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Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales. Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.
A magical Christmas story in the Little Fairy series from the bestselling illustrator of An Illustrated Treasury of Grimm's Fairy Tales. It's a cold winter's night and Faith is lost in a snowstorm. As the little fairy looks for somewhere warm to stay, she meets friendly birds, a lost young elf and someone else very special! Father Christmas is surprised to find a little fairy and elf out in the snow on Christmas Eve. Can he help them find somewhere to celebrate Christmas Day?
Ho Ho Ho! Its Christmas Eve and Father Christmas and his reindeer are in full swing, delivering presents to all the good boys and girls, when suddenly disaster strikes as Santa gets a surprise of his own! Will Christmas be ruined this year, or will it be a clean getaway for Santa? Find out in this hilarious and sweet reimagining of Clement C. Moore's classic poem, that is sure to delight both children and their parents alike! This is a beautifully illustrated and unique take on the classic poem that is sure to put a smile on everyones face this Christmas! A word from the author: "I absolutely loved Clement C. Moore's poem as a child, but when I grew up and tried to read it to my own children, they did not share my enthusiasm. The book is truly a classic but also a little outdated, but one of my children's biggest gripes was the absence of Rudolph. Poor Clement...he wasn't to know. I felt sad that they couldn't share in my enjoyment of the original, especially as it is is the only story to name all the rendeer (well minus one), so I vowed to try and rewrite this story whilst breathing new life into it. Now tackling what it without a doubt the most famous poem in the English language was not a task that I undertook lightly, but it has been given the seal of approval from my little ones, and I truly belief I have created something original, sweet and funny, whilst maintaining the essence of the original. This year, more than most, we need a little festive cheer. So with that in mind, I hope you enjoy the book, and wish you all a Merry Christmas!"
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
In this provocative book, Nicholas Daly tracks the cultural effects of the population explosion of the nineteenth century, the 'demographic transition' to the modern world. As the crowded cities of Paris, London and New York went through similar transformations, a set of shared narratives and images of urban life circulated among them, including fantasies of urban catastrophe, crime dramas, and tales of haunted public transport, refracting the hell that is other people. In the visual arts, sentimental genre pictures appeared that condensed the urban masses into a handful of vulnerable figures: newsboys and flower-girls. At the end of the century, proto-ecological stories emerge about the sprawling city as itself a destroyer. This lively study excavates some of the origins of our own international popular culture, from noir visions of the city as a locus of crime, to utopian images of energy and community.
Will Leona's kettle be decorated in time for Christmas?
Charlotte Riddell’s The Uninhabited House (1875) tells the story of River Hall and the secrets that are hidden behind its doors. Within this haunted house, Riddell combines the supernatural with Victorian anxieties over stolen inheritance, crime, greed, and class mobility. This new Broadview Edition includes a detailed biography of Charlotte Riddell and illustrations from the original appearance of the novella in Routledge’s Magazine; it also includes Riddell’s ghost story “The Open Door” (1882), which serves as a useful companion text for The Uninhabited House. The contextual material in the edition highlights Victorian cultural, historical, and literary influences on Riddell’s text, including women’s contributions to the ghost story, print culture, and the development of supernatural fiction; the link between ghost stories and the holidays; and the haunted house, ghost hunting, and popular beliefs about ghosts in the Victorian era.