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Keely Marie McLaughlin felt there was a secret surrounding her birth. She was keeping a secret from her momma, and she'd told a whopper of a lie, too. She was also about to have the encounter of her lifetime. Keely's story unfolds in the summertime of 1929 in Southern Illinois, in the tiny rural town of Dupo. Her father works for the railroad, and her mother runs a small café and confectionary. Keely is the oldest child of four, all born into a loving, hardworking Irish family. The Great Depression is looming, which is guaranteed to make their lives worse, but they make the best of bad situations by calling on their love for one another, their faith, and their many skills to overcome what they'll need to survive. Although the family lives in poverty, they have a rich life knowing they are blessed no matter their hardships. Keely has also recently bloomed from a child mature beyond her years into a colorful young woman who unexpectedly meets a handsome, naïve boy from the city when he enters the café. The young man, William Benjamin O'Malley, finds sanctuary among the McLaughlins. Keely and Will cannot deny their immediate attraction to one another, which is obvious to all. Her father deems Keely and Will's young love forbidden. An act of Will's tenderness toward her family cements Keely's love for him, which also turns her father's fears and dislike for Will into admiration and acceptance. He ultimately approves of Keely's relationship with Will, especially since it was revealed that Will too, has a secret of his own, which will take him far away from Keely. Each time Will leaves Keely to travel home to St. Louis, he promises that he will come back to her. Keely in return, promises she'll wait for him without question. Full of love and coupled with unfulfilled desires as teenagers when they bid each other their final farewells; they vow to reunite one day. Years later, Will surprises Keely with a visit. The sparks continue to fly between them. Their ensuing love story will come at a huge price that neither of them could have ever imagined. Their adult love story continues in the upcoming sequel, Following Seas.
An “engrossing” memoir of finding comfort, company—and mischief—at the famed Georgia retreat for children with polio (Maureen Corrigan, NPR’s Fresh Air). Just after her eleventh birthday, Susan Richards Shreve was sent to the Polio Foundation in Warm Springs, Georgia. Famously founded by Franklin Delano Roosevelt after he was disabled by the disease himself, the haven would be her home, off and on, for the next two years. In this piercingly honest memoir, Shreve recaptures her early adolescence, as well as an era of American life gripped by a fearful epidemic. At Warm Springs, Shreve found herself in a community of similarly afflicted children, and for the first time she was one of the gang. Away from her protective mother, she became a feisty troublemaker and an outspoken ringleader. She navigated first love, rocky friendships, religious questions, and family tensions—and experienced healing of all kinds. During her stay, the Salk vaccine would be discovered, ensuring that Shreve would be among the last Americans to have suffered childhood polio. “This sensitive, beautifully written memoir can stand on its own as a glimpse into an era of suffering, and as a testimony to the human spirit.” —The Atlanta Journal-Constitution “Shreve succeeds at the difficult task of recapturing, and communicating, what it was like to be young.” —People “Part memoir, part confession, part mediation on both polio and the president who made it a national cause, Warm Springs unflinchingly illuminates an iconic moment in American history.” —O, The Oprah Magazine
Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.
Her life turned upside-down when a Japanese internment camp is opened in their small Colorado town, Rennie witnesses the way her community places suspicion on the newcomers when a young girl is murdered.
Treasure Island is an adventure classic written by Robert Louis Stevenson, narrating a tale of "buccaneers and buried gold". Its influence is enormous on our own perception of pirates, including treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders. Stevenson stated "Treasure Island came out of the great Captain Johnson's History of the Notorious Pirates.", which is included in this edition in its entirety with all the incredible life stories of the notorious world famous pirates that inspired Stevenson and are also mentioned in the novel.
The New York Times bestselling author of Ordinary Grace weaves a vivid and pulse-pounding thriller that follows Cork O’Connor’s search for a missing man amid the fraught tensions at the border between Arizona and Mexico. On the Fourth of July, just as fireworks are about to go off in Aurora, Minnesota, Cork O’Connor and his new bride Rainy Bisonette receive a desperate phone call from Rainy’s son, Peter. The connection is terrible but before the line goes dead, they hear Peter confess to the murder of someone named Rodriquez. The following morning, Cork and Rainy fly to southern Arizona, where Peter has been working as a counselor in a well-known drug rehab center. When they arrive, they learn that Peter was fired six months earlier and hasn’t been heard from since. So they head to the little desert town of Sulfur Springs where Peter has been receiving his mail. But no one in Sulfur Springs seems to know him. They do, however, seem to recognize the name Rodriguez. Apparently, the Rodriguez family is one of the cartels controlling everything illegal that crosses the border from Mexico. As they gather scraps of information about Peter, Cork and Rainy are warned time and again that there is a war going on along the border. “Trust no one in Coronado County,” is the most common piece of advice they receive, and Cork doesn’t have to be told twice. To him, Arizona is alien country. The relentless heat, the absence of water and big trees and shade all feel nightmarish to him, as does his growing sense that Rainy might know more about what’s going on than she’s willing to admit in this fresh, exhilarating, and white-knuckle mystery starring one of the greatest heroes of fiction.
A cinematic Reconstruction-era drama of violence and fraught moral reckoning In Dawson’s Fall, a novel based on the lives of Roxana Robinson’s great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson’s tale weaves her family’s journal entries and letters with a novelist’s narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country’s new political, social, and moral landscape. Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states’ rights. He later became the editor of the Charleston News and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn’t control the political whims of his readers. As he wrangled diligently in his columns with questions of citizenship, equality, justice, and slavery, his newspaper rapidly lost readership, and he was plagued by financial worries. Nor could Dawson control the whims of the heart: his Swiss governess became embroiled in a tense affair with a drunkard doctor, which threatened to stain his family’s reputation. In the end, Dawson—a man in many ways representative of the country at this time—was felled by the very violence he vehemently opposed.
War brought them together. Love will tear them apart. Auranos has been conquered and the three kingdoms—Auranos, Limeros, and Paelsia—are now unwillingly united as one country called Mytica. But alluring, dangerous magic still beckons, and with it the chance to rule not just Mytica, but the world. . . . CLEO is now a prisoner in her own palace, forced to be an ambassador for Mytica as the evil King Gaius lies to her people MAGNUS stands to eventually inherit the new kingdom but is still obsessed with his feelings for his adopted sister, Lucia LUCIA is haunted by the deadly outcome of her breathtaking display of magic that allowed her father to capture the kingdoms JONAS watches at the palace gates, a troop of rebels behind him, waiting for him to tell them how he plans to overtake King Gaius When Gaius announces that a road is to be built into the Forbidden Mountains, formally linking all of Mytica together, he sets off a chain of cataclysmic events that will forever change the face of this land. Praise for Falling Kingdoms “From an opening dripping with blood, magic, and betrayal through complex interweaving plots detailing treachery, deceit, and forbidden love, this novel . . . will immediately engage readers and keep them intrigued.”—Booklist “[It] will gut you emotionally . . . make you ache, cry, and beg for the sequel as you turn the last page. I absolutely loved it.”—Julie Kagawa, New York Times bestselling author of The Iron Queen “This triple-layered tale of bloodshed, heartbreak, and tangled court intrigue kept me turning pages very late into the night.”—Lesley Livingston, author of Wondrous Strange and Starling Richelle Mead, bestselling author of the Vampire Academy and Bloodlines series, sits down with Morgan Rhodes to talk about Rebel Spring, the much-anticipated second book in her bestselling Falling Kingdoms series. Richelle Mead: Morgan Rhodes (aka Michelle Rowen) has been my friend for a number of years. We've hung out together at conferences and swooned over each other's books. When she was able to work on Vampire Academy: The Ultimate Guide, I couldn't believe how lucky I was to have someone who was already a fan of the VA world and whose writing I personally loved. I'm just as excited about her Falling Kingdoms series and couldn't resist this chance to ask her some questions about Rebel Spring, the next book in the series! Morgan Rhodes: I was thrilled for the chance to write the VA Ultimate Guide! I remember Richelle telling me there were plans for the book and I piped up with: “I totally want to write that!” And what fun it was to delve back into a series that I loved (and am still in love with thanks to the wonderful Bloodlines spinoff). I’m counting down the days for the VA movie! Richelle is not only a friend, but one of my very favorite authors, so it’s a real honor to be interviewed by her about Rebel Spring. RM: So without further ado, let’s start talking about the new book. The world of Falling Kingdoms is so vivid and detail-rich. When it comes to world-building for these novels, where do you get your inspiration? MR: I get my inspiration from pretty much everywhere, although I’m visually inspired by some of my favorite TV shows and movies, which run the gamut from Lord of the Rings to The Princess Bride to Game of Thrones, to name just a few. RM: At the end of Falling Kingdoms, things are looking pretty bleak in Mytica. Is it fair to say that Rebel Spring will be quite a bit darker than book 1? MR: The stakes have been raised and sharpened, for sure. Blood will spill and lives will be lost. But I don’t think I would ever want to write a book that was unrelentingly bleak from beginning to end. I can promise that Rebel Spring contains plenty of comic relief and romance to counterbalance the darker bits. RM: The Falling Kingdoms books are written from multiple POVs, and each of your narrators has such a unique voice and perspective. How does your experience vary from POV to POV? Are there some characters that are more difficult than others? Do you have a favorite? MR: It’s been a wonderful and exciting challenge to write in multiple points of view from my diverse cast. I will admit, some POVs are always a joy to write and others prove to be a challenge. I try to put myself in the head of that character and see the world from their eyes, no matter who they are or what their goals are. I get into the heads of a couple different characters in Rebel Spring, including a villain who definitely sees things from a darker angle than anything I’ve written before – which was fun. The characters whose scenes I most look forward to writing since they are very specific personalities and basically take over and make things easier for me are Cleo and Magnus. They tend to surprise me while the other characters usually stick to the outline! RM: Let’s talk body count. You’re very good at making me fall in love with your characters, but you’re also very good at killing them off when I least expect it. How do you decide the who, how, when, and why when it comes to killing off your characters? MR: I never knew how much I enjoyed killing characters until I started writing this series. *evil grin* However! I like to think those who get the ax (sometimes, um, literally) are necessary deaths. It’s all for a purpose, to change another character in the face of their shock and grief, to lead them down a path they never would have taken before, and to spark a desire for revolution and vengeance in the hearts of those who might previously have been passive and peaceful. Plus, I always think when things seem a bit too ideal and characters are getting too comfortable, it’s a good time to get a few heads rolling to keep things interesting for readers – and for me as the writer! RM: What’s going on with Magnus? He seems like kind of a jerk in Falling Kingdoms, but I get the sense he’s got a soft spot. MR: With a father like King Gaius, whose nickname is the “King of Blood,” it would be pretty hard for a prince to grow up as a nice dude with a sunny disposition! Magnus really came alive on the page for me, more so than any other character in the cast. Initially, he was supposed to be a jerk through and through, but he’s really more of a lost soul whose entire life has been devoted to attempting to gain his cruel and driven father’s love and respect. However, Magnus has begun to learn that he might have a different set of morals than the king, even though he knows following in Daddy’s footsteps would make life easier for him. This isn’t to say that Magnus hasn’t made (and will make) some rather dreadful decisions that will certainly cast a shadow over his future relationships and experiences. RM: Jonas has a lot of axes to grind by the end of book 1. What can we expect from him in Rebel Spring? MR: I think the main thing with Jonas is that beneath his thirst for vengeance (focused on both the murderer of his brother Aron and King Gaius) is that he really does mean well. He cares about the people of downtrodden Paelsia, and he’s someone, unlike his fellow countrymen, who doesn’t believe his future is ruled by uncontrollable fate. In Rebel Spring, Jonas has been thrust into the position of rebel leader, which will be a challenge for him on many levels. RM: Okay, ultimate personality test: Are you a Cleo or a Lucia? MR: Both are princesses from vastly different kingdoms and upbringings – Cleo is a girl who has favored parties and frivolity in the past, while Lucia prefers learning and solitude. Cleo is stubborn and sometimes reckless, and Lucia is more measured and controlled, but may be considered naïve in many ways. I wouldn’t say I’m much like either princess, really, although I am blond like Cleo and I love books like Lucia. :) RM: Lastly, can you talk a little bit about your writing process? MR: It would be next to impossible to undertake a large tapestry of a series like Falling Kingdoms if I didn’t plan a lot of it ahead of time. I work from a detailed outline and map out character goals and conflicts and relationship arcs, but I’m still surprised by some of the things my characters say and do that can take me in a direction different from what was meticulously planned. So far, it’s been a lot of fun to explore these unexpected paths to see where they lead.