the land of her ancestors. Kyoto, 1864 The city of Kyoto is ablaze with violence and on the brink of civil war. Nakagawa Kaemon is a young samurai with a secret. He gathers information on those who claim to revere the emperor but harbor their own agenda to control the country. Kae is honor-bound to execute anyone who poses a threat to the throne—even if it is Emmi, the unusual young woman he has come to love.
Richard Coulter is a man who has everything. His beautiful new wife is pregnant, his upstart airline is undercutting the competition and moving from strength to strength, his diversification into the casino business in Macau has been successful, and his fabulous Art Deco house on an Irish cliff top has just been featured in Architectural Digest. But then, for some reason, his ex-wife Rachel doesn’t keep her side of the custody agreement and vanishes off the face of the earth with Richard’s two daughters. Richard hires Killian, a formidable ex-enforcer for the IRA, to track her down before Rachel, a recovering drug addict, harms herself or the girls. As Killian follows Rachel’s trail, he begins to see that there is a lot more to this case than first meets the eye and that a thirty-year-old secret is going to put all of them in terrible danger. McKinty is at his continent-hopping, well-paced, evocative best in this thriller, moving between his native Ireland and distant cities within a skin-of-his-teeth timeframe.
For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.
November 9th 1938 is widely seen as a violent turning point in Nazi Germany’s assault on the Jews. An estimated 400 Jews lost their lives in the anti-Semitic pogrom and more than 30,000 were imprisoned or sent to concentration camps, where many were brutally mistreated. Thousands more fled their homelands in Germany and Austria, shocked by what they had seen, heard and experienced. What they took with them was not only the pain of saying farewell but also the memory of terrible scenes: attacks by mobs of drunken Nazis, public humiliations, burning synagogues, inhuman conditions in overcrowded prison cells and concentration camp barracks. The reactions of neighbours and passersby to these barbarities ranged from sympathy and aid to scorn, mockery, and abuse. In 1939 the Harvard sociologist Edward Hartshorne gathered eyewitness accounts of the Kristallnacht from hundreds of Jews who had fled, but Hartshorne joined the Secret Service shortly afterwards and the accounts he gathered were forgotten – until now. These eyewitness testimonies – published here for the first time with a Foreword by Saul Friedländer, the Pulitzer Prize historian and Holocaust survivor – paint a harrowing picture of everyday violence in one of Europe’s darkest moments. This unique and disturbing document will be of great interest to anyone interested in modern history, Nazi Germany and the historical experience of the Jews.
"I was tired of the violence it takes to become a man." In Remembrance Day, Jonathan Savage recounts his memories of growing up under the shadow of wars fought and carried home by his father and grandfather. He struggles against a history long past that punish generations of a family. While his brother finds refuge in the bottle, Jonathan fights a solitary battle against guilt, blame, and betrayal. He shares his memories with his infant son while sitting quietly by a lake. "We tell stories because the soul depends on them," he says. The story is a journey through scattered memories, of misplaced trust and blossoming love. It is about a childhood home. A ravine and a cemetery. And a war whose echoes reverberate still.