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History of the tomb of Humayun, Emperor of Hindustan, 1508-1556, in Delhi; pictorial presentation.
George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.
India's history and culture is ancient and dynamic, spanning back to the beginning of human civilization. Beginning with a mysterious culture along the Indus River and in farming communities in the southern lands of India, the history of India is punctuated by constant integration with migrating peoples and with the diverse cultures that surround the country. Placed in the center of Asia, history in India is a crossroads of cultures from China to Europe, as well as the most significant Asian connection with the cultures of Africa. The Historical Dictionary of Ancient India provides information ranging from the earliest Paleolithic cultures in the Indian subcontinent to 1000 CE. The ancient history of this country is related in this book through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on rulers, bureaucrats, ancient societies, religion, gods, and philosophical ideas.
Historic sites celebrate defining moments in history, memorialize important events and people, and contribute to the character of the locations where they are situated. Heritage designation, both globally and nationally, is an inherently contested issue. As detailed in this volume, concerns of politics and identity, criteria for designation, impacts on communities and sites, and challenges to management planning are central to any understanding of the process by which heritage sites are created, developed, and maintained. The idea for this volume originated at a symposium hosted by the Savannah College of Art and Design. Contributors address such topics as the need to revamp criteria for designation, the effect historic site recognition has on local communities, the challenges encountered in maintaining a site, and issues linked to specific political climates or actions and group identity. The contributors constitute an international cast of leading scholars, employees, and policy-makers, all of whom have had extensive experience with World Heritage and National Register site stewardship. The work will be an invaluable reference for historians, architects, and those committed to the preservation of national monuments.
Contributed papers, mostly on Tamil language and literature.
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.
Eloquent Spaces adopts the twin analytic of meaning and community to write a fresh history of building in early India. It presents a new perspective on the principles and practices of early Indian architecture. Defining it broadly over a range of space uses, the book argues for architecture as a form of cultural production as well as public consumption. Ten chapters by leading archaeologists, architects, historians and philosophers, examining different architectural sites and landscapes, including Sanchi, Moodabidri, Srinagar, Chidambaram, Patan, Konark, Basgo and Puri, demonstrate the need to look beyond the built form to its spirit, beyond aesthetics to cognition, and thereby to integrating architecture with its myriad living contexts. The volume captures some of the semantic diversity inherent in premodern Indian traditions of civic building, both sacred and secular, which were, however, unified in their insistence on enacting meaning and a transcendent validity over and above utility and beauty of form. The book is a quest for a culturally rooted architecture as an alternative to the growing crisis of disembededness that informs modern praxis. This volume will be of interest to scholars and practitioners of architecture, ancient Indian history, philosophy, art history and cultural studies.
This volume of essays and papers by well-known encyclopaedist, historian, museologist, and anthropologist Prof. George Menachery, investigates various aspects of the heritage of Indian Christians in the light of the latest discoveries and findings in archaeology, epigraphy, demography, and geology. Controversies concerning the sojourn of Apostle Thomas in the north, south-east, and south-west India are discussed giving due weight to the documents that have surfaced representing almost every century, every language, and every church - both occidental and oriental. The spread of the Catholic Church in India, as represented by the major missionary thrust of Francis Xavier and the Jesuits, is subjected to scrutiny. The Protestant pioneers and the evangelical achievements from Tranquebar to the Sepoy Mutiny are dealt with in detail. A distinctive feature of the book is the original facts brought out on Christian art, architecture, customs, and manners both of the Thomas Christians and the Christians of other denominations and areas. The author’s intimate association with Christianity in Kerala, the Konkan, the Deccan, Bengal, and the Tribal belts is reflected in these writings. A trailblazing scholar and reformer, the author’s latest is a stirring nostalgic voyage of discovery. With its engaging style, it assures a riveting read.