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President Lincoln in 1865 said: To care for him who shall have borne the battle and for his widow and his orphan. This quote was later adapted as the VAs motto. General Omar N Bradleys VA Mission Statement We are dealing with veterans, not procedures- with their problems, not ours has been quoted repeatedly during the seventy five years since. In 1982 President Reagan approved $55.6 million in financial aid toMeharryMedicalCollege. An acute care facility was established atMurfreesboroVAfor training Meharry students. Bob Stump [Rep, Arizona], the chairman of the House Committee on Veterans Affairs, recently heard that, in some VAs, incompetent managers are not fired on the spot, but instead, reassigned or transferred. The fix was the immediate removal of Konik as the failed director at theSalisburyVAand recycling him as our new director in the summer of 1996. . On Tuesday April 14th, 1998, an E-Mail was disseminated with following quotation: Weak leadership at the York VA Medical Center has prompted changes in the hospitals administration staff, with hospital Director Gene Konik reportedly asking for reassignment, VA officials said. Mr. Dandridge began to initiate his long-term plan for integratingMurfreesboroandNashvilleVA.One of his famous quotations was: Practice, practice makes perfect. Another of his public quotations was: Having theNashvilleVAsurgical residents perform the surgery would provide world-class surgery to the area veterans. . In the last five years, York has seen four different directors. Gordons office has been bombarded with complaints from ailing veterans and their families about lack luster care. Those whove died as a result of the administrative and service changes cant complain anymore. Current York VA Director David Pennington has never spoken to the press about anything, but did send a memo to the medical staff warning them to get online or get out! Our last crop of veterans is dying because of VA medical mismanagement, and our next batch is being loaded onto airplanes to fly back to an uncertain future. Mr. Sullivan, a gulf War I vet and VA project manager stated: This administration is so absolutely corrupt, incompetent and malevolent; it pales anything that came before it. Why is our economy tanking? The war, the war, the war.
From the author of Guns, Germs and Steel, Jared Diamond's Collapse: How Societies Choose to Fail or Survive is a visionary study of the mysterious downfall of past civilizations. Now in a revised edition with a new afterword, Jared Diamond's Collapse uncovers the secret behind why some societies flourish, while others founder - and what this means for our future. What happened to the people who made the forlorn long-abandoned statues of Easter Island? What happened to the architects of the crumbling Maya pyramids? Will we go the same way, our skyscrapers one day standing derelict and overgrown like the temples at Angkor Wat? Bringing together new evidence from a startling range of sources and piecing together the myriad influences, from climate to culture, that make societies self-destruct, Jared Diamond's Collapse also shows how - unlike our ancestors - we can benefit from our knowledge of the past and learn to be survivors. 'A grand sweep from a master storyteller of the human race' - Daily Mail 'Riveting, superb, terrifying' - Observer 'Gripping ... the book fulfils its huge ambition, and Diamond is the only man who could have written it' - Economis 'This book shines like all Diamond's work' - Sunday Times
A historical and ethnographic study of the fraught relationship between fossil fuels and political power in Trinidad and Tobago. Examining the past, present, and future of Trinidad and Tobago’s oil and gas industries, anthropologist Ryan Cecil Jobson traces how a model of governance fashioned during prior oil booms is imperiled by declining fossil fuel production and a loss of state control. Despite the twin-island nation’s increasingly volatile and vulnerable financial condition, however, government officials continue to promote it as a land of inexhaustible resources and potentially limitless profits. The result is what Jobson calls a “masquerade of permanence” whereby Trinbagonian state actors represent the nation as an interminable reserve of hydrocarbons primed for multinational investment. In The Petro-state Masquerade, Jobson examines the gulf between this narrative crafted by the postcolonial state and the vexed realities of its dwindling petroleum-fueled aspirations. After more than a century of commercial oil production, Trinidad and Tobago instructs us to regard the petro-state as less a permanent form than a fragile relation between fossil fuels and sovereign authority. Foregrounding the concurrent masquerades of oil workers, activists, and Carnival revelers, Jobson argues that the promise of decolonization lies in the disarticulation of natural resources, capital, and political power by ordinary people in the Caribbean.
“A gloriously paranoid, immensely satisfying international thriller” about a woman with memory loss on the run from an assassin who believes she is a spy (Los Angeles Times). When you gaze into the mirror—and find a stranger looking back? Liz Sansborough has no recollection of her past as a CIA agent; no idea what her future holds. For her, there is only the present . . . and the chilling knowledge that the world’s most lethal assassin has set his sights on her. When your only link to your identity is a stranger who claims to be lover? Gordon is so gentle, so loving—and so secretive. If Liz dares to put her life into his powerful hands, will he guard it with his own—or snuff it out? When violence explodes around you, when nothing makes sense, when nobody—including you—is whom he or she appears to be? As Liz unravels a series of lies, she begins to suspect that the truth she encounters might be far more sinister—and deadly—than the original deception . . . A People Magazine “Page Turner of the Week” “A mirror-maze of perils and pitfalls.” —The Wall Street Journal “You won’t sleep until you finish.” —Cosmopolitan “Watch out Robert Ludlum! A bravura performance by Lynds.” —Sue Grafton, #1 New York Times–bestselling author of the Kinsey Millhone novels “An edge-of-the-seat spy novel.” —Faye Kellerman, New York Times–bestselling author of the Decker/Lazarus novels “A master of intrigue and adventure.” —Clive Cussler, #1 New York Times–bestselling author of the Dirk Pitt novels “Teeth-grinding suspense.” —Publishers Weekly
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".