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"Good boy, Mr. Covington," an ominous, disembodied voice calls out from the darkness of the woods. After hearing the voice Randall comes to his senses and feels his hand gripping tightly to a knife, a knife buried in the back of a man dressed in black. With chaos and anxiety we begin the journey of Book One of Johnathan Paulʼs mystical fantasy series known as Fairview Chronicles. Mixing dark fantasy with sci-fi and a pinch of cosmic horror we are introduced to the world of Fairview and the exploits of the disgraced history professor Randall Covington. Randall travels to Fairview with one goal in mind, to find redemption. As he arrives he finds that there are otherworldly forces at work, and he may find redemption, but at the cost of his life.
Virginia's Southside and Piedmont regions have produced some of the finest religious, educational and community leaders in the Old Dominion. Lewis Burwell was a founding father of the commonwealth who served in the House of Burgesses. John Ravenscroft was an early behemoth of regional religious thought known for his passionate promotion of the Episcopal Church and its teachings. The region's history is rich beyond its leaders as well. From early mining operations to the formation of the Christianville Academy to the impact of the Civil War, Southside Virginia is not exempt from the commonwealth's storied past. Join author, historian and local columnist John Caknipe as he compiles his most fascinating columns for the first time to regale readers with Southside Virginia's historic heroes, overlooked history and more.
California State University, San Bernardino opened in 1965 in San Bernardino. This chronological history records the major and minor developments in the history of the campus, between 1960, when it was created by the California Legislature, to the end of the 2009/10 academic year. Includes tables of major administrators, plus a detailed index.
Perhaps the best-kept secret in the publishing industry is that many publishers--both periodical publishers and book publishers--make available writer's guidelines to assist would-be contributions. Written by the staff at each publishing house, these guidelines help writers target their submissions to the exact needs of the individual publisher. The American Directory of Writer's Guidelines is a compilation of the actual writer's guidelines for more than 1,600 publishers. A one-of-a-kind source to browse for article, short story, poetry and book ideas.
The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).
Demon Ember - Mya's world is falling apart. After a series of earthquakes, deadly animals surface and begin the spread of a zombie-like plague. Only hours later, huge, grey-skinned men emerge that possess impossible strength and speed, making humans easy prey. The one that finds Mya is determined not to let her escape. Although he keeps her safe from the animals, Mya knows nothing can keep her safe from him. Demon Flames - As hellhounds continue to roam and the zombie plague spreads, Drav leads Mya to the source of her troubles—Ernisi, an underground Atlantis and Drav’s home. There Mya learns that the shadowy demons, who’ve helped devastate her world, are not what they seem. Trapped in Ernisi, Mya tries to convince Drav to return her to the surface so she can continue her search for her family. However, he’s determined to keep her where he knows she’ll be safe. When Mya falls ill, Drav must choose between her and his people. Demon Ash - The world is nothing like Mya remembers. While in Ernisi, cities have been bombed and burned in an attempt to stop the hellhounds and the plague. The survivors are doing everything they can to win back their world from the hell that was unleashed with the first quake. With Drav's help, Mya reunites with her family, but they are far from safe. Marauders, hellhounds, and the infected are doing their best to destroy what's left of the world, and it's up to Mya and Drav to save it. Fans of The Walking Dead, romance in any form, and reading with the lights out will obsess over The Resurrection Chronicles.
A lively competition draws her into her rival's blueprints--and maybe even his heart. Olive Kentworth has spent her life hiding her interest in architecture, even though she pores over architectural books and sketches buildings. When she accepts a job on a home expansion, it's only because her cousin Amos agrees to pose as the builder. To further hide her involvement, Olive takes a position as a nanny--not knowing that she'll be working for her idol, Joplin's leading architect, widower Maxfield Scott. Maxfield is intrigued by his new nanny--she makes his home and his life bearable again. His work, on the other hand, is a disaster. An untrained builder is remodeling a completed project of his. What's worse, Maxfield's current client wants changes to his plans because of that builder's work. As the architectural one-upmanship heats up, Olive's involvement becomes harder to hide. Will the relationship between her and Maxfield survive, or will they both miss out on building something for their future?
Universally generations have been captivated by Mississippi River Legends and mystique, however no one can truly know the great river unless they clutch a paddle for 2,300 miles or read "Willow Sieve Chronicles". One can read Twain and everything written since or perhaps take an expensive excursion on Delta Queen, however, one will never come to know the sight, sound, smell, taste and touch of the "Mighty Muddy" unless they climb aboard the battered, borrowed, open aluminum canoe christened Will