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The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.
A reference tool for researching facts and events that occured in the year 1997.
This work offers a critical re-reading of fictions of humanity, history, technology and postmodern culture. Taking psychoanalysis into cyberspace, the book develops a theoretical perspective on the relationship between bodies and machines.
A great thinker's final testament: a characteristically wise and forthright collection of essays from the author of Postwar and Thinking the Twentieth Century that feels all the more potent and important in today’s political climate. Edited and introduced by Jennifer Homans. Tony Judt’s widow and fellow historian, Jennifer Homans, has gathered together important essays from the span of Judt’s career that chronicle both the evolution of his thought and the remarkable consistency of his passionate engagement and intellectual élan. Whether the subject is the scholarly poverty of the new social history, the willful blindness of French collective memory about what happened to the country’s Jews during World War II, or the moral challenge to Israel of the so-called Palestinian problem, the majesty of Tony Judt’s work lies in his combination of unsparing honesty, intellectual brilliance, and ethical clarity. When the Facts Change exemplifies the necessity of minding our history and not letting cheerful fictions suffice in its place. An emphatic demonstration of the power of a great historian to connect us more deeply to the world as it was, as it is, and as it should be, it is a fitting capstone to an extraordinary body of work.
This volume provides a basic introduction to the philosophy of science and its central concepts, theories, and philosophical, scientific, and spatial positions and approaches.