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Fags, Hags and Queer Sisters is a provocative account of the importance of women and cross-gender identification in gay male culture. It offers a range of cultural readings from Tennessee William's classic A Streetcar Named Desire and Forster's 'gay' novel Maurice through Pulp Fiction , queer lifestyle magazines, Roseanne , slash fan fiction and Jarman's Edward II to Almodovar's camp classic Women on the Verge of a Nervous Breakdown . Theoretically sophisticated, yet passionate, accessible and opinionated, Fags, Hags and Queer Sisters takes issue with many of the sacred cows of contemporary gay politics, and offers a number of new concepts in lesbian and gay theory.
Examines the emergence of gay male and female heterosexual alliances within contemporary media.
Drawn from in-depth qualitative research, Queer Company provides the first extended, academic analysis of gay men's workplace friendships, offering theoretical and empirical insights into a subject that is timely and important. Although theoretically framed in poststructuralism and the sociology of friendship, this book also draws on feminism, organisation studies, gender and sexuality studies to explore the diverse roles and meanings of gay men's workplace friendships. Shedding light on the significance of workplace friendship for those who participate in them, particularly in terms of how these workplace relationships can help gay men to construct meaningful identities and selves, Queer Company examines the manner in which gay men’s workplace friendships are established, developed and organised, whilst considering the effects of organisational contexts upon friendship processes. A detailed investigation of the links between friendship, sexuality, gender and intimacy in the workplace, this book will appeal to scholars of management studies as well as sociologists with interests in gender and sexuality, the sociology of organisations and cultural studies.
As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas.
It is widely supposed that the most suitable partner will be someone very much like oneself; gay fiction and cinema are often organized around this assumption. Nonetheless, power differentials are remarkably persistent—as well as sexy. What are the personal and political implications of this insight? Sinfield argues that hierarchies in interpersonal relations are continuous with the main power differentials of our social and political life (gender, class, age, and race); therefore it is not surprising that they govern our psychic lives. Recent writing enables an exploration of their positive potential, especially in fantasy, as well as their danger. On Sexuality and Power focuses on the writing of the last thirty years, revisiting also Whitman, Wilde, Mann, Forster, and Genet, and reassessing the very idea of a gay canon.
This book is about ardent Korean female fans of gay representation in the media, their status in contemporary Korean society, their relationship with other groups such as the gay population, and, above all, their contribution to reshaping the Korean media’s portrayal of gay people. Jungmin Kwon names the Korean female fandom for gay portrayals as “FANtasy” subculture, and argues that it adds to the present visibility of the gay body in Korean mainstream media, thus helping to change the public’s perspective toward sexually marginalized groups. The FANtasy subculture started forming around text-based media, such as yaoi, fan fiction, and U.S. gay-themed dramas (like Will & Grace), and has been influenced by diverse social, political, and economic conditions, such as the democratization of Korea, an open policy toward foreign media products, the diffusion of consumerism, government investment in the culture, the Hollywoodization of the film industry, and the popularity of Korean culture abroad. While much scholarly attention has been paid to female fandom for homoerotic cultural texts in many countries, this book seeks to explore a relatively neglected aspect of the subculture: its location in and influence on Korean society at large.
For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women’s stories to the screen. Analyzing Haynes’s films including Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), as well as his unauthorized Karen Carpenter biopic, Superstar (1987), and the television miniseries Mildred Pierce (2011), the contributors to Reframing Todd Haynes reassess his work in light of his long-standing feminist commitments and his exceptional career as a director of women’s films. They present multiple perspectives on Haynes’s film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes’s aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman’s film. The contributors contend that no consideration of Haynes’s work can afford to ignore the crucial place of feminism within it. Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis
This volume is a collection of papers on aspects of language and sexuality as understood and problematized by scholars in linguistics and anthropology. The idea behind this volume was to bring together people working on language-and-sexuality issues from within these two fields given that linguistic research on this topic is, more often than not, fieldwork-related and anthropological research characteristically focuses on issues of sexual onomasiology and semasiology, a concomitant of its preoccupation with social categories and categorization. This endeavor is in many respects a continuation of the discussion on the social constitution of gender while following up on a slowly but steadily growing tradition of research on language and sexuality, both in relation to gender and beyond it. Although gender and sexuality may be thought of as distinct, in principle, they interact not only in the framework provided by heteronormativity, but also in contexts where their presupposed alignment is questioned, if not summarily rebuked. Therefore, if there is, indeed, something to be said about language and sexuality beyond gender, any such discussion will also have to go through it. On the other hand, work on gendered language will have to co-estimate the findings of research on language-and-sexuality. Contributors in this volume have assumed a variety of theoretical positions from which to tackle their diverse topics, covering a wide range of sexually relevant language pertaining to heterosexual, lesbian, gay, and queer experience but also to voice, silence, the unconscious, and nationalism. Issues of identities and desires inevitably take center stage in many of the papers, reflecting dominant theoretical approaches and tensions in the field, even as authors may remain skeptical of the usefulness of the ensuing polarizations. At the same time, the polyphony envisioned by the editors and contributors in this volume will be operative in the ongoing critical appraisal of theoretical stances towards the intricate indexical relation between language, gender, and sexuality.
Sexual identity has emerged into the national discourse of post-apartheid South Africa, bringing the subject of rights and the question of gender relations and cultural authenticity into the focus of the nation state’s politics. This book is a fascinating reflection on the effects of these discourses on non-normative modes of sexuality and intimacy and on the country more generally. While in 1996, South Africa became the first country in the world that explicitly incorporated lesbian and gay rights within a Bill of Rights, much of the country has continued to see homosexuality as un-African. Henriette Gunkel examines how colonialism and apartheid have historically shaped constructions of gender and sexuality and how these concepts have not only been re-introduced and shaped by understandings of homosexuality as un-African but also by the post-apartheid constitution and continued discourse within the nation.
An enlightening, entertaining look at what the term lesbian really meansand what it means to be a lesbian Twenty-First Century Lesbian Studies focuses on the field’s institutionalization into the humanities and social sciences, examining how the term lesbian is used in activist, community, and cultural contexts, and how its use impacts the lives of women who have chosen it as an identity. The book’s contributors include many of the world’s foremost experts in lesbian studies, as well as scholars whose primary research is in bisexuality, transsexuality and transgender, intersex, and queer theory. The innovative essays touch on five individual themesGenealogies, Readings, Theories, Identities, and Locationsas they explore the past, present, and future of lesbian studies. Twenty-First Century Lesbian Studies places the term lesbian at the center of analysis, whether as a concept, a category, an identity, a political position, or an object choice. The book’s cutting-edge essays examine the various meanings of lesbian; the risks taken by women who live and/or act, write, and speak as lesbians; current genealogical myths; and the lives, studies, and activism of lesbians who represent a range of geographical and historical contexts. The book presents research produced outside the United States/United Kingdom, two places which tend to dominate the field, and essays that focus on areas, such as medieval studies, that are often ignored in theoretical discussions. Twenty-First Century Lesbian Studies considers these questions: does the term lesbian still have relevance as an identity descriptor or political position? who does lesbian include and/or exclude? how does intersectional thinking impact the way we formulate lesbian identities? are we now post-lesbian? what, if anything, defines the field of lesbian studies? what is the current state of the field? what is the possible future of the field? what current topics should be most important to practitioners? how is work that falls under the lesbian studies umbrella connected to efforts in the areas of feminism, LGBT, intersex, and queer straight studies? and many more Twenty-First Century Lesbian Studies is an enlightening, entertaining, and essential read for academics and students working in all disciplines in the social sciences and humanities, and for the lesbian/queer population, in general.