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Laura Stutzman leaves her Kentucky community for Middlefield, Ohio, with one purpose: to find Mark King, the man who pledged his love to her, then left, so that she can move on with her life.
Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.
Catholic writers have made a rich contribution to British fiction, despite their minority status. Evelyn Waugh, Graham Greene, and Muriel Spark are well-known examples, but there are many other significant novelists whose work has a Catholic aspect. This is the first book to survey the whole range of this material and examine whether valid generalizations can be made about it. In charting such fiction from its development in the Victorian period through to the work of contemporaries such as David Lodge, the author analyses its complex relationships with changes in British society and the international Church. There is more than one way of being a Catholic, as Woodman shows, but he also demosntrates that many of these writers share common themes and a distinctive perspective. They often wish in particular to use their religion as a weapon against what they portray as a complacent Protestant or secular society. Their consciousness of writing in the midst of such a society gives a special edge to their treatments of the perennial Catholic themes of suffering, sin and sex. It also has implications for literary form and relates to what has been seen as the extremist mode of Catholic fiction. The final question that Woodman puts is whether the changes in the Church since the Second Vatican Council must inevitably lead to the loss of this distinctive Catholic contribution to the novel.
In defiance of her father, Caledonian tribeswoman Barta leads a daring raid against invading enemy warriors. But the fight goes badly, and her beloved war hound, Loyal, is killed. Unable to imagine existing without her dearest companion, she nevertheless must return home and accept blame for her terrible blunder. For the first time in his life, Loyal is unable to rise and follow his mistress. When he appeals to the Goddess for mercy, she grants him leave to return on one condition: it must be in the form of a man. And only if Barta recognizes him for who he truly is will he be permitted to stay. Loyal never suspects that, as a man, his connection with Barta will deepen, becoming passionate enough to transcend nearly any change. Will Barta recognize him before he’s lost to her forever?