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Preliminary Material -- The Development of the Jewish Scripts -- The Scripts of the Dâliyeh (Samaria) Papyri -- The Palaeographical Dating of the Copper Document -- Palaeography and the Date of the Tell Faḫariyeh Bilingual Inscription -- A Papyrus Recording a Divine Legal Decision and the Root rḥq in Biblical and Near Eastern Legal Usage -- Ammonite Ostraca from Tell Ḥisbān -- Epigraphic Notes on the ʻAmmān Citadel Inscription -- Notes on the Ammonite Inscription from Tell Sīrān -- A Forgotten Seal -- The Seal of Miqnêyaw, Servant of Yahweh -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: I. A New Reading of a Place Name in the Samaria Ostraca -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: II. The Murabbaʻât Papyrus and the Letter Found near Yabneh-yam -- Epigraphic Notes on Hebrew Documents of the Eighth-Sixth Centuries B.C.: III. The Inscribed Jar Handles from Gibeon -- A Literate Soldier: Lachish Letter III -- Lachish Letter IV -- An Ostracon in Literary Hebrew from Ḥorvat ʻUza -- Judaean Stamps -- An Inscribed Weight from ʻArâg el-ʾEmîr -- The Hebrew Inscriptions from Sardis -- Inscriptions from Tel Seraʻ -- A Philistine Ostracon from Ashkelon -- The Cave Inscriptions from Ḫirbat Bayt Layy [Khirbet Beit Lei] -- The Stele Dedicated to Melqart by Ben-Hadad of Damascus -- Fragments of the Prayer of Nabonidus -- An Aramaic Inscription from Daskyleion -- A New Aramaic Stele from Taymāʾ -- An Aramaic Ostracon of the Third Century BCE from the Excavations in Jerusalem -- A Note on a Burial Inscription from Mount Scopus -- The Arrow of Suwar, Retainer of ʻAbday -- An Inscribed Arrowhead of the Eleventh Century BCE in the Bible Lands Museum in Jerusalem -- Newly Discovered Inscribed Arrowheads of the Eleventh Century BCE -- Newly Found Inscriptions in Old Canaanite and Early Phoenician Scripts -- A Phoenician Inscription from Idalion: Some Old and New Inscriptions Relating to Child Sacrifice -- The Phoenician Inscription from Brazil: A Nineteenth-Century Forgery -- An Interpretation of the Nora Stone -- Phoenicians in the West: The Early Epigraphic Evidence -- The Oldest Phoenician Inscription from Sardinia: The Fragmentary Stele from Nora -- Phoenician Incantations on a Plaque of the Seventh Century BCE from Arslan Tash in Upper Syria -- A Second Phoenician Incantation Text from Arslan Tash -- The Old Phoenician Inscription from Spain Dedicated to Hurrian Astarte -- The Pronominal Suffixes of the Third Person Singular in Phoenician -- An Ostracon in Greek Bearing the Names of the Gates of Idalion -- A Newly Published Inscription of the Persian Age from Byblos -- Jar Inscriptions from Shiqmona -- Two Offering Dishes with Phoenician Inscriptions from the Sanctuary of ʻArad -- An Old Canaanite Inscription Recently Found at Lachish -- An Inscribed Jar Handle from Raddana by Frank Moore Cross and David Noel Freedman -- An Archaic Inscribed Seal from the Valley of Aijalon [Soreq] -- Inscribed Arrowheads from the Period of the Judges by J. T. Milik and Frank Moore Cross -- The Evolution of the Proto-Canaanite Alphabet -- A Ugaritic Abecedary and the Origins of the Proto-Canaanite Alphabet -- The Origin and Early Evolution of the Alph.
A collection of short stories and poetry by Nica. Strange and familiar, dark and touching.
Notebook 1. Identification of transportation alternatives -- Notebook 2. Social impacts -- Notebook 3. Economic impacts -- Notebook 4. Physical impacts -- Notebook 5. Organization and content of environmental assessment materials -- Notebook 6. Environmental assessment reference book.
Many middle school teachers across the United States use student science notebooks as part of their daily classroom instruction. Many others would like to but are not sure exactly how to start. Following his bestselling Using Science Notebooks in Elementary Classrooms, Michael Klentschy now examines how the student science notebook can be an invaluable tool at the middle school level. --
After keeping school for six years at the forks of Troublesome Creek in the Kentucky hills, James Still moved to a century-old log house between the waters of Wolfpen Creek and Dead Mare Branch, on Little Carr Creek, and became "the man in the bushes" to his curious neighbors. Still joined the life of the scattered community. He raised his own food, preserved fruits and vegetables for the winter, and kept two stands of bees for honey. A neighbor remarked of Still, "He's left a good job, and come over in here and sot down." Still did sit down and write -- the classic novel River of Earth and many poems and short stories that have found their way into national publications. From the beginning, Still jotted down expressions, customs, and happenings unique to the region. After half a century those jottings filled twenty-one notebooks. Now they have been brought together in The Wolfpen Notebooks, together with an interview with Still, a glossary, a comprehensive bibliography of his work by William Terrell Cornett, and examples of Still's use of the "sayings" in poetry and prose. The "sayings" represent an aspect of the Appalachian experience not previously recorded and of a time largely past.
Presents tips for elementary and middle school teachers on how to use writing notebooks to help students develop skills and habits associated with good writing.
Scot Ranney's ""Jazz Piano Notebook"" series is a collection of jazz piano books written by Scot Ranney and other jazz pianists. Volume 3 is by Tim Richards, a renown jazz pianist, composer, and author of the acclaimed ""Improvising Blues Piano"" and ""Exploring Jazz Piano"" series' and other books [Schott Music]. ""These are routines I believe are beneficial to anyone who understands the basics of jazz harmony and improvisation. I hope they throw a new slant on familiar chord sequences, or suggest new directions in your playing."" Tim has been a presence on the international jazz scene since the early 80s and has over a dozen albums out as a leader, featuring line-ups from duo to nine-piece. The tips and exercises in this book will help strengthen the connection between your ears and fingers to make it easier to play what you want. Level: Intermediate to advanced. Paperback binding.