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Charles Dickens's Oliver Twist, with Fagin, Sykes, the Artful Dodger, and children trained as pickpockets and sent out as burglar's accomplices, provides an unforgettable fictional image of the Victorian underworld. Fagin's Children is an account of the reality of child crime in 19th-century Britain and the reaction of the authorities to it. It reveals both the poverty and misery of many children's lives in the growing industrial cities of Britain and of changing attitudes toward the problem. Inevitably most is known about children who were arrested. While few children were hanged after 1800, their treatment ranged from whipping to imprisonment, sometimes in the hulks, and transportation. Increasingly, elements of training and reclamation came into a system principally aimed at punishment. Fagin's Children is an original and important contribution both to the history of Victorian crime and to the history of childhood.
Charles Dickens’s Oliver Twist, with Fagin, Sykes, the Artful Dodger, and children trained as pickpockets and sent out as burglar’s accomplices, provides an unforgettable fictional image of the Victorian underworld. Fagin’s Children is an account of the reality of child crime in 19th century Britain and the reaction of the authorities to it. It reveals both the poverty and misery of many children’s lives in the growing industrial cities of Britain and of changing attitudes toward the problem. Inevitably most is known about children who were arrested. While few children were hanged after 1800, their treatment ranged from whipping to imprisonment, sometimes in the hulks, and transportation. Increasingly, elements of training and reclamation came into a system principally aimed at punishment. Fagin's Children is an original and important contrihution both to the history of Victorian crime and to the history of childhood.
On October 16, 1991, the badly decomposed body of 11-year-old Melissa Moody was found in the woods near Boswell, Oaklahoma. She had been raped and murdered by her uncle, Jesse James Cummings. Only when one of his wives--herself a victim of his abuse--found the strength to turn against him do police get the evidence they need to put him on death row. Includes 12 pages of photos.
When the show was first produced in 1960, at a time when transatlantic musical theatre was dominated by American productions, Oliver! already stood out for its overt Englishness. But in writing Oliver!, librettist and composer Lionel Bart had to reconcile the Englishness of his Dickensian source with the American qualities of the integrated book musical. To do so, he turned to the musical traditions that had defined his upbringing: English music hall, Cockney street singing, and East End Yiddish theatre. This book reconstructs the complicated biography of Bart's play, from its early inception as a pop musical inspired by a marketable image, through its evolution into a sincere Dickensian adaptation that would push English musical theatre to new dramatic heights. The book also addresses Oliver!'s phenomenal reception in its homeland, where audiences responded to the musical's Englishness with a nationalistic fervor. The musical, which has more than fulfilled its promise as one of the most popular English musicals of all time, remains one of the country's most significant shows. Author Marc Napolitano shows how Oliver!'s popularity has ultimately exerted a significant influence on two separate cultural trends. Firstly, Bart's adaptation forever impacted the culture text of Dickens's Oliver Twist; to this day, the general perception of the story and the innumerable allusions to the novel in popular media are colored heavily by the sights, scenes, sounds, and songs from the musical, and virtually every major adaptation of from the 1970s on has responded to Bart's work in some way. Secondly, Oliver! helped to move the English musical forward by establishing a post-war English musical tradition that would eventually pave the way for the global dominance of the West End musical in the 1980s. As such, Napolitano's book promises to be an important book for students and scholars in musical theatre studies as well as to general readers interested in the megamusical.
Proceedings for 1884 and 1885 include report of conference of prison officials, Chicago, 1884, separately paged.
A witty, candid, sharply written memoir by the cofounder of Steely Dan In his entertaining debut as an author, Donald Fagen—musician, songwriter, and cofounder of Steely Dan—reveals the cultural figures and currents that shaped his artistic sensibility, as well as offering a look at his college days and a hilarious account of life on the road. Fagen presents the “eminent hipsters” who spoke to him as he was growing up in a bland New Jersey suburb in the early 1960s; his colorful, mind-expanding years at Bard College, where he first met his musical partner Walter Becker; and the agonies and ecstasies of a recent cross-country tour with Michael McDonald and Boz Scaggs. Acclaimed for his literate lyrics and complex arrangements as a musician, Fagen here proves himself a sophisticated writer with his own distinctive voice.